After ten years and five albums of groundbreaking progressive death metal, Neurosis have managed to carve a highly original niche for themselves… coming off somewhat like a Tool for extremists. Yeah, you heard right. But while this Oakland bunch deserve great kudos for such unwavering commitment to their vision, they seem fated to remain confined to well-kept secret status for remaining so stubbornly inaccessible. 1999's Times of Grace adds another chapter to this ongoing dilemma by delving ever deeper into the group's hypnotic semi-industrial dirge. But whereas previous efforts tended to suffer from erratic songwriting and uneven pacing, many tracks taking painfully long to build towards their crescendos, this album offers the most seamless continuity of any album in the band's challenging discography…

Neurosis is a band with a distinctive sound driven by sludgy guitars and aggresive screaming vocals while still maintaining atmospheric. They are often regarded as the pioneers of post- metal and have influenced many major bands in that genre, like Isis and Pelican. The band's seventh full length studio album, A Sun That Never Sets, shows the band taking a more avant- garde and experimental direction than before.
The album features very frequent softer and atmospheric parts, making the album very atmospheric. The songs often progress, starting out with clean guitar playing and slowly moving towards sludgy riffs and fierce screams. Despite the low tempos that the sludgy riffs are played in, they rarely fail to sound powerful, fierce and rough…

Neurosis built their reputation on - to put it one way - long-winded compositions, making their albums a challenging listening experience for even the most dedicated fans. And their fifth album, Through Silver in Blood, doesn't buck the trend, diving headlong into the group's entirely unique experiments in ambient, progressive death metal with the mesmerizing 12-minute title track. With the exception of two minute-long interludes, much of the remaining material follows this blueprint, with abnormally long tracks like "Aeon" and "Purify" gradually building from simple melodies into trance-inducing epics. Conversely, other songs take an unbearably long time to develop, crawling toward their climaxes so slowly (see "Strength of Fates") - or toward no climax at all (see the tortured screaming of "Enclosure in Flame") - that one's attention span is severely tested. It is therefore of little wonder that Neurosis' appeal remains so selective.

The Devil You Knew, The Devil You Know is an extended play by The Melvins, released in April 2023 via Amphetamine Reptile Records. Originally intended to be a re-issue of the Six Songs EP, it would in turn feature the original 1986 recordings along with the entire EP re-recorded by the band in early 2023 as one of several releases for The Melvins' 40th anniversary.

Call of the Mastodon collects the influential Atlanta metal band's earliest recordings. Remixed and remastered by longtime engineer Matt Washburn, five of the nine cuts, "Shadows That Move," "Welcoming War," "We Built This Come Death," "Hail to Fire," and "Battle at Sea," appeared on the group's 2001 debut EP, Lifesblood. The other four sound like they were from the same sessions, and rely heavily on the group's trademark bone-crushing rhythmic assault. Even in their formative stage, Mastodon - few groups manage to do such justice to their moniker - sound like seasoned vets, and while there may be nothing as seamless as 2004's "Blood & Thunder" or "Megalodon," Call of the Mastodon is a brutal blueprint for the group's signature Metallica-meets-grindcore mayhem.

Appearing near the dawn of the 21st century, Atlanta's Mastodon established themselves as one of the most original and influential American metal bands. Their wide-angle progressive approach encompasses stoner and sludge metal, punishing hardcore and metalcore, neo-psych, death metal, and more - sometimes in the span of a single song. The group's playing style incorporates heavy, technically complex guitar riffs, lyric hooks, long, melodic instrumental passages, and intricate, jazz-influenced drumming with syncopated time signatures. Their second album, 2004's Leviathan, was a concept offering based on Moby Dick, Herman Melville's iconic novel of whaling and obsession, and proved the band's commercial and critical breakthrough. Since its release, the record has attained status as one of the most important albums in heavy metal's history…

Pantera (/pænˈtɛrə/) was an American heavy metal band from Arlington, Texas, formed in 1981. The group's best-known lineup consisted of the Abbott brothers (drummer Vinnie Paul and guitarist Dimebag Darrell), along with vocalist Phil Anselmo and bassist Rex Brown…