A Classic Case is an album by Jethro Tull, playing with the London Symphony Orchestra, released in 1985. The music was arranged and conducted by David Palmer, who had been a member of the group from 1976 to 1980. The album features band members Ian Anderson, Martin Barre, Dave Pegg and Peter-John Vettese. The album was recorded during the summer of 1984 at the CBS Studios in London. It was released on 31 December 1985 in the United States, where it reached #93 in the charts.

A massive, 2-disc compilation featuring cover versions of virtually every Peter Green song written during his Fleetwood Mac period, and a few drawn from his mid-80s solo period. While there are some weaker moments in this 39-track collection, the majority of the interpretations feature blues guitar, piano and vocal at their very best. Rather than simply pay tribute to Peter Green by faithfully imitating his material, the artists have chosen to re-interpret these songs and in most cases the results are superb. The power of Green's influence is felt all the more deeply when so many artists use his music as a jumping-off point. A must have item for blues guitar fans.

Two years after Thick as a Brick 2, an explicit 2012 sequel to the 1972 prog classic, Ian Anderson embarked on another ambitious journey, this time assembling a concept record called Homo Erraticus. A loose – very loose – album based on a "dusty, unpublished manuscript, written by local amateur historian Ernest T. Parritt (1873-1928)," Homo Erraticus is an old-fashioned prog record: it has narrative heft and ideas tied to the '70s, where jazz, classical, folk, orchestral pop, and rock all commingled in a thick, murky soup.

Walk into Light (1983) is the debut solo album released by Jethro Tull frontman Ian Anderson. In many ways Walk into Light is a two-hander, with Anderson working closely with then keyboard player in Jethro Tull, Peter-John Vettese. The repetitive melody from the first track, "Fly By Night", was later used in the main element in the original theme music to the 1998 TV series All Saints, without attribution. Despite being an Ian Anderson solo album, the album was actually the most collaborative work Anderson had ever done, as Peter-John Vettese co-wrote five songs and had a strong influence on the album's style and sound.

This album, along with Aqualung and Thick As A Brick, constitutes Ian Anderson's thrust for serious music credibility–unlike the two Tull albums, however, this one started out with a serious intent and seems to be roughly Anderson's equivalent to Paul McCartney's Liverpool Oratorio, except that there's nothing remotely as embarrassing here as there was in that piece of overblown North England drivel (also done for EMI, on should recall). The familiar voice is absent, as Anderson confines his work to the flute and, with keyboard player/arranger Andrew Giddings, gets backing from various size classical ensembles.

The Secret Language of Birds is Ian Anderson's third solo album, but the first to specifically highlight his melodic skill and guitar prowess on a set of folk-inspired songs. His first solo album, 1983's Walk into Light, was marred by its full embrace of sterile '80s production in lieu of rusticity. While his second effort, 1995's Divinities, was a move in the right direction and a sonic precursor to the set at hand, it still was held back by its conscious decision to downplay Anderson's obvious acoustic heritage for a more classical bent. But sometimes the obvious is what works best, and Jethro Tull fans were pleased to learn that Anderson's third release finally embraced his classic sound. Just like Tull's excellent Roots to Branches, this one has a decided ethnic flair, running the gamut from Indian to Russian to Celtic.

Two years after Thick as a Brick 2, an explicit 2012 sequel to the 1972 prog classic, Ian Anderson embarked on another ambitious journey, this time assembling a concept record called Homo Erraticus. A loose – very loose – album based on a "dusty, unpublished manuscript, written by local amateur historian Ernest T. Parritt (1873-1928)," Homo Erraticus is an old-fashioned prog record: it has narrative heft and ideas tied to the '70s, where jazz, classical, folk, orchestral pop, and rock all commingled in a thick, murky soup…

It's difficult to explain the difference between an Ian Anderson and a Jethro Tull album. After all, Anderson writes virtually all of Tull's material and his unique voice and flute playing encapsulates the band's style. And Anderson isn't necessarily prone to the stripped down, confessional approach that many frontmen take when issuing solo projects. Perhaps during this particularly productive period Anderson simply needed to separate his "regular" songwriting from the group's concurrent The Jethro Tull Christmas Album release. Yes, a more acoustic treatment was given to this album than to Tull releases during the '90s, although their Christmas recording is very similar in production to this solo outing…

The Secret Language of Birds is Ian Anderson's third solo album, but the first to specifically highlight his melodic skill and guitar prowess on a set of folk-inspired songs. His first solo album, 1983's Walk into Light, was marred by its full embrace of sterile '80s production in lieu of rusticity. While his second effort, 1995's Divinities, was a move in the right direction and a sonic precursor to the set at hand, it still was held back by its conscious decision to downplay Anderson's obvious acoustic heritage for a more classical bent. But sometimes the obvious is what works best, and Jethro Tull fans were pleased to learn that Anderson's third release finally embraced his classic sound. Just like Tull's excellent Roots to Branches, this one has a decided ethnic flair, running the gamut from Indian to Russian to Celtic…

Born in Budapest, the drummer and bandleader of German descent László (Leslie) Mandoki belonged to the 1970s' student opposition in communist Hungary. Far beyond the system-conform mainstream, his Jazz-Rock formation "JAM" symbolized the longing for a free world. In 1975, he was forced to leave the country because of governmental repression. Accompanied by his two closest friends, László Bencker and Gábor Csupó, their flight was followed by a long odyssey. On his quest for freedom, he found more than that: a new home - in Germany.

Ian Anderson revolutionized the progressive rock genre with his flute playing With "Thick As A Brick - Live In Iceland" the multi-instrumentalist creates a concert experience of a special kind: Jethro Tull's worldwide acclaimed concept album "Thick As A Brick" (1972) and its sequel "Thick As A Brick 2" (2012) form the basis of this live album. The concert, filmed in Iceland, brings the story of the main character Gerald Bostock to life, creating the ultimate and emotional presentation of both albums. "Thick As A Brick - Live In Iceland" is a must-have for every Jethro Tull fan and leaves nothing to be desired.