Grateful Dead So much more than just the archetypal jam band, the Grateful Dead grew to become an artistic and cultural institution that existed entirely on their own terms. While the band initially came out of a psychedelic revolution in the Bay Area's musically and chemically exploratory mid-'60s, they quickly evolved from their acid rock beginnings, incorporating elements of Americana and Bakersfield country into gently majestic albums like 1970's American Beauty. Their live shows were completely separate from their studio output, based on freeform improvisation borrowed from jazz and made up of extended performances and set list variations that ensured no two shows were exactly like.

The Ultimate Collection: Ska Anthems is a 5CD set containing 100 tracks of a music genre that originated in Jamaica in the late 1950s right the way through to the commercial chart hits from the Trojan label of the late 60s and onto the ska revival of the late 70s and early 80s. Including original ska classics by The Maytals “Monkey Man” and Dandy Livingstone’s “Rudy, A Message To You” both of which went on to be covered by The Specials, Harry J All Stars’ football terrace anthem “The Liquidator”, the very best in instrumental ska by The Skatalites plus big hit singles from the ska revival by Madness, The Beat and The Selecter. For rudeboys and rudegirls everywhere; The Ultimate Collection: Ska Anthems is jammed packed full of classics to keep you skanking all night long..!

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio.

Note: Two-CD set of the complete and unedited concert from the 2007 Warm Up Tour.Double live album packaged in 4-colour printed cardboard folders with full track-listing.The show was fully mixed from the soundboard recordings.

With their hooky brand of dance-oriented pop/rock, Sweden's Roxette rose to fame as one of the biggest global pop acts of the '80s and '90s. Second in Sweden only to ABBA in terms of commercial success, the duo sold over 75 million records around the world, earning number ones in several countries with 1988's Look Sharp!, 1991's Joyride, and 1994's Crash! Boom! Bang!. They dominated the charts with songs like "The Look," "Listen to Your Heart," "Joyride," and "It Must Have Been Love," all four of which hit the top of the Billboard Hot 100. They never strayed from their high-gloss pop sound and continued to chart Top Tens in Europe with albums like 2001's Room Service, 2011's Charm School, and 2016's Good Karma.

1982-1992 is a 17-track compilation that contains all of Europe's greatest hits ("The Final Countdown," "Carrie," "Rock the Night," "Cherokee," "Superstitious"), plus several album tracks and a pair of rarities, the single edit of "Prisoners in Paradise" and the acoustic version of "I'll Cry for You." While this is certainly the way to go for most fans – only diehards need the original studio albums, which are rather spotty – it may be a bit too much for some casual fans, since much of the material not released as singles simply isn't as strong or catchy as the hits. [This compilation was reissued in 2000 with the updated title 1982-2000 and an added track, "The Final Countdown 2000."]

It was a time when music could change the world. Relive that special time with this compelling 3 CD collection of 75 the biggest folk music hits of the 1950s and 1960s! Included are hits from Bob Dylan, Peter, Paul & Mary, Joan Baez, The Kingston Trio, Pete Seeger, Judy Collins, Odetta, The Weavers, Woody Guthrie, Harry Belafonte, Chad Mitchell Trio, Lead Belly, Burl Ives and many more!

Themed compilations such as Murder. Songs From The Dark Side Of The Soul afford opportunity to hear just how diverse a range of interpretations a theme can provoke. Here the title is self-explanatory and that element of diversity exists in abundance.

The Suk Trio is one of the most historically present and enduring piano trios from Czechoslovakia. Although the piano and cello chairs have been filled by several different musicians since the group's formation in 1951, the most historically and musically notable member has always been violinist Josef Suk, grandson of composer Josef Suk and great-grandson of the venerable Antonin Dvorák. This album, featuring the greatest hits of Beethoven's piano trios (numbers 3, 5, and 7) and Schubert's First Piano Trio, was originally recorded in the mid-'60s. The disc's remastered sound is pleasingly clear and clean. Each of the trio's members is exceptionally skilled. Technical execution cannot be faulted; articulation between the strings is abundantly crisp and refined.

