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    La Serenissima; Adrian Chandler - The Italian Job: Caldara, Corelli, Tartini, Vivaldi, Albinoni, Torelli (2017)

    Posted By: Designol
    La Serenissima; Adrian Chandler - The Italian Job: Caldara, Corelli, Tartini, Vivaldi, Albinoni, Torelli (2017)

    The Italian Job: Caldara, Corelli, Tartini, Vivaldi, Albinoni, Torelli (2017)
    La Serenissima; Adrian Chandler, violin & direction

    EAC | FLAC | Image (Cue&Log) ~ 396 Mb | Mp3 (CBR320) ~ 185 Mb | Artwork included
    Classical, Baroque | Label: Avie Records | # AV2371 | Time: 01:16:22

    The English, historical-instrument, Baroque ensemble La Serenissima (the term was a nickname for the city of Venice) has specialized in somewhat scholarly recordings that nevertheless retain considerable general appeal, and the group does it again with this release. The program offers some lesser-known composers, and some lesser-known pieces by famous composers like the tiny and fascinating Concerto alla rustica for two oboes, bassoon, strings, and continuo, RV 151. What ties the program together formally is that it covers a range of Italian cities that were becoming cultural centers as they declined in political power: not only Venice (Vivaldi, Albinoni, Caldara), but also Padua (Tartini), Bologna (Torelli), and Rome (Corelli). There are several works by composers known only for one or two big hits, and these are especially rewarding. Sample the opening movement of Tartini's Violin Concerto E major, DS 51, with its unusual phrase construction and daringly chromatic cadenza passage: it has the exotic quality for which Tartini became famous, but it does not rely on sheer virtuosity. That work is played by leader Adrian Chandler himself, but he also chooses pieces for a large variety of other solo instruments: the Italian Baroque was about more than the violin. Each work on the album has something to recommend it, and collectively the performances may make up the best album of 2017 whose booklet includes footnotes.

    Seon - Excellence in Early Music [85CDs] Part 1 (2014)

    Posted By: ArlegZ
    Seon - Excellence in Early Music [85CDs] Part 1 (2014)

    Seon - Excellence in Early Music [85CDs] Part 1 (2014)
    EAC | FLAC | Image (Cue & Log) ~ 4,84 Gb | Total time: 77:26:37 | Scans included
    Classical | Label: Sony | # 88843089382 | Recorded: 1970-1984

    SEON (Studio Erichson) is a period music label by the legendary producer Wolf Erichson. Erichson founded the label in 1969 as one of the first labels dedicated only to authentic music. The recordings were made with the best available recording techniques of the time and still deliver a high quality product in line with today's standards. This special boxset offers all SEON CD reissues from the late 90s on 85 CDs in a limited edition boxset.

    La Petite Bande; Sigiswald Kuijken - Arcangelo Corelli: Concerti Grossi Op.6 Nos. 1-6 (1995)

    Posted By: Designol
    La Petite Bande; Sigiswald Kuijken - Arcangelo Corelli: Concerti Grossi Op.6 Nos. 1-6 (1995)

    Arcangelo Corelli: Concerti Grossi Op.6 Nos. 1-6 (1995)
    La Petite Bande; Sigiswald Kuijken, violin & direction

    EAC | FLAC | Tracks (Cue&Log) ~ 357 Mb | Mp3 (CBR320) ~ 170 Mb | Scans included
    Classical, Baroque | Label: Deutsche Harmonia Mundi | # 05472 77432 2 | 01:08:32

    La Petite Bande recorded its set during the late 1970s and these are performances which do considerable justice to the music. Brisker tempos, lighter bass string playing and an altogether more imaginative approach to continuo realization bring these concertos alive to an extent hardly realised by I Musici. Sigiswald Kuijken, the leader and director of La Petite Bande, includes a theorbo in his continuo group and this is invariably an effective addition. Both sets field a secure and lively concertino group of two violins, cello and continuo but listeners may well find that the warmer sound and greater degree of finesse provided by the concertino of I Musici is more to their liking than the thinner, wirier textures of the other. Having said that, I should add that in matters of baroque style, as in its more highly developed spirit of fantasy, La Petite Bande offers far and away the more satisfying performances.

