Given that Jimi Hendrix's career as a frontman lasted only about three years, it might be hard to believe that there's still great material that hasn't been officially released even 40 years after his death (of course, unofficially released is a different matter). But here is Jimi's three-night stand at Winterland in San Francisco from October of 1968, which, despite excellent recordings by Wally Heider, sat largely unreleased until 2011. A single disc was compiled and released by Rykodisc in the late '80s (there was also a hard-to-find three-track bonus disc), but had been out of print for years when this box set arrived…

A self-taught guitarist, Hendrix began his musical career backing such R&B greats as Ike and Tina Turner, Sam Cooke, Wilson Pickett and B.B. King. Brought to London from New York by former Animals bassist Chas Chandler, Hendrix quickly established himself as the brightest new star on the burgeoning progressive rock scene of the early '60s…

People, Hell and Angels is a collection of quality studio tracks recorded (mostly) in 1968-1969 as the Experience was coming to an end and Jimi was renewing his friendships with Billy Cox and Buddy Miles, who appear here as sidemen on most of these tracks. The surprising thing about this set is not the sound quality (which is exceptional) or that these all sound like finished tracks, but the fact that even avid Hendrix bootleg collectors are unlikely to have heard most of this material.
A great version of "Earth Blues" kicks things off with just Jimi, Billy, and Buddy (whose drums were replaced by Mitch Mitchell on the Rainbow Bridge/First Rays version)…

CD box set release from Jimi Hendrix consisting four CDs filled with lots of unreleased and rare tracks. This edition includes a bonus DVD with documentary newly taken by Bob Smeaton (famous with the film "Festival Express").

Band of Gypsys was the only live recording authorized by Jimi Hendrix before his death. It was recorded and released in order to get Hendrix out from under a contractual obligation that had been hanging over his head for a couple years. Helping him out were longtime friends Billy Cox on bass and Buddy Miles on the drums because the Experience had broken up in June of 1969, following a show in Denver. This rhythm section was vastly different from the Experience. Buddy Miles was an earthy, funky drummer in direct contrast to the busy, jazzy leanings of Mitch Mitchell. Noel Redding was not really a bass player at all but a converted guitar player who was hired in large part because Hendrix liked his hair! These new surroundings pushed Hendrix to new creative heights…

Loose Ends is a posthumous compilation album by Jimi Hendrix, released in February 1974 in the UK. It was the fourth and last Hendrix studio album released posthumously by manager Michael Jeffery. The album features a collection of outtakes and jams, with the exception of "The Stars That Play with Laughing Sam's Dice" which is the sole authorized track by Hendrix, in a new stereo mix by Eddie Kramer.

Isle of Wight is a posthumous live album by Jimi Hendrix, released in November 1971. It documents Hendrix's performance at the 1970 Isle of Wight Festival on 31 August 1970, his last performance in England before his death less than three weeks later on September 18, 1970.

In the '70s, there was no shortage of posthumous Jimi Hendrix releases. Reprise and other labels knew that Hendrix's fans were an incredibly loyal and devoted bunch, and they knew that serious collectors would snag any Hendrix LP they could get their hands on. One of those posthumous releases was Crash Landing, which Reprise assembled in 1975. The LP's best-known tracks include "Message to Love" and "With the Power," both of which find Hendrix leading his Band of Gypsies power trio. Also enjoyable is a remake of the famous "Stone Free." But despite the presence of some gems, Crash Landing isn't essential - this record is strictly for collectors, and they are the ones who will want to hear such rarities as "Captain Coconut" (a psychedelic instrumental) and "Peace in Mississippi" (which is also instrumental and is the heaviest thing on the album)…

2 CD set with 1967 performances live at Monterrey Pop Festival and Stockholm.
The Jimi Hendrix Experience's breakthrough appearance at the Monterey International Pop Festival on June 18, 1967, has been committed to disc, in whole or in part, before, starting with the split LP Monterey International Pop Festival, which featured four tracks by Hendrix on one side and performances by Otis Redding on the other. That album was released scant weeks before Hendrix's death in September 1970. In 1986, Jimi Plays Monterey, containing the full ten-song set, appeared.
Although Hendrix had become a star in the U.K., he was largely unknown in his home country…

Good Times - under that name this compilation of early Hendrix's was released on CD in 1993 and later was reissued in Europe on various labels under different names (eg Early Years). The album contains many rare tracks. To obtain the highest possible quality, some tracs have been re-recorded by the original artists or several members of the original group.

Jimi Hendrix's headlining appearance at the Atlanta Pop Festival would be the largest U.S. audience he would ever play to. Most people assume it was Woodstock, which was a larger festival, but by the time Jimi took the stage at around 9 a.m. on Monday morning, the Woodstock crowd was down to about 25,000 stragglers. Estimated between 300,000 and 400,000, the actual crowd at Hendrix's Atlanta Pop performance was hard to pin down due to the fact that many of the festivalgoers turned up after dark, in an effort to stay out of the stifling heat of Atlanta in the summertime. The trio of Jimi, Mitch, and Billy Cox had been touring for about two and a half months solid when July 4 rolled around, and they sound really tight kicking off the show. "Fire" starts the set, and one immediately notices how differently Billy Cox plays it versus Noel Redding. "Spanish Castle Magic" has Jimi trying out some new solo ideas and he really starts feeling it on a very improvisational, extended "Red House." A rare live performance of "Room Full of Mirrors" is followed by an absolutely incredible version of "Hear My Train A Comin'".