Chris Rea's first ever compilation New Light Through Old Windows has been remastered onto recycled 2LP and 1CD for the first time on vinyl since its original release in 1988. Chris re-recorded all the original versions including hits such as "Fool (If You Think It's Over)," "On The Beach," and "Driving Home for Christmas." The album also features one new song "Working On It," which went on to top the US mainstream rock charts, Chris’ only song to do so.

Having already checked off the second (and by far most popular) cello sonata of Bohuslav Martinu in his first album for the Supraphon label, cellist Tomás Jamnik (all of 23 years old at the time of this recording) has set his sights on Martinu's Third Cello Sonata. Other works on this program include the Suita balladica for Cello and Piano of Petr Eben and the Sonata for Cello and Piano of Lubos Sluka. All of these works share not only a common Czech pedigree, but were composed within about five years of each other. Though they were all heavily influenced by the Czech folk music tradition, they are stylistically contrasting, resulting in a thoroughly enjoyable program of works not likely to be found anywhere else. As in his first album, Jamnik again proves himself to be an artist to watch. His technique is remarkably well developed and he skips nimbly around his instrument with apparent ease.

Supraphon's Bohuslav Martinu: Chamber Music with Viola is part of their undesignated, but apparently aiming to be complete, survey of Martinu's works and concentrates on viola-driven chamber music dating from the last dozen years left to the eminent Czech composer. All but seven of those years were spent in New York City, where he taught at Mannes College of Music; during his time in New York Martinu forged a great many friendships with talented American musicians, including violist Lillian Fuchs and her husband, violinist Joseph Fuchs. Along with those two, Martinu made the acquaintance of pianist and Polish émigré Artur Balsam .

Picture the scene, The year 2000 has passed and the new millenium is just getting underway - A new scene explodes onto the nation's Indie Dancefloors - some called it Indie Sleaze, Nu Rave, Future Disco or even Electroclash – ‘Strobes in Space’ takes you back to a time when the Indie kids re-discovered the joys of dancing, raving and having fun at Indie clubs. Day-Glo, Light Sticks, Baggy T-Shirts and Hedonism on the Dance Floors - welcome to Strobes in Space! When the Indie Dance / Nu Rave scene crashed onto the dancefloors and ignited the youth of the time it seemed like uber cool and incredible new bands were appearing from all corners of the globe almost every day. An explosion of creativity and excitement flooded the clubs and airwaves. From the UK you had bands like Bloc Party, Klaxons, Test Icicles, Playgroup, Simian Mobile Disco. Coming out of NYC you had the likes of LCD Soundsystem, Yeah Yeah Yeahs, Fischerspooner. From France you had Phoenix from Versailles and Black Strobe coming out of Paris. DJ / Producer Tiga from Canada, Digitalism from Hamburg Germany, Cut Copy from Melbourne Australia, and from Belgium Soulwax and Goose, and even spreading to South America with CSS coming out of Sao Paolo, Brazil. It really was a global scene.

Baby I'm-A Want You is Bread's best album, showcasing its soft and hard sides (yes, Bread had a hard side) at their respective peaks. "Mother Freedom," with its crunchy James Griffin guitar solo, and the superb soft rocker "Baby I'm-A Want You" made a brilliant opening which the rest of the album had a hard time matching. The songs range from wistful sentimentality ("Diary") to spirited protest ("This Isn't What the Government," a poor man's "Taxman" with an anti-war slant). The high points outnumber the flat spots, and the playing is very polished (with unexpected hard rock flourishes on "Dream Lady"), but this is still a '70s period piece.

Original Album. Basic tracks recorded at Compass Point Studios, Nassau, The Bahamas. Vocals and additional tracks recorded at Sigma Sound, New York City. Mixed at Sigma Sound, New York City and Eldorado Studios, Los Angeles. Bonus Tracks (CD Only) Fela's Riff, Unison, Double Groove, Right Start are previously unissued roughs and sketches from the Remain In Light sessions. Video Content (DVD Only) Crosseyed And Painless and Once In A Lifetime (Rockpop German TV Appearance, 1980) are previously unissued. Licensed exclusively by Reelin' In The Years Productions, L.L.C. on behalf of ZDF Enterprises