The Light of the Spirit is one of Kitaro's best CDs. Perhaps it is because Mickey Hart co-produced, or perhaps Kitaro asked Hart to co-produce because it is so good. It doesn't really matter if either of those is the reason; this is just an awesome CD. Kitaro's specialty has always been the symphonic synth and this is no exception. He augments that synth with several guest musicians on a variety of ambient instruments. This is truly ambient music, albeit on the new age side of that style. The vocal accompaniment by Lynn Ray and Jeannie Tracy counts as instrumental as well. The sound design treats the wordless vocals as an extra sound to incorporate. David Jenkins contributes a smoking electric guitar that gives this rock & roll textures as well. This disc stands proudly with work by Constance Demby, Vangelis, Suzanne Ciani, and Dean Evenson as some of the best adult contemporary instrumental new age music.

Kitaro's universally acknowledged as the founding architect of new age music. The Grammy and Golden Globe Award-Winning Kitaro has achieved global acclaim over a more than three decade long career with a signature sound and a pioneering fusion of cultures, techniques and spheres of consciousness that are truly his own.

Live versions that are even better than the wonderful album tracks. Stronger synthesizer sounds accompanied by real drumming makes for a very dynamic CD that meanders through atmospheric tempos with every song to reach the marvelously varied guitar and drum crescendos of the last three pieces.

Kitaro's first several years of solo albums starting with 1978's "Ten Kai" are mostly full-blown space-music discs, very much comparable in parts to Klaus Schulze, Vangelis and even moments of Eloy and Pink Floyd. But it all started with this superb and eclectic instrumental debut, loaded with deep-space electronic soundscapes with light Eastern flavours and drifting ambience, but it's also frequently experimental and maybe even a little trippy!

Sensitively woven, tranquil textures of sound wash through the mind of the listener on this album from sound master Kitaro. The instrumentation includes synthesizers, slide guitar, mellotron, percussion, tabla and Irish harp.

New age music and ancient shrines seem to work well together, as evidenced by top-selling concert CDs and videos (now DVDs) by Keiko Matsui and Yanni over the years. Kitaro's idea for a greatest-hits collection performed at the sacred Yakushiji Temple in Nara, the ancient Japanese capitol, is more about beauty and intimacy than sheer spectacle, although it would be fun to imagine this dramatic presentation in its native setting. The music on this double disc was taken from three live concerts in the summer of 2001, the first concerts ever presented in the temple proper. Not that you need the background to be swept away into the dreamy mysticism that defines Kitaro's twist on the universe, but this temple is the resting place of the ashes of Genjo Sanzo, the seventh century monk who walked the Silk Road from Japan to India, returning from India with the sacred texts that introduced Buddhism into China and Japan.

The english title of this 15-track compilation is in fact "Asian Café", and gathers 15 tracks from KITARO's solo albums, up to the great "Ancient" and "An Ancient Journey" albums. It also includes 2 tracks from the "Kitaro's World Of Music Featuring Yu-Xiao Guang" album. As is the tradition with most of KITARO's albums, the tracks are generally linked without pause in sound. This album covers many albums from the "Geffen" label era, without presenting anything unreleased… It makes for an expensive "best of", so perhaps a more affordable album like "Ten Years" or "Thinking Of You" makes for a better introduction this to this man's spiritual music…