"Turn the Lights Back On" is a single by American musician Billy Joel. It was released on February 1, 2024, through Columbia Records and was Joel's first single since "Christmas in Fallujah" was released in 2007, 17 years earlier. The song is written by Joel, Freddy Wexler (who also produced the track), Arthur Bacon, and Wayne Hector.

The album has at its heart, an eclectic collection of songs and styles but unmistakably anchored in the band’s heritage. From fast-paced, driving classic rock to dreamier, more progressive pieces, the album has something for all moods. Less of a concept album this time out but the focus is still on quality and the album sees writing contributions from all band members.

Recorded in 1985 after a break from recording and time spent living in Barbados and Liberia, Nina’s Back features a rejuvenated Nina Simone reaching out to a wider musical audience. Featuring a number of memorable Simone compositions, the band includes horns and backup singers for a unique recording in Nina’s catalog.

The work of an artist often suggests that of an alchemist. In her new album, Aire, Mexican singer and composer Magos Herrera transformed the grief, fears, and loneliness of a deadly plague into a luminous collection of songs representing "a celebration of our humanity and the healing power of music."

Hovvdy's forthcoming self-titled double album, co-produced with Andrew Sarlo (Big Thief, Bon Iver) and longtime collaborator Ben Littlejohn, is their most cohesive and ambitious record to date: The definitive Hovvdy album. Across the 19 track sequence ranging from expansive celebratory anthems to quiet acoustic meditations, Hovvdy displays deft and catchy pop songcraft with touches of indie folk and southern Americana.

An obscure jazz-rock band that existed from the mid-'70s through the early '80s, Cos was led by singer/oboe player Pascale Son, and also featured members Daniel Schell (flute, guitar), Bob Darsch (drums), Alain Goutier (bass), and Charles Loos (keyboards). Self described as a "mixture of jazz and Canterbury," the quintet released such albums as Postaeolian Train Robbery, Viva Bomma, Babel, Swiss Chalet, and Passions, before fading away.

Walter, at the end of his career, set out to record his signature pieces for posterity in what was then the new technology of stereo. And unlike von Karajan, who rushed to record his repertoire at the dawn of the video and digital era to often-mixed results, every Walter performance is absolutely brilliant. This recording of Beethoven's 5th and 7th Symphonies, made over 4 days during the week of January 27 - February 3, 1958, is no exception.

The Brook Street Band join forces with the Choir of The Queen’s College, Oxford, and their director Owen Rees, for the first ever pairing on disc of the two settings of the Dixit Dominus by Alessandro Scarlatti and George Frideric Handel.

The Brabant Ensemble continue their investigation into unknown jewels of the Low Countries Renaissance, researched by their director Stephen Rice and recorded with equal amounts of passion and erudition by the young singers of the group.

This is the most ambitious project of Tim Garland's stellar career, with a celebration of Lighthouse Trio's 20th Anniversary (Gwilym Simcock and Asaf Sirkis), along with a stunning display of Tim's prowess as a composer and arranger with the Britten Sinfonia, featuring violinist Thomas Gould, along with trumpet ace Yazz Ahmed performing as a special guest on one track.

The organ has been regarded as an orchestra from its earliest beginnings, and over the years many composers have transposed vocal and orchestral works for the instrument.