Pyramid is the third album by progressive rock band The Alan Parsons Project, released in 1978. It is a concept album centred on the pyramids of Giza. At the time the album was conceived, interest in pyramid power and Tutankhamun was widespread in the US and the UK. Pyramid was nominated for the 1978 Grammy Award for Best Engineered Album, Non-Classical.

The Best of the Alan Parsons Project, Vol. 2 typically picks up where its predecessor left off. With 11 tracks covering seven albums, including Gaudi, Stereotomy, and Vulture Culture, the songs here are a tad weaker than those on the first collection, since some of the albums that these songs originate from were not of this band's finest caliber. The highlights here include both "Prime Time" and "Don't Answer Me" from Ammonia Avenue, and the provocative instrumental "I Robot," the only non-vocal track on the album. All of the selections on this package convey their purpose much better within their former albums, since each song is a link in the album's conceptual chain.

Eve is the fourth studio album by progressive rock band The Alan Parsons Project. It was released in 1979. Eve's focus is on the strengths and characteristics of women, and the problems they face in the world of men. The album had originally been intended to focus on "great women in history", but evolved into a wider concept. Eve is The Alan Parsons Project's first album with singer Chris Rainbow. The album's opening instrumental "Lucifer" was a major hit in Europe, and "Damned If I Do" reached the US Top 30. "Lucifer" also is used as title track for the German political TV show Monitor.

This box set contains 5 Alan Parsons Project albums (Pyramid, Turn of a Friendly Card, Eve, Stereotomy and Gaudi) as remastered in 2008, including the bonus tracks issued at that time. The Alan Parsons Project were a British progressive rock band, active between 1975 and 1990, consisting of singer Eric Woolfson and keyboardist Alan Parsons surrounded by a varying number of session musicians. Behind the revolving lineup and the regular sidemen, the true core of the Project was the duo of Parsons and Woolfson. Woolfson was a songwriter by profession, but also a composer and pianist. Parsons was a successful producer and accomplished engineer. Almost all songs on the band's albums are credited to "Woolfson/Parsons".

Eye in the Sky provided the Alan Parsons Project with their first Top Ten hit since 1977's I Robot, and it's hard not to feel that crossover success was one of the driving forces behind this album. The Project never shied away from hooks, whether it was on the tense white funk of "I Wouldn't Want to Be Like You" or the gleaming pop hooks of "Games People Play," but Eye in the Sky was soft and smooth, so smooth that it was easy to ignore that the narrator of the title track was an ominous omniscient who spied either on his lover or his populace, depending on how deeply you wanted to delve into the concepts of this album. And, unlike I Robot or The Turn of a Friendly Card, it is possible to listen to Eye in the Sky and not dwell on the larger themes, since they're used as a foundation, not pushed to center stage…

This beautiful box set has been produced with the full co-operation of Eric Woolfson’s family and Alan Parsons and is a landmark release for the album that launched the Project.
The 40th Anniversary deluxe edition of Tales of Mystery and Imagination comprises 3 CDs, 1 Blu-Ray and 2 vinyl LPs. The 3 CDs present the original 1976 mix, the 1987 remix plus a whole CD of over 70 minutes of previously unreleased bonus material.The set is complete with a stunning 60-page coffee table book with photographs and new interviews about the making of the album, with Alan Parsons, Hazel and Sally Woolfson, David Paton and Stuart Tosh.
The debut album by The Alan Parsons Project, Tales of Mystery and Imagination was released in 1976 and comprises eleven tracks based on the works of the great American gothic writer, Edgar Allan Poe…

Stereotomy is the ninth studio album by The Alan Parsons Project, released in 1985. Although sometimes considered better musically than its predecessor, Vulture Culture, it was not as successful commercially, perhaps due to many fewer vocals from Eric Woolfson (he only appears on a small section of the title track). The album is structured differently from earlier Project albums, containing three lengthy tracks - ""Stereotomy" at well over seven minutes, "Light of the World" at well over six minutes, and the instrumental "Where's the Walrus?" running just over seven and a half minutes (making it the longest instrumental the Project ever made) and two minute-long songs at the end.