From Rutebeuf to Aragon and Prévert, and including Villon, Baudelaire, Verlaine and Desnos, this anthology confirms the musical potential of French verse. Many composers, not the least of them being Fauré, Duparc, Debussy, Poulenc, Kosma, Ferré, Brassens or Gainsbourg, added their own images in music by weaving melody and harmony into the poems that spoke to their sensibilities. In so doing, as Aragon himself wrote, it was in this way that poetry, doubled with the magic of music, made it possible for us all to read by ear. Philippe LESAGE

Bruce Springsteen Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector with vocals like Roy Orbison's, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio. He loved rock & roll, whether it was the initial blast from the '50s or the mini-symphonies from the days before the Beatles or the garage rockers that surfaced in the wake of the British Invasion, and all this could be heard within his wild, wooly collective E Street Band, a group who debuted on his second album, 1973's The Wild, The Innocent & The E Street Shuffle, and who would support him throughout most of his career.

This 4-CD set was produced by Alain Pailler and Tony Baldwin from meticulously restored originals that let you relive the Duke Ellington Orchestra’s golden age as though you were right there. These legendary 1940-1942 sessions include Ellington classics such as Ko-Ko, Take The ‘A’ Train, Perdido and Harlem Air-Shaft, masterfully arranged by the Duke himself and his right-hand man Billy Strayhorn. The set prominently features several Swing Era giants at their very peak: Cootie Williams and Ray Nance on trumpets; cornettist Rex Stewart; trombone players Joe Nanton and Lawrence Brown; Barney Bigard on clarinet; Johnny Hodges, Ben Webster and Harry Carney on saxophones, plus the brilliant young doublebass prodigy Jimmy Blanton. It’s a milestone in jazz history and makes essential listening.

This release is a CD compilation gifted to members of the 2022-2023 Starship Casual Captains Club, a tier of membership in Jeff Tweedy's Substack. The CD includes 18 songs shared during the first year of Starship Casual's publication, sequenced and mastered specifically for this release.

Considering his last genuine hit was way back in 1997, Michael Bolton's back catalog has been the subject of a surprisingly high number of compilations. If you're wondering what 2012 collection Gems: The Very Best Of can offer what the other 20-odd flooding the market haven't already, the answer is not a lot. Indeed, apart from the substitution of "That's What Love Is All About" for his take on Bill Withers' "Lean on Me," its 17 tracks are exactly the same as his hugely successful Greatest Hits 1985-1995 (albeit in a different order). It therefore means that the 11 studio albums he's recorded since are entirely ignored, but with only one of his 17 U.S. Top 40 hits ("Go the Distance") charting outside that time frame,

Tonight is definitely the night, the mood and the company are just right. So, if you’ve lit the candles and poured the wine, all you need to do now is put on the exotic, passionate and intimate sounds of Simply Erotica and prepare to turn private fantasy into sensual reality.

Charles Mingus (1922-1979), nicknamed "the angry man of jazz" and still today an icon of the jazz world, was known for his intimidating temperament. His musical talent on double bass, as musical arranger, bandleader or composer, was immense. His music touches on all kinds of jazz styles, from free, blues, hard bop, big band or third stream, influenced by Duke Ellington's orchestrations, but always has an element of irritation and danger. Influenced by New Orleans jazz, Mingus also fancied collective improvisation (as we can hear on various albums on this collection). This exciting box set is a journey through his fascinating music, displaying all of his artistic mutations and idiosyncrasies. Mingus is accompanied here by a host of all-time greats including Max Roach, Teo Macero, Dizzy Gillespie, Charlie Parker and Bud Powell.

A much-needed look at an overlooked side of the genius of Quincy Jones – not his jazz work, not his productions for famous soul artists, but instead his huge legacy of soundtrack material – a part of Q's career that really took off in the 60s! By the time he started working in films, Jones had already had a decade under his belt as one of the hippest arrangers, leaders, and composers in jazz – and the film business really respected those talents, and allowed Quincy to bring some really fresh styles into play – modes that really opened up the vibe of American cinema, and also paved the way for the funky styles of the 70s! As that decade approached, Jones left behind the cinema to take on some more higher-profile records of his own – but all the charms of those great albums can be found here at their roots – in this stunning collection of soundtrack material, some of which has never been on CD. The package is way more than just a sampler – and includes an album's worth of material from the films The Pawnbroker, Slender Thread, Mirage, The Deadly Affair, In The Heat Of The Night, In Cold Blood, Walk Don't Run, The Italian Job, Lost Man, and John & Mary – plus two versions of the love theme from The Getaway, and a bonus CD with 18 tracks – titled Q's highlights, and featuring tracks from his Mercury records – plus more by Billy Preston, Arthur Prysock, Bill Cosby, Shirley Horn, Letta Mbulu, Toots Thielemans, and others. Even features the "Sanford & Son" and "Ironside" themes!

