When Willie Nelson and album producer Daniel Lanois set out to create a cinematic-sounding album, Teatro, they took over a disused movie theatre in Oxnard, California, and pictured it's dusty glory on the cover art. Recorded as-live in situ amid the red velvet seats, Teatro sees Nelson working extensively with his frequent collaborator Emmylou Harris, who joins him for duets and on backing vocals. The other major player is Daniel Lanois, who produces the album, plays guitar and bass, took the cover photo and wrote one of the album's songs, "The Maker", a stunning performance with glacier-thick vibe. Reinvention is key on Teatro, with Nelson revisiting a number of songs he first wrote in the 1960s, including 1968's "I Just Can't Let You Say Goodbye" and 1962's "I've Just Destroyed the World" and "Three Days". Though the songs are familiar, the sounds aren't: Teatro found Nelson experimenting with rhythms and flavors as never before, from the Spanish-influenced "Darkness On The Face Of The Earth" to the double-drum-kit percussive groove of "My Own Peculiar Way". Originally released by Island Record in 1998, Teatro is issued here for the first time as a double disc set, including the original album plus 7 unreleased bonus tracks from the sessions.

I Don't Know A Thing About Love: The Songs of Harlan Howard is the 73rd solo studio album by Willie Nelson, released on March 3, 2023. Produced by Buddy Cannon, the album is a tribute to the songwriter Harlan Howard. The album is a collection of ten songs performed by Nelson and originally written by Harlan Howard. Howard gave Nelson his first job as a songwriter for the publishing company Pamper Music. The album was produced by Buddy Cannon, and it will feature cover art drawn by Nelson's son, Micah.

Willie Nelson's album of pop standards, penned by America's legendary songwriting duo George and Ira Gershwin, follows the selection of Willie as the 2015 recipient of the Library of Congress Gershwin Prize for Popular Song. Among the 11 Gershwin classics recorded by Willie Nelson for his new album are two duets: "Let's Call The Whole Thing Off" with Cyndi Lauper (the song was originally introduced by Fred Astaire and Ginger Rogers in the 1937 film Shall We Dance) and "Embraceable You" with Sheryl Crow (the song was performed by Ginger Rogers in Girl Crazy, recorded by Billie Holiday in 1944 and inducted into the Grammy Hall of Fame in 2005).

A series of Willie Nelson concept albums originally rejected by his record company forms the basis for a fascinating anthology. Willie Nelson: A Classic & Unreleased Collection includes Sugar Moon, an unreleased album of Western swing classics recorded with Merle Haggard's band, the Strangers; a would-be sequel, Willie Sings Hank Williams; the likewise unreleased Willie Nelson Live at the Texas Opry House; and unissued outtakes from various sessions, early songwriting demos, plus his very first single. First offered for sale in 1994 on the home-shopping channel QVC, an expanded, annotated version has finally been made available to retail outlets. The set brings to light a treasure trove of Nelson's unreleased work for Atlantic Records, to which Nelson was signed in 1972 by legendary R&B producer Jerry Wexler to launch a new country division.

Amongst the nearly 150 albums that Willie Nelson has released, he has a number of amazing full-album tributes to songwriters from Kris Kristofferson and George Gershwin to Ray Price and Cindy Walker. Adding to that list is a new studio album dedicated to songwriting legend Harlen Howard who has scores of country hits including a number that crossed over to pop and even R&B charts. A member of both the Country Music Hall of Fame and Songwriters Hall Of Fame, Howard wrote hits for Ray Charles ("Busted"), Buck Owens ("I've Got A Tiger By The Tail"), Conway Twitty (the title track), Bobby Bare ("The Streets Of Baltimore") and so many more. Produced by longtime collaborator Buddy Cannon and featuring a murderers' row of crack Nashville musicians, I Don't Know A Thing About Love is an amazing addition to Willie's unparalleled catalog.

Waylon Jennings spent 20 years with RCA Records, signing with the label in 1965 and remaining with them until 1985, when he moved on to record for MCA Records. Needless to say, his key creative years were with RCA, particularly after 1972, when Jennings renegotiated his deal to give him more artistic control over what he produced. This box set package includes five of the resulting RCA albums that Jennings produced between 1973 and 1978, including 1973's Lonesome, On'ry and Mean, 1974's This Time and The Ramblin' Man, 1977's Ol' Waylon, and 1978's Waylon & Willie (with Willie Nelson), with whatever bonus tracks that were included on RCA's individual CD reissues of each album. It's a whole lot of Waylon, probably more than the casual listener would need and serious fans would most likely already have all of, but a big chunk of Jennings' legacy is here, so it makes an easy way to connect with his most creative period as an artist in one simple swoop.

Like so many Willie Nelson albums of the 2010s, Ride Me Back Home bears a title that appears to be a vague nod to Nelson's mortality. Unlike, say, God's Problem Child or Last Man Standing, the cloud doesn't appear to hang so heavy on Ride Me Back Home, but maybe that's because the album is amiably unkempt in a way its immediate predecessors were not. Some of that is due to how Nelson and his longtime producer Buddy Cannon don't rely heavily on original material this time around. The pair write four originals, while Nelson collaborates with Sonny Throckmorton on the elegiac title track.