    Lucile Boulanger - Les Défis de Monsieur Forqueray: Corelli, Mascitti, Leclair (2018)

    Posted By: ArlegZ
    Lucile Boulanger - Les Défis de Monsieur Forqueray: Corelli, Mascitti, Leclair (2018)

    Lucile Boulanger, Romain Falik, Pierre Gallon, Claire Gautrot - Les Défis de Monsieur Forqueray: Corelli, Mascitti, Leclair (2018)
    EAC | FLAC | Image (Cue & Log) ~ 409 Mb | Total time: 76:07 | Scans included
    Classical | Label: Harmonia Mundi | HMM 902330 | Recorded: 2017

    In her debut recording for harmonia mundi, Lucile Boulanger explores the facets of Antoine Forqueray’s career as a virtuoso instrumentalist: adept in a wide range of Italian repertoire and skilled at transcribing works originally intended for the violin, he could try it on for size, as it were, before settling on a different medium.

    Michala Petri, Mahan Esfahani - Arcangelo Corelli: La Follia, Six Sonatas, Op.5 Nos. 7-12 (2014)

    Posted By: Designol
    Michala Petri, Mahan Esfahani - Arcangelo Corelli: La Follia, Six Sonatas, Op.5 Nos. 7-12 (2014)

    Arcangelo Corelli: "La Follia", Six Sonatas, Op.5 Nos. 7-12 (2014)
    Michala Petri (recorder), Mahan Esfahani (harpsichord)

    EAC | FLAC | Image (Cue&Log) ~ 342 Mb | Mp3 (CBR320) ~ 153 Mb | Artwork included
    Genre: Classical | Label: OUR Recordings | # 6.220610 | Time: 01:05:56

    Arcangelo Corelli was "world famous" even in the world of his day. Copies of Corelli's works appeared in St. Petersburg as well as in Constantinople, Stockholm and even in America, where Thomas Jefferson spoke of being charmed completely by Corelli's music. Despite its popularity only a handful of his original manuscripts exist today and the Violin Sonatas Op. 5 have a place of honor. The pieces on this album were drawn from the second half of Op. 5 and in the original edition of 1700, published as "Parte seconda: Preludii, Allemande, Correnti, Sarabande, Gavotte, e Follia." Baroque sonatas having been inspired by dances, and playable on violin and harpsichord or ona variety of instruments, in this case, recorder and harpsichord. The easy-held nature of the sonatas allows great freedom for ornamentation and improvisation, which Michala Petri and Mahan Esfahani savor with pleasure.

    Enrico Gatti, Ensemble Aurora - Arcangelo Corelli: Sonate à 3. Opera Quarta. Rome, 1694 (2012)

    Posted By: ArlegZ
    Enrico Gatti, Ensemble Aurora - Arcangelo Corelli: Sonate à 3. Opera Quarta. Rome, 1694 (2012)

    Enrico Gatti, Ensemble Aurora - Arcangelo Corelli: Sonate à 3. Opera Quarta. Rome, 1694 (2012)
    EAC | FLAC | Image (Cue & Log) ~ 470 Mb | Total time: 42:20+43:40 | Scans included
    Classical | Label: Glossa | GCD 921207 | Recorded: 2012

    The appointment in 1689 of Pietro Ottoboni as Cardinal of San Lorenzo in Damaso marked the beginning of one of the most splendid epochs of patronage of the arts in Rome. A passionate lover of music, Ottoboni gave his protection to numerous musicians: Handel, Pasquini, Scarlatti and Caldara all at some point worked at the cardinal’s court. A few months after his election, Ottoboni took into his service the famous violinist Arcangelo Corelli, who was employed not only as first violin and leader for the instrumental music, but had complete control also over the sumptuous musical events.

