Doug Sahm spent many years in the back half of his career playing to enthusiastic crowds in Scandinavia, even eking out a genuine hit or two. Much of the material on the 2012 compilation The San Antonio Hipster appears to date from the '80s or '90s, likely before Sahm corralled his old friends together to form the Texas Tornados…

Live from Austin, TX, part of a series of CD and DVD releases from the Austin City Limits archive, features a post-Sir Douglas Quintet and pre-Texas Tornados Doug Sahm recorded on November 14, 1975…

The Return of Wayne Douglas – the title comes from one of the aliases Doug Sahm used during country music gigs around Austin, TX – turned out to be Sahm's final studio album. It was recorded just before his heart gave out in a Taos, NM, motel room on November 18, 1999, but released posthumously in late 2000 by Tornado Records, a division of Birdman Recordings…

Many fanatic music listeners feel an artist's greatest works are accomplished when they are young, and would thus go backward toward an early Sir Douglas Quintet record in order to capture the best of this legendary Texas artist. This release on an independent label hardly made a ripple in the late '90s, although musically there is enough here to create a tidal wave…

This set captures Doug Sahm and his band in the mid '70s. Longtime musical cohort Augie Meyers (who was a key member of the Sir Douglas Quintet) is on hand with his rollicking organ playing. The remainder of the quartet is comprised of a rhythm section as well as tenor sax player Rocky Morales…

Guitarist, composer, arranger, and songwriter Doug Sahm was a knowledgeable music historian and veteran performer equally comfortable in a range of styles, including Texas blues, country, rock & roll, Western swing, and Cajun. Born November 6, 1941, in San Antonio, TX, he began his performing career at age nine when he was featured on a San Antonio area radio station, playing steel guitar…

Doug Sahm once sang, "You just can't live in Texas if you don't have a lot of soul," and, as a proud son of the Lone Star state, he seemed bent on proving that every time he stepped in front of a microphone. Whether he was playing roots rock, garage punk, blues, country, norteño, or (as was often the case) something that mixed up several of the above-mentioned ingredients, Doug Sahm always sounded like Doug Sahm – a little wild, a little loose, but always good company, and a guy with a whole lot of soul who knew a lot of musicians upon whom the same praise could be bestowed. Pulling together a single disc compilation that would make sense of the length and breadth of the artist's recording career (which spanned five decades) would be just about impossible (the licensing hassles involved with the many labels involved would probably scotch such a project anyway), but this disc, which boasts 22 songs recorded over the course of eight years, is a pretty good starter for anyone wanting to get to know Sahm's music.