This is the japanese version of Kraftwerk - Concert Classics. Various versions seem to exist. With transparent and with black jewelcases. On the back and front of the case a blue sticker is attached. Therefore transparent jewelcase have another cover with the Autobahn logo in blue on black. When the CD was released in 1998 a Japanese press release is said to state that the concert was recorded in Dallas Broncos Bowl on 1/5/1975. However latest investigations to a series of recordings from Denver clearly indicate this recording coming from a 20/05/1975 gig in Denver.

When the Bureau B label contacted Karl Bartos and showed interest in releasing any archival material he might have laying around the lab, the former Kraftwerk member (that is, "classic lineup" member, joining for the Autobahn tour and leaving somewhere between Electric Cafe and The Mix) wasn't interested. After all, he's a never-look-back futurist, but as the liner notes to Off the Record explain, he's an open-minded futurist as well and allowed this initially rejected idea to morph into something new. Kicking off with "Atomium" - a grand bit of robot techno and possible sequel to Kraftwerk's "Radioactivity" - Off the Record uses Bartos' archival tapes, zip drives, or computer files from 1975 to 1993 as its foundation, then mashes these off-hours audio sketches (recorded "off the record" from his usual band) with new ideas, overdubs, and vocoder vocals…

A concept album exploring themes of broadcast communications, Radio-Activity marked Kraftwerk's return to more obtuse territory, extensively utilizing static, oscillators, and even Cage-like moments of silence to approximate the sense of radio transmission; a pivotal record in the group's continuing development, the title track – the first they ever recorded in English – is their most fully realized electro-pop effort to date, while "The Voice of Energy" precipitates the robot voice so crucial to their subsequent work.

The byproduct of a much anticipated, long-delayed, and ultimately scrapped album to have been called Technopop (and to have contained Kraftwerk's great dance single "Tour de France"), 1986's Electric Cafe suffers only slightly from lacking the thematic focus of previous Kraftwerk albums. Ironically, the '80s techno-pop wave had passed by band founders Florian Schneider and Ralf Hutter at this point, but their sly wit ("Boing Boom Tschak," "Telephone," "Sex Object") and melodic inventiveness still stand the test of time. Its segues virtually seamless, Electric Cafe plays like one mega-dance-mix, but with the tasteful restraint that has long been a Kraftwerk hallmark. This is club music for thinking men and women.

Computer World is the eighth studio album by German electronic music band Kraftwerk, released in May 1981. The album deals with the themes of the rise of computers within society. Critics see this album as a peak in the career of Kraftwerk, along with Autobahn and Trans-Europe Express. The compositions are credited to Ralf Hutter, Florian Schneider, and Karl Bartos. The sound of the album is more reliant on purely electronics and vocals. As was the case with the two previous albums, Computer World was released both as German and English language editions.

By the early '90s, it was quite apparent just how far-reaching Kraftwerk's influence had been. From techno to hip-hop to industrial music to house, numerous others were undeniably indebted to the group. Dance clubs had long been a key part of Kraftwerk's following, and the dance market was the obvious target of The Mix – a collection of highly enjoyable, often clever remixes. While novices would do better to start out with Trans-Europe Express or The Man-Machine, hardcore Kraftwerk followers shouldn't pass up these remixes of such classics as "Trans-Europe Express," "The Robots," "Autobahn," and "Radioactivity." One could nitpick about the absence of "Neon Lights" and "Europe Endless," but the bottom line is that this CD was a welcome addition to the Kraftwerk catalog.

The Kraftwerk ‘Remixes’ compilation was released by Parlophone Records on 25th March 2022. The compilation showcases Kraftwerk’s immense influence on Club & DJ culture, techno and all forms of electronic dance music. Featuring 19 official remixes, it collates Kraftwerk’s own remixes alongside contributions from some of the world’s biggest DJ’s and producers including François Kervorkian, William Orbit, Étienne de Crécy, Orbital, Underground Resistance, DJ Rolando and Hot Chip. The remixes are taken from various Kraftwerk 12” singles, CD singles and digital releases from 1991-2021.

The line-up on this newly released bootleg is said to consist of Florian Schneider, Michael Rother and Klaus Dinger, which tells us that this was probably recorded in that short period of time in 1971, estimated to 6 months, when Ralf Hütter had left the band. Supposedly, the recording was made at the Gondel Kino in Bremen, Germany on June 25, 1971. And it's an interesting recording.