Rui Chen chinese pop female singer. Chen Rui's voice is very unique, slightly hoarse, vicissitudes of life with a touch of sadness, but also magnetic.

Junko Sakurada is a Japanese singer and actress. She was part of a music trio in 1973, which included Momoe Yamaguchi and Masako Mori.

Jeannie Hsieh (Chinese: 謝金燕; born December 25, 1974) is a Taiwanese singer-songwriter, dancer, actress, and model. She is known for writing and performing music which combine techno and hip-hop, often in Taiwanese Hokkien, but sometimes mixed with Mandarin, Cantonese, and English.

Maggie Chiang Mei-chi (江美琪) is a Taiwanese Mandopop singer-songwriter. She is dubbed a "therapeutic singer" (療傷系歌手) by the Chinese-language media because of her poignant delivery of heartfelt ballads.

Japanese singer who blends jazz and pop in her songs. Debuted in 2012 with her single Watashi no Pistol.

Kay Tse On-kay is a Hong Kong Cantopop singer. She is a prominent figure in Cantopop and Hong Kong popular culture and is frequently referred to in the media as a "grass-roots diva" and "goddess." She is known for her versatile vocal range and her ability to sing in various music genres.

Sweet Revenge is an amazingly sophisticated album in which Sakamoto sets the distinctive and heart-rending chordal and harmonic ideas of his soundtrack work to trip-hop and neo-bossa-nova beats. The songs are fronted by a succession of guest vocalists who each contribute lyrics which add up to an amazingly coherent whole–a mature meditation on love, longing, conflict, revenge and regret. As usual, Sakamoto was ahead of his time. By spotlighting the deep poetry of J-ME and Latasha Natasha Diggs, this 1994 album anticipated by years the introspective hip-hop diva trend popularized by Lauryn Hill.

Professor Sakamoto gives a lesson on what is practically a different style of music with each track on Illustrated Musical Encyclopedia, beginning with a sure-fire hit: the extroverted, quintessentially Japanese synth workout "Field Work" (with Thomas Dolby). From there, Sakamoto hits riff-ready crossover jazz-fusion ("Etude"), electronic minimalism ("M.A.Y. in the Backyard"), and Oriental dub ("Paradise Lost"). There is a return to sampladelic Eastern synth-pop with "Steppin' Into Asia," but for the most part Sakamoto displays his impressive stylistic range on this solo album.