    Sara Mingardo, Sandrine Piau, Rinaldo Alessandrini, Concerto Italiano - Un Viaggio a Roma (2018)

    Posted By: ArlegZ
    Sara Mingardo, Sandrine Piau, Rinaldo Alessandrini, Concerto Italiano - Un Viaggio a Roma (2018)

    Sara Mingardo, Sandrine Piau, Rinaldo Alessandrini, Concerto Italiano - Un Viaggio a Roma: Handel, Stradella, Muffat, Scarlatti, Corelli (2018)
    EAC | FLAC | Image (Cue & Log) ~ 355 Mb | Total time: 70:13 | Scans included
    Classical | Label: Naïve | # OP30565 | Recorded: 2015, 2017

    Handel, Scarlatti, Corelli, Stradella, Muffat … From 1650 to the beginning of the eighteenth century, Rome exercised an immense power in attracting composers from all over Europe and experienced an intense moment of musical activity, because of - or in spite of - the papal administration. It was a prosperous period with a melting pot of influences. The programme devised here by the Roman conductor, Rinaldo Alessandrini, offers a complete and personal vision of the time, passionate and secular, lyrical (made sublime by Sandrine Piau) and orchestral, romantic in every way. Rinaldo Alessandrini is one of the leading figures in the international early music scene.

    Amandine Beyer - Portrait: Matteis, Rebel, de Visée, J.S. Bach, C.P.E. Bach, Corelli, Vivaldi (2013)

    Posted By: ArlegZ
    Amandine Beyer - Portrait: Matteis, Rebel, de Visée, J.S. Bach, C.P.E. Bach, Corelli, Vivaldi (2013)

    Amandine Beyer - Portrait: Matteis, Rebel, de Visée, J.S. Bach, C.P.E. Bach, Corelli, Vivaldi (2013)
    EAC | FLAC | Image (Cue & Log) ~ 662 Mb | Total time: 65:28+56:03 | Scans included
    Classical | Label: Zig Zag Territoires | # ZZT325 | Recorded: 2005-2012

    This double album offers a portrait of the violinist Amandine Beyer drawn from the recordings she has made for ZZT. The first CD selects highlights from her chamber repertoire, including works by Jean-Féry Rebel, Carl Philipp Emanuel Bach, Nicola Matteis, and Robert de Visée. The second is devoted to the concerto, with compositions by Johann Sebastian Bach, Antonio Vivaldi, and Arcangelo Corelli. This programme is an ideal introduction to the multiple facets of Amandine Beyer’s talent and to the grace and joie de vivre of her music-making. It also provides an opportunity to discover one of Corelli’s Concerti Grossi op.6, a preview of the complete set to be released on ZZT in the autumn of 2013.

    The Smithsonian Chamber Players - Corelli: Twelve Trio Sonatas Opus 3 (1989)

    Posted By: tirexiss
    The Smithsonian Chamber Players - Corelli: Twelve Trio Sonatas Opus 3 (1989)

    The Smithsonian Chamber Players - Corelli: Twelve Trio Sonatas Opus 3 (1989)
    EAC | FLAC (image+.cue, log) | Covers Included | 74:51 | 490 MB
    Genre: Classical | Label: Smithsonian Collection of Recordings | Catalog: ND 035

    Listening to this recording you feel as if Corelli was the greatest composer in the world, and that this music is the finest ever written. The artistry, interpretation, and complete understanding of Corelli's string trios elevate this music beyond its purely historical stature. The SCP are incomparable: Jaap Schroeder, Konrad Junghaenel, Kenneth Slowik, etc. The recording is perfectly judged.

