Steve Hackett proudly presents ‘The Lamb Stands Up Live At The Royal Albert Hall’, a stunning audio/visual document of his show at the iconic London venue in October 2024. Celebrating the 50th anniversary of the legendary Genesis concept album ‘The Lamb Lies Down On Broadway’, with several tracks from that album as well as other Genesis & solo classics.

Many long-lived rock artists (Emerson, Lake & Palmer and King Crimson, to name two) are starting to see the value in releasing live archival material. It's a way to thwart the bootleggers, plus it pleases longtime fans. Hackett joins in with this box set release of three shows, one from the 1970s (Hammersmith Odeon, London, June 30,1979), one from the 1980s (Castel Sant'Angelo, Rome, Sept. 13,1981), and one from the 1990s (The Grand Theatre, London, June 8,1993). It's a viable collection, coming complete with a photo-laden booklet which includes an intro to each show written by Hackett (or, Stefanovitch Von Hackenschimdt, as he signs one), a complete tour itinerary covering his solo career to 2000, and track-by-track comments on each song from the 1993 disc (but, strangely, not for the other two shows). A couple of drawbacks to the discs are the only-average sound quality of the 1979 and 1981 shows…

Most supergroups don't last long, and GTR was no exception to the rule. Steve Hackett and Steve Howe - lead guitarists for the prime periods of Genesis and Yes, respectively - formed the band in 1986, not with the intention of reviving classic prog rock, but with the idea of making a stadium-shaking hard rock band. It was two veterans with very clear musical identities of their own, teamed with a trio of supporting musicians eager for a big break. Not the ideal formula for a perfect rock album, since the scales were already tipped toward one side as the recording began. And, GTR's lone eponymous album didn't deliver the fireworks that Howe and Hackett fans desired. Part of the problem is that the two guitarists crowd each other out; it rarely sounds like they're trading licks, but rather like they're stepping forward for solos at their pre-scheduled times…

Legendary guitarist Steve Hackett presents a selection of live recordings from his annual acoustic performances at Trading Boundaries, UK. 17 tracks including Genesis classics like ‘Horizons’ and ‘Blood on the Rooftops’, as well as solo & classical tracks such as ‘Black Light’, ‘Ace of Wands’ & much more!

5th in Vencenzo Ricca’s Italian ‘Rome Pro(G)ject’ excellent series of mostly instrumental vintage keyboard driven symphonic Prog albums!

A selection of 5 classic studio albums packaged together in a new slim-line slipcase by the legendary prog guitarist and former Genesis member, the Rock and Roll Hall of Fame inductee Steve Hackett. Includes the albums: Voyage Of The Acolyte, Spectral Mornings, Defector, Highly Strung and Please Don’t Touch. Stephen Richard Hackett is an English musician, songwriter, singer, and producer who gained prominence as the lead guitarist of the progressive rock band Genesis from 1971 to 1977. Hackett contributed to six Genesis studio albums, three live albums, seven singles and one EP before he left to pursue a solo career. He was inducted into the Rock and Roll Hall of Fame as a member of Genesis in 2010.

Tracks taken from his albums 'Bay Of Kings' and 'Genesis Revisited' with members of King Crimson, Yes, Asia and The Zombies assisting. There is nothing older than two pieces from '83 acoustic guitar album Bay of Kings (except 'Horizons' from it appeared originally in Foxtrot, and 'Steppes' from Tokyo Tapes live album in Defector '80). Each song is served with liner notes and thus clearing the 'Genesis' concept also in tracks that at first seem to have nothing to do with it. Two instrumental tracks from '99 Darktown? As well or better could have been some (new versions perhaps) from earliest solo albums that are closer in style to Genesis. But this kind of limited compiling principle suits well. The sense of compilation is almost absent if you haven't heard all the source albums. It's principally just an extended version of "Watcher of the Skies - Genesis Revisited" (96) and it works as that.

Every year Djabe & Steve Hackett impress jazz and progressive rock fans with more and more cohesive and powerful performances. The 2023 tour has once again delivered some surprises. The most attention-grabbing of these was the interpretation of the Genesis song Carpet Crawlers, sung fantastically by Péter Kaszás behind the drums. Listening to the whole concert, we feel that the parts are coming together more and more. The musicians and the songs from the repertoire of Djabe, Djabe & Steve Hackett, Genesis and Steve Hackett form an inseparable unit. The musicians perform Camino Royale, Ace Of Wands, Buzzy Island, Last Train To Istanbul and Los Endos with elemental power and energy. These are beautifully counterpointed by lyrical compositions such as Franciska, Horizons, Tale, Hairless Heart, Firth Of Fifth. And jazz fans will not be left unsatisfied either: in Could Have Been or Central European Time, the musicians of Djabe prove that they are without a doubt the leading musicians of the Hungarian jazz scene.

Though you will see Till We Have Faces often mentioned as the first rock album to draw from world music influences, that's not quite true. Santana, John McLaughlin, Os Mutantes, the Police, Jade Warrior, and others were doing it long before. That said, the album was done before Paul Simon ushered it in as a trend with Graceland. Recorded in Rio de Janeiro and mixed in London, it's a step away from the progressive rock he'd become recognized for and is a mostly successful venture. A couterie of Latin percussionists flesh out the almost all Brazilian band that graces the album, adding layers of complex rhythms. These rhythms are the core of the album and make such songs as "A Doll That's Made in Japan" and "What's My Name" more exotic and interesting; they creatively juxtapose Oriental and South American styles…