By now, anyone who has heard one of Mark Lanegan's solo albums knows exactly what the others will sound like – Lanegan's weathered, smoky voice intones tales of quiet desperation over echoing electric guitar arpeggios, folky acoustic guitar work, and the occasional piano, organ, or violin embellishment. This approach has resulted in a compelling body of work, often possessed of remarkable depth, but it's also become something of a stylistic straitjacket over the course of several albums. And that's the only major knock against the otherwise brilliant I'll Take Care of You, Lanegan's fourth solo album, which marks the first time it hasn't taken him four years to deliver a follow-up. Perhaps that's because there's no original material here – I'll Take Care of You applies the drifting, elegiac qualities of its predecessors to a selection of well-chosen, mostly underexposed folk, country, and blues covers. It's a testament to Lanegan's interpretive skill that he's able to use his already well-established style so effectively yet again, as most of these versions range from stunning to merely excellent.

Those who liked the moodier, more atmospheric material on the last Mark Lanegan Band offering, 2004's Bubblegum, will find much to enjoy on Blues Funeral – an album that has little to do with blues as a musical form. Lanegan has been a busy man since Bubblegum. In the nearly eight ensuing years, he's issued three records with Isobel Campbell, joined Greg Dulli in the Gutter Twins, guested on albums by the Twilight Singers and UNKLE, and was the lead vocalist on most of the last two Soulsavers offerings. Produced by Eleven guitarist Alain Johannes (who also fulfills that role here as well as playing bass, keyboards, and percussion), Blues Funeral finds Lanegan in a musically ambitious place.

Mark Lanegan's first solo album, 1990's The Winding Sheet, was a darker, quieter, and more emotionally troubling affair than what fans were accustomed to from his work as lead singer with the Screaming Trees. The follow-up album, 1994 's Whiskey for the Holy Ghost, used The Winding Sheet's sound and style as a starting point, with Lanegan and producer/instrumentalist Mike Johnson constructing resonant but low-key instrumental backdrops for the singer's tales of heartbreak, alcohol, and dashed hopes. While The Winding Sheet often sounded inspired but tentative, like the solo project from a member of an established band, Whiskey for the Holy Ghost speaks with a quiet but steely confidence of an artist emerging with his own distinct vision. The songs are more literate and better realized than on the debut, the arrangements are subtle and supportive (often eschewing electric guitars for keyboards and acoustic instruments), and Lanegan's voice, bathed in bourbon and nicotine, transforms the deep sorrow of the country blues (a clear inspiration for this music) into something new, compelling, and entirely his own. Whiskey for the Holy Ghost made it clear that Mark Lanegan had truly arrived as a solo artist, and it ranks alongside American Music Club's Everclear as one of the best "dark night of the soul" albums of the 1990s.

The Winding Sheet is a studio album by alternative rock artist Mark Lanegan. It was released in 1990 on Sub Pop. The album was Lanegan's first solo work, and is notable in its departure from the characteristic sound of Screaming Trees, the band he fronted from 1985 until 2000. While the work done in that group was much more energetic and fit into the burgeoning grunge genre of the late 80s/early 90s, The Winding Sheet has a much more stripped down sound, defining Lanegan's solo work largely for the rest of the decade. The album was a modest success. The term "winding sheet" is a synonym of shroud. "The Winding Sheet" is also the title of a traditional sea shanty that was the basis of the well known "Streets of Laredo". The album showcases Lanegan's adept skills as a lyricist and his deep, soulful voice. Highlights include "Mockingbirds," "Ugly Sunday" and the haunting "Wild Flowers." On "Down in the Dark" good friend Kurt Cobain sings while on the folk classic "Where Did You Sleep Last Night" Cobain contributes guitar and vocals and Krist Novoselic plays bass. Nirvana would later also cover "Where Did You Sleep Last Night" on their Unplugged album.

Field Songs is the fifth solo album by Mark Lanegan, released in 2001. The two largest instrumental contributors are Mike Johnson and Ben Shepherd. The album also features Duff McKagan of Velvet Revolver (ex-Guns N' Roses) as well as Lanegan's ex-wife, Wendy Rae Fowler. The album represents a departure of sorts for the singer. While retaining the acoustic atmosphere of his previous solo efforts, Field Songs incorporates Middle Eastern influences ("No Easy Action") as well as experimental musical landscapes ("Miracle," "Blues for D") which elicited comparisons from critics to Tom Waits.[citation needed] Lanegan's gravelly, gin-soaked vocals on "Don't Forget Me" and "Fix" is balanced out by his delicate delivery featured on "Kimiko's Dream House" and "Pill Hill Serenade," which could be the saddest song the singer has ever written. "Blues for D" was co-written by Lanegan and Soundgarden bassist Ben Shepherd. Chris Goss sings on "She Done too Much".

Beggars Arkive in conjunction with the Estate of Mark Lanegan, are honored to celebrate the 20th Anniversary of Mark Lanegan’s acclaimed 2004 album Bubblegum. On August 23rd, we will release Bubblegum XX - a set of releases that include a remastered double LP edition of the original album and a 4XLP/3XCD release containing 40 remastered tracks, 12 of which are previously unreleased.

Though Black Pudding marks the first time that singer Mark Lanegan and multi-instrumentalist Duke Garwood have recorded together, it isn't the first time they've collaborated. The latter toured with the Gutter Twins, Lanegan's project with Greg Dulli. Garwood's name isn't as well-known to the general public as the singer's, but his reputation among musicians certainly is. He's worked with everyone from the Orb to Wire, from Wooden Wand to Sir Richard Bishop, from Josh T. Pearson to Kurt Vile. For those familiar with Lanegan's 2000s solo work, the moody nature of the material here will come as little surprise; let's face it, his voice is coated in darkness. That said, all but two of these songs – the lovely guitar instrumentals by Garwood that bookend the album – are co-writes. They range from spooky blues numbers such as "Pentacostal" and "Death Rides a White Horse," where the guitar is the primary instrument, to fractured, skeletal, nocturnal funk numbers such as "Cold Molly."

