A unique phenomenon in popular music history, Jethro Tull have been and still are one of the most successful live performing acts on the world stage, rivaling Led Zeppelin, Elton John and even the Rolling Stones. After forty years at the bottom, at the top and various points in between, with now some 30-odd albums to their credit and sales totaling more than 50 million, Jethro Tull are still performing typically more than a hundred concerts each year. This concert recorded in 2008 is one of their best.

Released just as punk was taking hold on the public's imagination in America and making groups like Jethro Tull seem like dinosaurs on their way to extinction, Bursting Out became a seemingly perpetual denizen of the cutout bins for years afterward. However, it happened to be a good album, a more-than-decent capturing of a live Tull concert from Europe. The sound is remarkably good, given the group's arena rock status at the time, and the repertoire is a solid representation of the group's history, going all the way back to "A New Day Yesterday" from their second album and up through 1978's Heavy Horses, with stops along the way for "Bouree," "Aqualung," "Locomotive Breath," "Cross-Eyed Mary," and a compact reprise of Thick as a Brick.

Following the end of the Stormwatch tour in early 1980, Jethro Tull would undergo its largest line-up shuffle to date, resulting in Barriemore Barlow, John Evan and Dee Palmer all leaving the band. Jethro Tull was left with Anderson (the only original member), Martin Barre and Dave Pegg. Tull's first album of the 1980s was intended to be an Ian Anderson solo album. Anderson retained Barre on electric guitar and Pegg on bass, while adding Mark Craney on drums, and special guest keyboardist/violinist Eddie Jobson (ex–Roxy Music). Highlighted by the prominent use of synthesisers, it contrasted sharply with the established "Tull sound". After pressure from Chrysalis Records, Anderson agreed to release it as a Jethro Tull album. Entitled A (taken from the labels on the master tapes for his scrapped solo record, marked simply "A"), it was released in mid-1980.

Jethro Tull's second album-length composition, A Passion Play is very different from – and not quite as successful as – Thick as a Brick. Ian Anderson utilizes reams of biblical (and biblical-sounding) references, interwoven with modern language, as a sort of a rock equivalent to T.S. Eliot's The Wasteland. As with most progressive rock, the words seem important and profound, but their meaning is anyone's guess ("The ice-cream lady wet her drawers, to see you in the Passion Play…"), with Anderson as a dour but engaging singer/sage (who, at least at one point, seems to take on the role of a fallen angel).

Ian Anderson revolutionized the progressive rock genre with his flute playing With "Thick As A Brick - Live In Iceland" the multi-instrumentalist creates a concert experience of a special kind: Jethro Tull's worldwide acclaimed concept album "Thick As A Brick" (1972) and its sequel "Thick As A Brick 2" (2012) form the basis of this live album. The concert, filmed in Iceland, brings the story of the main character Gerald Bostock to life, creating the ultimate and emotional presentation of both albums. "Thick As A Brick - Live In Iceland" is a must-have for every Jethro Tull fan and leaves nothing to be desired.

3CD/3DVD Anniversary Collection Expands The Group’s 1980 Album With Steven Wilson’s Newly Remixed Version Of The Original, Plus Unreleased Studio And Live Recordings, And A Remixed Version Of The Slipstream Video Collection. After completing its acclaimed folk-rock trilogy in 1979, Jethro Tull returned a year later with A, an album that introduced a different sound and a new line-up. Originally intended as a solo record by the band’s founder Ian Anderson, the album’s single-letter title refers to the studio tapes, which were marked “A” for Anderson. When the album was finished, the group’s label Chrysalis insisted that it be credited to Jethro Tull, even though only two members from the band’s previous incarnation were featured: Anderson and guitarist Martin Barre. Despite that, the album and subsequent tour were well-received by fans around the world. To mark the album’s anniversary, Rhino will release A: THE 40th ANNIVERSARY EDITION. This new 3CD/3DVD set will be available on April 16.

Jethro Tull was very much a blues band on their debut album, vaguely reminiscent of the Graham Bond Organization only more cohesive, and with greater commercial sense. The revelations about the group's roots on This Was – which was recorded during the summer of 1968 – can be astonishing, even 30 years after the fact. Original lead guitarist Mick Abrahams contributed to the songwriting and the singing, and his presence as a serious bluesman is felt throughout, often for the better: "Some Day the Sun Won't Shine for You," an Ian Anderson original that could just as easily be credited to Big Bill Broonzy or Robert Johnson; "Cat's Squirrel," Abrahams' big showcase, where he ventures into Eric Clapton territory; and "It's Breaking Me Up," which also features some pretty hot guitar from Abrahams.

J-Tull Dot Com (1999) is the 20th studio album by the British band Jethro Tull, and their latest studio album consisting of all-original material. It was released four years after their 1995 album Roots to Branches and continues in the same vein, marrying hard-rock and art-rock with Eastern music influences. This is the only album to feature both Andrew Giddings on keyboards and Jonathan Noyce on bass, although both would stay with the band until 2007, resulting in Jethro Tull's longest ever unchanged line-up. This line-up would record just one other album, The Jethro Tull Christmas Album.

Also known as Jethro Tull: This Is the First 20 Years. It consists of interviews with fans, record company executives and frontman Ian Anderson giving a rough chronology of the band, interspersed with clips from music videos and live performances…

Rock Island is the 17th studio album by the British rock group Jethro Tull, released in 1989. The album continued the hard rock direction the band took on the previous effort, Crest of a Knave (1987). The line-up now included Ian Anderson, Martin Barre, Dave Pegg and drummer Doane Perry in his first full recording with the band, although he was already a member of Jethro Tull since 1984. Without a permanent keyboard player, the role was shared by Fairport Convention's Martin Allcock and former Tull member Peter Vettese. Rock Island went Gold in the UK, with good sales also in Germany, where it peaked at Nº 5. There were good sales also for the "Kissing Willie" single, that reached Nº 6.

Stormwatch is the twelfth studio album by the progressive rock group Jethro Tull, released September 1979. It is considered the last in the trilogy of folk-rock albums by Jethro Tull (although folk music influenced virtually every Tull album to some extent.). Among other subject-matters, the album touches heavily on the problems relating to the environment, oil and money. Stormwatch was notably the last Tull album to feature the "classic" line-up of the 1970s, as drummer Barriemore Barlow and keyboardists John Evan and David Palmer left the band the following year after the end of the Stormwatch tour, while bassist John Glascock died from heart complications during the tour.

This budget-priced box set from the prog rock/folk greats rounds up five complete albums. First up is 1977's Songs from the Wood, which is the first in a trio of fan-favorite folk-centric releases that included Heavy Horses (1978) and Stormwatch (1979), both of which are also included in the package…

One of the great concept albums by one of the great prog rock acts, Thick as a Brick found Jethro Tull making a big splash with the monolithic, one-track juggernaut of an album. Revisiting that classic work, frontman Ian Anderson takes to the stage in Iceland, performing the album, as well as its 2011 sequel, Thick as a Brick 2, in front of a live crowd on Thick as a Brick: Live in Iceland…