After decades of recording for RCA Victor, Atkins switched labels; this 1985 effort is a summit meeting of sorts with young guitar hotshots like Larry Carlton, George Benson, Mark Knopfler, Steve Lukather, and Earl Klugh, plus session A-teamers like Boots Randolph, Larrie Londin, David Hungate, Mark O'Connor and others. Atkins' tone is, as usual, faultless, and his playing superb. If the "meetings" don't always come off, it's usually due to the overzealousness of the other guitar players (Lukather's over-the-top style screams '80s big hair, for instance), not Chet, whose playing always exercises the utmost in restraint in every situation. All in all, a good modern-day Chet Atkins album, but not the place to start a collection.

One of the most influential guitarists of the 20th century, as well as a legendary musician and producer within country music. Without Chet Atkins, country music may never have crossed over into the pop charts in the '50s and '60s. Although he recorded hundreds of solo records, Atkins' largest influence came as a session musician and a record producer. During the '50s and '60s, he helped create the Nashville sound, a style of country music that owed nearly as much to pop as it did to honky tonks. And as a guitarist, he was without parallel.

One of the most influential guitarists of the 20th century, as well as a legendary musician and producer within country music. Without Chet Atkins, country music may never have crossed over into the pop charts in the '50s and '60s. Although he recorded hundreds of solo records, Atkins' largest influence came as a session musician and a record producer. During the '50s and '60s, he helped create the Nashville sound, a style of country music that owed nearly as much to pop as it did to honky tonks. And as a guitarist, he was without parallel.

3 CDs of his most amazing guitar performances! Includes Canned Heat; Galloping on the Guitar; Caravan; Main Street Breakdown; Tennessee Polka; Shine on Harvest Moon; Tenderly; Minute Waltz; Somebody Stole My Gal; Hey, Mr. Guitar (Hey, Mr. Banjo); Blues in the Night; Unchained Melody; St. Louis Blues, and more.

If the cover of At Home evokes the 1950s, the music on In Hollywood is the 1950s: a warm, cozy, sophisticated album of mood music in the best sense. Yet this is not an album of film music (though a handful of film themes turn up). Rather, it is exactly what the title indicates: Chet Atkins recording an album in a Hollywood studio, as opposed to the familiar haunts of Nashville…

Chet Atkins, known as "Mr. Guitar" and "The Country Gentleman", was an American musician, occasional vocalist, songwriter, and record producer who, along with Owen Bradley, Bob Ferguson and others, created the country music style that came to be known as the Nashville sound, which expanded country music's appeal to adult pop music fans. He was primarily known as a guitarist. He also played the mandolin, fiddle, banjo, and ukulele. Rolling Stone credited Atkins with inventing the "popwise 'Nashville sound' that rescued country music from a commercial slump," and ranked him number 21 on their list of "The 100 Greatest Guitarists Of All Time."

This CD showcases some of Chet Atkins' best work. How can one man have all that talent? His playing is astounding and the collaborations with Dolly Parton, Les Paul and others are real bonuses, with plenty of humour in the singing. Some of the tracks sound a bit dated and effects-heavy, but the best are brilliant. A fantastic collection from one of the world's best guitarists.

He was known as ‘Mr Guitar’. One of the greatest and most influential musicians in country music, Chet Atkins was Cashbox magazine’s Instrumentalist of the Year from 1953 to 1971. Additionally, he was an RCA Nashville producer from the late ’50s through to the mid-70’s, masterminding sessions for Dolly Parton, Charley Pride, Don Gibson, Eddy Arnold, Hank Snow, Waylon Jennings, Jim Reeves and countless others.

Chet Atkins earned and held the title of "Mr. Guitar" for 50 years before passing away in the summer of 2001. Signed to RCA in 1947, he would help define the "Nashville Sound" in the late '50s while simultaneously releasing a steady string of instrumental albums. RCA Country Legends captures Atkins on 14 wonderful tracks recorded between 1949 and 1976. Atkins recorded the self-penned single "Barber Shop Rag" with mandolinist Jethro Burns and guitarist Homer Haynes. Burns' speedy runs work as a nice counterpoint, and bring out equally inspired work from Atkins. Curiously, Atkins and his buddies even add vocals on an infectious cut titled "Boogie Man Boogie." There's a nice duet with writer and fellow guitar picker Jerry Reed on "Twitchy," and a spunky take on "Tiger Rag" worthy of Django Reinhardt. There are also a number of solo pieces, including "Petite Waltz," "Yes Ma'am," and the closer, "Liza." These cuts capture a quintessential Atkins, just a man and his guitar, handling the rhythm and lead without blinking.

As seen on PBS. Chet Atkins - Certified Guitar Player is a concert-tribute to Chet Atkins, performed by Chet and many giants in the music business: Mark Knopfler, The Everly Brothers, Emmylou Harris, Michael McDonald, Waylon Jennings, and Willie Nelson, backed by Nashville's premier studio musicians. Great music, great fun, and a moving experience as a joyful document created about Chet Atkins' importance in the history of music, and to everyone on that stage. The CD: contains the entire soundtrack of the program above. It has all the music (17 songs), all the interplay between Chet and his fellow stars, and all the excitement felt by the audience that night.

Chet Atkins recorded way too often, in way too many dubious contexts; wanting to showcase the depth and breadth of his playing, he instead buried himself. So what's a fan to do? This two-disc set is beautifully programmed, keeping all emphasis on Chet himself, from the delicate drive of 1947's "Canned Heat" to the four-guitar interplay of 1978's "Carolina Shout."