In 2002, Mark Lanegan was looking to make some changes in how he approached his music – the Screaming Trees had finally collapsed at the end of the '90s, he'd found a new fan base as a frequent guest vocalist with Queens of the Stone Age, and the spare, blues-leaning solo efforts Lanegan cut for Sub Pop were no longer side projects but the first chapters of a new career. As Lanegan was strategizing his next move, he went to Houston, Texas and in five days recorded a dozen songs with a handful of talented local musicians, including guitarist Ian Moore and longtime Willie Nelson sideman Mickey Raphael on harmonica, with Justice Records founder Randall Jamail as producer. While the sessions were meant to be demos for a stack of songs Lanegan had written for Jamail's publishing house, the finished product sounded good enough to be an album, and in 2015 Lanegan finally released the material under the title Houston: Publishing Demos 2002. The jolly irony is that while these are supposed to be demos, in many respects the performances sound more polished and "commercial" than most of Lanegan's early solo efforts, capturing a laid-back but buoyant mood that's informed by country and blues as much as rock, and Lanegan seems comfortable singing with the group, rather than simply laying his vocals over the top.

2013 covers album from the veteran Alt-Rock singer/songwriter. Among the 12 tracks, Lanegan tackles Hall & Oates' "She's Gone", Nancy Sinatra's "You Only Live Twice", Nick Cave's "Brompton Oratory", and Bobby Darin's "Mack the Knife", and more. In a statement, Lanegan described the project's emotional significance, "When I was a kid in the late sixties and early seventies, my parents and their friends would play the records of Andy Williams, Dean Martin, Frank Sinatra and Perry Como, music with string arrangements and men singing songs that sounded sad whether they were or not. At home my folks were also listening to country music, Willie Nelson, Johnny Cash, George Jones and Vern Gosdin were some of our favorites. For a long time I've wanted to make a record that gave me the same feeling those old records did, using some of the same tunes I loved as a kid and some that I've loved as I have gotten older. This record is it, Imitations".

2005 European tour edition of the album will be available as a limited 2 CD format with wraparound sleeve. The bonus disc includes six exclusive tracks recorded live in Atlanta this year. The disc showcases tracks from all the last three albums, including 'The Lost Art of Keeping a Secret', 'No One Knows', 'Little Sister', 'In My Head', 'Regular John' and 'Song for the Dead'.

Mark William Lanegan (November 25, 1964 – February 22, 2022) was an American singer-songwriter, author, and musician. First becoming prominent as the lead singer for early grunge band Screaming Trees, he was also known as a member of Queens of the Stone Age and The Gutter Twins. He released twelve solo studio albums, as well as three collaboration albums with Isobel Campbell and two with Duke Garwood. Lanegan was known for his baritone voice, which was described as being "as scratchy as a three-day beard yet as supple and pliable as moccasin leather."

Songs for the Deaf is the third studio album by American rock band Queens of the Stone Age, released on August 27, 2002 by Interscope Records. It features Dave Grohl of Nirvana and Foo Fighters on drums, alongside other guest musicians, and was the last Queens album to feature bassist Nick Oliveri. Songs for the Deaf is a loose concept album, taking the listener on a drive through the California desert from Los Angeles to Joshua Tree, tuning into radio stations from towns along the way such as Banning and Chino Hills. Songs for the Deaf received critical acclaim, and earned the band their first gold certification in the United States. One million copies were sold in Europe, earning a platinum certification from the International Federation of the Phonographic Industry in 2008. Three singles were released from the album: "No One Knows", "Go with the Flow", and "First It Giveth".

Third album from the acclaimed British Electronic rockers featuring vocal and musical assistance from Mark Lanegan, Will Oldham, Jason Pierce, Richard Hawley, Gibby Haynes and Mike Patton. Soulsavers began as more of an electronic affair, with Rich Machin partnering with studio engineer Ian Glover. Their sophomore album, It's Not How Far You Fall, It's How You Land set a new benchmark, threading Soul, Gospel, Rock, Jazz and Country into the mix and a matching spread of singers. Now, you must be prepared to follow Soulsavers even further, for Broken is even better, a future classic that delivers 13 tracks of wide-ranging majesty. Lanegan handles vocals on 10 of the album's tracks, joined by many guest collaborators.

2020 has been a dark year and so to end the year Mark Lanegan returns as Dark Mark and releases a full Christmas album. Six tracks were released as a tour only 12" in 2012 which is now rare and impossible to find. He has recorded four more tracks recently and turned it into a full length album. Lanegan successfully takes some traditional Christmas songs, some Christmas covers plus some originals and twists them into a dark, melancholic affair. Standouts include Burn The Flames, originally recorded by Roky Erickson and Lanegan makes this sinister song, even more sinister. The Everley Brothers Christmas Eve Can Kill You is stripped back and haunting whilst the Lanegan original A Christmas Song is delicate and heartbreaking. 2020 is going be a dark Christmas.

A full length remix album of Mark Lanegan's record Somebody's Knocking (2019). Remixed in its entirety by the British trio IYEARA: The Duke Spirit's guitarist Toby Butler, producer Malcolm Carson and vocalist Paul O'Keeffe. Last fall the band released CONSEQUENCES EP as well as a bunch of remixes for other artists. As for Mark Lanegan, this is the third album of remixes after A Thousand Miles of Midnight (Phantom Radio Remixes) and Still Life With Roses (Gargoyle Remixes).