This encounter between Chick Corea (sticking to acoustic piano), tenor saxophonist Michael Brecker, bassist Eddie Gomez, and drummer Steve Gadd lives up to expectations. The program features three lengthy "Quartet" pieces, including sections dedicated to Duke Ellington and John Coltrane. This blowing date is highly recommended for true jazz fans.

Listening to the new, self-titled album by the Steve Gadd Band, one thought comes immediately to mind: back-up bands are far more than back-up bands. Gadd himself is exhibit A. Perhaps the best drummer working today in pop music, his main gigs are in the bands of the world’s top stars: James Taylor, Eric Clapton, Paul McCartney, and others. And the musicians featured on this album are veterans of Taylor’s touring band. Gadd, who produced the album, gives them all a chance to shine.

One of the guitar heroes of fusion, Al Di Meola was just 22 years old at the time of his debut as a leader but already a veteran of Chick Corea's Return to Forever. The complex pieces (which include the three-part "Suite-Golden Dawn," an acoustic duet with Corea on "Short Tales of the Black Forest" and a brief Bach violin sonata) show DiMeola's range even at this early stage. With assistance from such top players as bassists Jaco Pastorius and Stanley Clarke, keyboardist Barry Miles and drummers Lenny White and Steve Gadd, this was a very impressive beginning to DiMeola's solo career.

Lyle Mays' second solo album ventures even further afield than his acclaimed first record, into areas not associated with Mays nor his employer Pat Metheny. This time, the personnel list is far more varied, with several guest luminaries from the world of jazz-rock, as well as a big band and full chamber orchestra on some selections. Again, the main thrust of the album is bound up in a lengthy suite with new age atmospheric elements, juxtaposing fleet Brazilian grooves with a chamber orchestra, voluble Mays piano solos, and electronic interpolations by Mays and Frisell reminiscent of early classical electronic music.

For several years, decades in fact, a lost gem issued originally not just in the US but in the UK as well (and our vinyl pressings were always much better than their US counterparts), on Chrysalis records who, for a while, had some very good material in this genre, for example the two Auracle albums (and wouldn't lots of us like to get those on CD). But finally it's now reappeared on CD and how very nice it is to be reacquainted with it in that format. Anyway, this album ~ his second, as far as I know ~ features a host of jazz luminaries of the day (Hancock, Erskine, Pastorius, Carlton, Ritenour, Gadd, etc.) and its only failing is its mildly raw upper registers, though thankfully there are no vocals to pollute the proceedings and Jaco Pastorius' electric bass work is of truly sterling calibre. On this album, if anywhere, you can hear why he was held in such very high esteem by his contemporaries.

For the first time in a very long time super drummer STEVE GADD joins up with his friends from Gadd Gang times, EDDIE GOMEZ and RONNIE CUBER for a production with the WDR Big Band. Under the direction of Michael Abene, a heavenly groovy album emerges, with Steve Gadd and his friends taking center stage. Recorded in january & february of 2022! The cooperation between Steve's Gadd Gang and the WDR Big Band was hanging in the air for quite some time. Already back in 2011 there was talk about a potential collaboration with the Big Band under the leadership of Michael Abene (the chief conductor of that orchestra from 2004 to 2014). I love Michael and highly esteem his work, says Gadd, his arrangements as well as his piano playing. It is just a matter of trying to get the schedule together, but I am sure at some point we will be able to get it together.

Legendary bassist EDDIE GOMEZ has been on the cutting edge of music for over four decades. The Latin GRAMMY® award-winner’s impressive resume includes performances with jazz giants such as Miles Davis, Dizzy Gillespie, Bill Evans, Gerry Mulligan and Benny Goodman. Eddie’s unique sound and style can be heard on hundreds of recordings spanning the worlds of jazz, classical, Latin jazz, rhythm & blues, popular and contemporary music.

Eddie Gomez is a brilliant bassist whose flexibility and quick reflexes make him an ideal accompanist (although his own albums tend to be a bit erratic jazz-wise). He grew up in New York and was with the Newport Festival Youth Band during 1959-1961. After studying at Juilliard, Gomez played with Rufus Jones' sextet, Marian McPartland (1964), Paul Bley (1964-1965), Giuseppe Logan, Gerry Mulligan, and Gary McFarland, among others. Gomez came to fame during his long period with the Bill Evans Trio (1966-1977).

Recorded shortly before Al di Meola decided to de-emphasize his electric guitar in favor of his acoustic counterpart, this live set does a fine job of summing up his first six years of recordings. Four of the six numbers (all but "Nena" and "Advantage") were previously recorded by the pacesetting fusion guitarist. With strong and stimulating contributions made by keyboardist Jan Hammer, electric bassist Anthony Jackson, drummer Steve Gadd, percussionist Mingo Lewis, and second keyboardist Victor Godsey (some additional keyboards and percussion were overdubbed later in the studio), di Meola is typically stunning on such originals as "Elegant Gypsy Suite" and "Race with Devil on Spanish Highway."

The iconic drummer, Steve Gadd releases his band's 5th project: At Blue Note Tokyo. This album follows their 2018 Grammy win of Best Contempory / Instrumental Album for the eponymous album Steve Gadd Band. At Blue Note Tokyo was recorded live at this legendary club in December of 2018. Regular band members, Walt Fowler (Flugelhorn/Trumpet), Kevin Hays (Piano/Keys) and Jimmy Johnson (Bass) are joined by an old friend and renown guitarist, David Spinozza. The album highlights live versions of tunes from previous albums. It features a couple of new tunes penned by Spinozza and two tracks with soulful vocals by Hays. At Blue Note Tokyo captures the unique appeal of this venue and reflects the special relationship Steve Gadd has had with this club over the many years.

A tribute album "Spirit of Chick Corea" by allies who continue their musical journey with Chick Corea's spirits. Steve Gadd Under his production, Japan's proud international marimba player Mika Stoltzman has finally completed a masterpiece of the soul spun with musicians related to Chick Corea!

Recorded at Sear Sound, New York City in October 2016. Mixed and Mastered at West End Sound, New York City in October and November 2016. Remastered at Onkio Haus, Tokyo.

A lesser-known fusion set recorded for the Japanese Electric Bird label – but one that features great contributions from a host of American players – including Lew Soloff on trumpet, Jerry Dodgion on alto, and Peter Gordon on French horn – as well as Michel Camilo on piano! Calmilo did the arrangements with Gordon and Dodgion, and the overall vibe is more acoustic than usual efforts of this type from the label – especially given that there's a fair bit of extra percussion used alongside the drums, which brings in some occasional Latin touches. Titles include "Joe Cool", "Why Not", "Ion You", "BA Express", "Calentando Man", and "Butter".