Frontiers Music Srl is pleased to announce the upcoming release of Journey's incredible Lollapalooza performance from Chicago, IL on July 31, 2021. The stunning set, which will be released on CD/DVD, Blu-ray, and Vinyl, serves as a testament not only to the band's enduring legacy, but their relevance to a whole new generation of rock 'n roll fans.

Deluxe CD + DVD edition, an audio/video release of Journey's incredible Lollapalooza performance from Chicago, IL on July 31, 2021. The stunning set serves as a testament not only to the band's enduring legacy, but their relevance to a whole new generation of rock 'n roll fans.

EU three CD set containing a trio of original albums from the AOR/Melodic Rock greats: Departure (1980), Escape (1981) and Frontiers (1983). While the band had been active during the '70s, it wasn't until Steve Perry joined as vocalist, leading to Journey's dominance of FM radio during the first half of the '80s. Departure features the hit 'Any Way You Want It', which really kickstarted their ascension to the upper reaches of the charts. Escape features the hits 'Don't Stop Believing', 'Who's Crying Now' and the mega hit 'Open Arms'. Frontiers includes the hits 'Separate Ways (Worlds Apart)', 'Send Her My Love' and 'Faithfully'.

Raised on Radio is the ninth studio album by the American rock band Journey, released in May 1986 on the Columbia Records label. It is the only album to feature bassist Randy Jackson, bassist Bob Glaub and drummer Larrie Londin. The album spawned four top 40 singles in the US: "Girl Can't Help It" (No. 17), "Be Good to Yourself" (No. 9), "I'll Be Alright Without You" (No. 14), and "Suzanne" (No. 17). It went to No. 4 on the Billboard 200 chart, and it was certified double platinum in the USA.

FM Broadcast of a Studio Jam Radio Special. Journey live from Comiskey Park, Chicago on the 9th August 1979.

Time3 (also known as Time Cubed) is a 1992 three-CD box set by the American rock band Journey. The tracks are arranged chronologically and include both studio and live tracks. A booklet documenting the band's history and song details is included. With the box set can be heard the progression of the band from the early days with heavy influences from Gregg Rolie, Aynsley Dunbar, and Neal Schon (1974–1977), to the changes the band made with the addition of Jonathan Cain and Steve Perry (1978–1983), to the differences of the band after 1983, including Neal's Jazz influences and the album Raised on Radio. The box also features several unreleased Journey songs, alternate versions or even demos such as "Velvet Curtain", the very early (incomplete) version of "Feeling That Way" before Perry rebuilt the whole song structure.

Greatest Hits is an excellent, thorough collection containing all of Journey's big hits, from 1978's "Wheel in the Sky" to 1986's "I'll Be Alright Without You." Although the songs aren't presented in chronological order and a handful of minor hits ("Suzanne," "Walks Like a Lady") aren't included, it doesn't matter, since every essential Journey single – "Only the Young," "Don't Stop Believin'," "Any Way You Want It," "Separate Ways," "Lovin', Touchin', Squeezin'," "Open Arms," "Send Her My Love" – is here, which means that it's all most casual fans will ever need.

Journey's heyday 81 years "Escape Tour" A miraculous live album produced by Steve Perry! Recorded live in Houston in 1981 when the masterpiece album "Escape", which sold 8 million copies, was released. For Journey fans of yesteryear, in addition to the current members Neil Schon (gt), Jonathan Kane (key), Ross Valory (bass), eternal signboard vocal "Steve Perry" and craftsman drummer "Steve Smith" ” is a must-have item for all journey fans.

Escape Review by Mike DeGagne
Escape was a groundbreaking album for San Francisco's Journey, charting three singles inside Billboard's Top Ten, with "Don't Stop Believing" reaching number nine, "Who's Crying Now" number four, and "Open Arms" peaking at number two and holding there for six weeks. Escape flung Journey steadfastly into the AOR arena, combining Neal Schon's grand yet palatable guitar playing with Jonathan Cain's blatant keyboards. All this was topped off by the passionate, wide-ranged vocals of Steve Perry, who is the true lifeblood of this album, and this band. The songs on Escape are more rock-flavored, with more hooks and a harder cadence compared to their former sound. "Who's Crying Now" spotlights the sweeping fervor of Perry's voice, whose theme about the ups and downs of a relationship was plentiful in Journey's repertoire. With "Don't Stop Believing," the whisper of Perry's ardor is crept up to with Schon's searing electric guitar work, making for a perfect rock song. One of rock's most beautiful ballads, "Open Arms," gleams with an honesty and feel only Steve Perry could muster. Outside of the singles, there is a certain electricity that circulates through the rest of the album. The songs are timeless, and as a whole, they have a way of rekindling the innocence of youthful romance and the rebelliousness of growing up, built from heartfelt songwriting and sturdy musicianship.

Arriving 11 years after 2011's Eclipse, Freedom is Journey's 15th studio effort and their third outing with vocalist Arnel Pineda. It also marks the return of Raised on Radio bassist Randy Jackson, who stepped in after the band's abrupt split with founding member Ross Valory in 2020. Journey's post-Steve Perry releases have been reliable yet unremarkable, with showrunners Neal Schon and Jonathan Cain attempting to wring out every last bit of headband sweat from the group's chart-topping heydays. That trend continues on Freedom, a relentlessly anthemic and underwhelming set filled with over-the-counter power ballads and bloated AOR rockers that do very little to earn a 70-minute runtime. The performances, however, are top-notch, with Narada Michael Walden and former member Deen Castronovo sharing drum duties, Schon flexing his still impressive melodic-lead muscles…

Journey will release their first album in more than a decade this summer. Freedom arrives on July 8. "During the pandemic, there wasn’t much to do,” guitarist Neal Schon said in a press release. “I spent a lot of time in my little studio at home, learning how to play keyboards and looping. Some of those ideas ended up being songs. So it kind of came out of nowhere.”
In February, Schon shared an Instagram post containing the band's signature scarab logo, the Freedom title and the 15-song track listing with the caption, "Teaser … it’s coming and it’s loaded."

Solo album from Santana/Journey's guitarist which takes you back to the late 60's or early 70's, with guests Neal Schon & Alphonso Johnson.

5 CDs in one box, packed with the best music for the street, the highway, the truck, the motorcycle and everyone who needs the perfect sound for freedom, vacation and enjoyable "being on the road" and it's a little dustier and with more like guitars. From tender to hard, from rock classics to country evergreens, from Los Angeles to Nashville, here comes handmade music from real musical icons from the best music decades.

Featuring 101 tracks that are either synonymous with sports or are uplifting tracks that will have you achieving your PB on or off the field. Tracks include classics such as Little River Band "Playing To Win", Rose Tattoo "We Can't Be Beaten", Pat Benatar "All Fired Up", Survivor "Eye Of The Tiger" through to recent tracks Coldplay "Viva La Vida", Elvis Presley vs JXL "A Little Less Conversation", Jamiroquai "Canned Heat" and Jet "Rip It Up". Something for all sports fans and lovers of great music.

For the Love of Strange Medicine is the second solo album by Steve Perry (ex-Journey singer).
Coming ten years after his first solo album, For the Love of Strange Medicine's lack of success was solid proof that a new decade had no room for Steve Perry's saccharine-induced love songs or makeup and breakup-styled gushiness, even if it was sculpted to sound more mature. "You Better Wait" was the lead single that managed a number 29 spot, mainly because Perry's voice soared throughout its entirety, proving he could still utilize his greatest asset. The rest of the album tries to blend Perry's romantic formula with pumped-up keyboard playing and manufactured rhythms, worsening any sincerity that may or may not have been there in the first place…