Auber’s overtures were once as popular as those by Rossini and Suppé, with no less a figure than Tchaikovsky commenting on the ‘elegant clarity of his harmonisation, his delightful and striking melodies … and beautiful instrumentation.’ Full evidence is provided here in music that ranges across Auber’s creative periods where finesse of orchestral detail and piquant harmonies are met by verve and wit. Some of his least well-known music is encountered, as are scores that explore vivid dance themes, all presented with Auber’s gossamer orchestration and lightness of touch.

Dr. Hook & the Medicine Show (shortened to Dr. Hook in 1975) was an American rock band, formed in Union City, New Jersey. They enjoyed considerable commercial success in the 1970s with hit singles including "Sylvia's Mother", "The Cover of 'Rolling Stone'" (both 1972), "Only Sixteen" (1975), "A Little Bit More" (1976), "Sharing the Night Together" (1978), "When You're in Love with a Beautiful Woman" (1979), "Better Love Next Time" (1979), and "Sexy Eyes" (1980). In addition to their own material, Dr. Hook and the Medicine Show performed songs written by the poet Shel Silverstein.
The band had eight years of regular chart hits in the United States, where their music was played on top-40, easy listening, and country music outlets, and throughout the English-speaking world including the UK, Canada and South Africa. Their music spanned several genres, mostly novelty songs and acoustic ballads in their early years, though their greatest success came with their later material, mostly consisting of disco-influenced soft rock, which the band recorded under the shortened name Dr. Hook.

In a diary entry from the year 1827, Robert Schumann writes: Solitude is the intimate encounter with oneself, […], it is an active, thoughtful, creative tranquility, the active state of the soul amidst the body's passivity. - Solitude is the nursemaid of all great spirits, the mother of heroes, the companion of the poet, the friend of the arts.In her new album "Solitude," soprano Katharina Konradi embarks on a musical journey to explore solitude. On this journey, she is accompanied by poets and composers from different time periods. The Cosmos Quartet from Barcelona joins her on her journey. Art songs by composers such as Robert and Clara Schumann, Franz Schubert, and Hugo Wolf, as well as folk songs and French chansons, are waypoints on this journey on which they explore the various facets of solitude together. Miniatures for solo soprano by the Hungarian-French composer György Kurtág serve as transitional elements, providing subtle and sophisticated coherence. Among the special rarities of the recording are the two Catalan songs by the violinist, composer, and conductor Eduard Toldrà.

[45th anniversary of debut, super luxurious celebration commemorative concert featuring all current and former members]
Complete recording of the debut 45th anniversary performance held at the Tokyo International Forum on October 21, 2023, as well as backyard interviews and documentary footage. Former members who have participated in music activities for 45 years have gathered together to create a video of a one-time gorgeous reunion-like festival between T-SQUARE, which still reigns at the top of its field, and the top artists who supported it! Discs 1 & 2 contain footage from this concert, and Disc 3 includes interviews with current and former members, backyard documentary footage, and rare footage.

La más Completa Colección de Diego Verdaguer, es un álbum de dos discos que contiene 30 canciones de las cuales incluye El Pasadiscos , La Ladrona, Tu , Nena , Corazón de Papel y más…

The group soon landed a deal with Columbia Records, which enlisted producer David Rubinson to capture the band playing the Fillmore West in December; these tapes were shelved until Columbia/Legacy issued them in 1997 as Live at the Fillmore 1968. Prior to recording their first album in early 1969, Santana swapped Livingston and Malone for Michael Shrieve and Mike Carabello, adding percussionist José Chepitó Areas as well. This incarnation recorded the group's eponymous debut, then set out on tour, where they had a career-making appearance at the Woodstock festival in August 1969. That was the same month Santana appeared in the record stores, and it was a swift success, climbing its way to number four on Billboard's album charts during the course of its two-year run on the charts.

Future Past is the 15th studio album by the British band Duran Duran, released on 22 October 2021. It is the band's first album to be released through BMG. The album, co-produced by the band alongside Mark Ronson, Giorgio Moroder and Erol Alkan, also features guest appearances by Tove Lo, Ivorian Doll, Japanese band Chai, and Mike Garson. Blur's Graham Coxon is the guitarist on the album.