Live and Kickin' is a 2003 live album by Willie Nelson, featuring music stars of diverse genres like Eric Clapton, Shania Twain, Elvis Costello, Diana Krall, Norah Jones, Ray Charles, Steven Tyler, Wyclef Jean, ZZ Top, Paul Simon.

Collectables presents 24 more of the greatest holiday hits of all time. All songs are the original hits by the original artists that made them great. Elvis Presley, Andy Williams, Frank Sinatra, Bing Cosby, Brian Wilson, Perry Como, Johnny Mathis, Barry Manilow, Luther Vandross, Michael Bolton, Gloria Estefan, Johnny Cash, Willie Nelson, Kenny Loggins, Buster Poindexter, Englebert Humperdinck, Donny Osmond, John Denver, The Manhattan Transfer, Gladys Knight, Kenny Vance, Bobby Vinton and Aretha Franklin.

In the dense annual blizzard of holiday albums, A VERY SPECIAL ACOUSTIC CHRISTMAS shines like a gleaming treetop star from a warm, inviting living room, thanks to its organic, no-frills approach and its remarkable lineup of performers. Dan Tyminski (of O BROTHER, WHERE ART THOU? fame) offers up a charming version of "Frosty the Snowman," while Willie Nelson lends his legendary voice and guitar playing to a fine take on "Please Come Home for Christmas." Alison Krauss contributes her surprisingly poppy "Only You Can Bring Me Cheer (Gentleman's Lady)," Marty Stuart confides that "Even Santa Claus Gets the Blues," and Pat Green saunters through a relaxed "Winter Wonderland." Bringing the Yuletide album to an appropriate close is Norah Jones, in a beautiful solo rendition of Horace Silver's "Peace".

It really will be the Ultimate Christmas with these 76 Festive tracks across 4CDs housed in a fold out card digipack style case. Includes Wham! Frank Sinatra, Whitney Houston, Bob Dylan, Tony Bennett, Eartha Kitt, Michael Bolton, Johnny Cash, Simon & Garfunkel, Julie Andrews, Andy Williams, Mahalia Jackson, John Denver, Willie Nelson, Duke Ellington & His Orchestra, Susan Boyle, Daryl Hall & John Oates, Christina Aguilera, Leona Lewis, Dido and many more!

This double-disc set is cross-licensed to include key tracks from 40 years of recording! Includes Night Life; Hello Walls; Me and Paul; Bloody Mary Morning; Funny How Time Slips Away; Blue Eyes Crying in the Rain; On the Road Again; If You've Got the Money I've Got the Time; Georgia on My Mind; My Heroes Have Always Been Cowboys; Always on My Mind; Pancho and Lefty; Highwayman, and more. 41 tracks!

A hand-selected compilation of early '60s tracks from national treasure and one of the most iconic American vocalists, songwriters and rebels, Willie Nelson!Highlighted by such timeless classics as "New Way To Cry," "A Moment Isn't Very Long," "Let's Pretend We're Strangers," "Any Old Arms Won't Do" and more!Digitally remastered audio for superior sonic quality!

Released on Willie Nelson’s 89th birthday, A Beautiful Time testifies to the country icon’s enduring talent and astounding longevity. Perhaps it’s no surprise that mortality is on the mind throughout, but Willie doesn’t get too maudlin about it—the album opens with the sweet, slow-rolling “I’ll Love You Till The Day I Die” and touches on country funk for the celebratory “I Don’t Go To Funerals.” He makes some beautiful cover choices, too, offering a twilit take on Leonard Cohen’s “Tower Of Song” and kicking up the dust on The Beatles’ “With A Little Help From My Friends.” The full weight of Nelson’s life experiences permeate A Beautiful Time, but no more so than on the intimate curtain-closer “Leave You With A Smile,” as he sings, “If I run out of time, I’ll wait for you in the sweet by-and-by.”

Willie Nelson has been a prolific singer and recording artist since the 1970s, but the songwriter who penned hits for Ray Price, Patsy Cline, Billy Walker, and Johnny Cash, among others, hasn't issued an album of predominantly original material since 1996. Band of Brothers ends the drought. Its 14 selections include nine new songs by Nelson (with producer Buddy Cannon) and a handful of fine covers. Opener "Bring It On" is a honky tonk waltz that offers wisdom by someone who has lived through plenty as he looks eternity squarely in the eye. He is in excellent voice as Mickey Raphael's harmonica moans to underscore his lyric. Nelson delivers his first guitar solo on Trigger (his nylon-stringed instrument). His playing, with its unique phrasing, has always been underrated and here it evokes the blues. His love songs have always been highlights in his catalog. "I Thought I Left You" is in 4/4, with a slow processional pace adorned with slippery steel and piano. The lost romance portrayed in the waltz "Send Me a Picture" is another clear standout; a sighing pedal steel and Raphael's mid-register wail echo every sung line.