    100 Christmas Masterworks [5CDs] (2018)

    Posted By: ArlegZ
    100 Christmas Masterworks [5CDs] (2018)

    100 Christmas Masterworks [5CDs] (2018)
    EAC | FLAC | Image (Cue & Log) ~ 1.40 Gb | Total time: 05:28:14 | Scans included
    Classical | Label: Deutsche Grammophon | 483 6001 | Recorded: 1961-2017

    This imaginatively-curated, generously-filled Christmas package is sure to find favor during this and future holiday seasons. Why? Because it packs in every conceivable carol, tune, choral work or song in timeless performances from the greatest artists in the world: singers of immense communicative gifts including Cecilia Bartoli, Bryn Terfel, Renee Fleming and Luciano Pavarotti to name but four. It truly offers something of every Christmas mind, spirit, and looks fantastic.

    Amandine Beyer, Gli Incogniti - Vivaldi & Corelli: Concertos (2014)

    Posted By: tirexiss
    Amandine Beyer, Gli Incogniti - Vivaldi & Corelli: Concertos (2014)

    Amandine Beyer, Gli Incogniti - Vivaldi & Corelli: Concertos (2014)
    WEB | FLAC (tracks) - 1.7 Gb | 04:48:36
    Genre: Classical | Label: Zig Zag Territoires

    This VIVALDI/CORELLI/BEYER collection groups interpretations by Amandine Beyer and the ensemble Gli Incogniti of major works by two Italian composers: Vivaldi and Corelli. Here again, Amandine Beyer demonstrates her exceptional talent as both a violinist and ‘bandleader’, giving these works, which illustrate the art of the concerto at the beginning of the 18thcentury, a certain Italian vocal quality in a particularly felicitous and invigorating interpretation.

    A Baroque Christmas: Scheide, Buxtehude, Weckman, Schütz, J.S.Bach, Corelli, Caccini, Bassano, Merula [3CDs] (2012)

    Posted By: ArlegZ
    A Baroque Christmas: Scheide, Buxtehude, Weckman, Schütz, J.S.Bach, Corelli, Caccini, Bassano, Merula [3CDs] (2012)

    A Baroque Christmas: Scheide, Buxtehude, Weckman, Schütz, J.S.Bach, Corelli, Caccini, Bassano, Merula, Du Caurroy, Dandrieu, Du Mont, Daquin (2012)
    EAC | FLAC | Image (Cue & Log) ~ 0,98 Gb | Total time: 3h 57' | Scans included
    Classical | Label: Ricercar | # RIC 329 | Recorded: 1981-2009

    The celebration of the Nativity has always been a source of inspiration for composers. The different elements of the evangelical narrative evoke numerous images: tender feelings before the Baby Jesus; the gentleness of his mother, the Virgin Mary; the procession of the three Wise Men; the angelic choirs in Heaven; and these shepherds gathered in the manger. All that appears in the musical repertoire linked to this holiday, as well as the presence of colourful instrumentations and themes connected to folk traditions. This set, released by Ricercar, brings together all these elements, drawn from the repertoires of the Renaissance and Baroque eras.

    The English Concert, Trevor Pinnock - Arcangelo Corelli: 12 Concerti Grossi, Op.6 (2004)

    Posted By: tirexiss
    The English Concert, Trevor Pinnock - Arcangelo Corelli: 12 Concerti Grossi, Op.6 (2004)

    The English Concert, Trevor Pinnock - Arcangelo Corelli: 12 Concerti Grossi, Op.6 (2004)
    EAC | FLAC (tracks+.cue, log) | Covers Included | 02:09:41 | 846 MB
    Genre: Classical | Label: Archiv Produktion | Catalog: 4749072

    The re-release of The English Concert’s award-winning recording of Corelli’s Op 6 concertos offers a welcome opportunity to reflect on some of the changes in taste that have emerged since 1989. Two competing recordings, by groups led by Italians – that of Ensemble 415 and Europa Galante – oblige with two quite different approaches to this most quintessential of Baroque music.