Music Scene is a spectacular, one-of-a-kind program that originally aired on ABC-TV from 1969-1970. The show featured the most popular contemporary performers along with many varied musical legends. Hosted by comedian David Steinberg and special guests, Music Scene was based on Billboard magazine's hit record charts and offered exclusive live performances by virtually every major star from the rock, country, soul, folk, and pop genres. Includes full-length, hit performances by: James Brown, Crosby, Stills, Nash & Young, Joe Cocker, Merle Haggard, Isaac Hayes, Richie Havens, Janis Joplin, Jerry Lee Lewis, Little Richard, Lulu, Roger Miller, Buck Owens, Charley Pride, Lou Rawls, Della Reese, Bobby Sherman, B.B. King, Sly & the Family Stone, Smokey Robinson & the Miracles, the Everly Brothers, the Grass Roots, the Rascals, the Temptations, Three Dog Night, and many, many more!

Record Store Day 2021 "RSD First" release, part of the June 12th drops. Limited to 4,250 copies. To commemorate the 50th anniversary of Janis Joplin's Pearl, the album will be made available as a picture disc for the very first time. This exclusive for RSD Drops features the iconic cover portrait lensed by Barry Feinstein. Pearl showcased some of Janis' most familiar and best-loved performances including “Cry Baby,” her cover of Kris Kristofferson's "Me and Bobby McGee," and the off-the-cuff, a cappella "Mercedes Benz," the last song she ever recorded.

18 Essential Songs is a one-disc distillation of the triple-disc Janis box set. Running 70 minutes, it is a more extensive best-of than the ten-track 1973 Janis Joplin's Greatest Hits album.

In many facets, Big Brother and the Holding Company's Cheap Thrills is the quintessential album to spring from the outcome of the Summer of Love. Best known as Janis Joplin's major-label debut, the 1968 set arrived when the countercultural movement was in full swing and before co-optation, drugs, and violence signaled the fall of the era. Ranked #338 on Rolling Stone's 500 Greatest Albums of All Time, it puts a female singer in the prominent position traditionally given to a male and showcases a band pouring a potent cocktail of fiery psychedelic, blues, and folk sounds that informed the unfettered creativity of the San Francisco scene. Produced by John Simon, Cheap Thrills also features one of the most iconic and elaborate album covers in history.

As the historic festival marks its 40-year anniversary, Rhino presents Woodstock 40, six-CD boxed set that features the most comprehensive collection ever available of artists that performed at the original festival, sequenced in chronological order of performance, featuring 38 previously unreleased recordings, including the Grateful Dead, The Who, Tim Hardin, Jefferson Airplane, Country Joe & The Fish, and others. Also box includes 80-page book with extensive liner notes, photos and the complete and accurate set lists.

Janis Joplin's second masterpiece (after Cheap Thrills), Pearl was designed as a showcase for her powerhouse vocals, stripping down the arrangements that had often previously cluttered her music or threatened to drown her out. Thanks also to a more consistent set of songs, the results are magnificent – given room to breathe, Joplin's trademark rasp conveys an aching, desperate passion on funked-up, bluesy rockers, ballads both dramatic and tender, and her signature song, the posthumous number one hit "Me and Bobby McGee." The unfinished "Buried Alive in the Blues" features no Joplin vocals – she was scheduled to record them on the day after she was found dead. Its incompleteness mirrors Joplin's career; Pearl's power leaves the listener to wonder what else Joplin could have accomplished, but few artists could ask for a better final statement.

I Got Dem Ol' Kozmic Blues Again Mama! is the debut solo and third studio album overall by American singer-songwriter Janis Joplin, released on September 11, 1969. It was the first album which Joplin recorded after leaving her former band, Big Brother and the Holding Company, and the only solo album released during her lifetime. Recording began on June 16, 1969 in New York City and ceased on June 26. For the album, Joplin recruited guitarist Sam Andrew of the Holding Company to take part in development, along with the Kozmic Blues Band. Joplin installed a brass and horn section into the tracks, a feature her previous band would not allow. It was a total contrast to Joplin's previous psychedelic rock as the compositions chosen were more soul and blues driven. All but two tracks were cover versions that producer Gabriel Mekler and Joplin chose.

This set of archival recordings lets us witness the formation of arguably the most powerful and expressive voice in rock history. From the earliest known performances in the small bars of Texas to the first sessions with Big Brother to her mesmerizing live shows, Janis never left behind her raw roots. She drew upon them to impel emotional performances as if by exposing her pain she gained power over her past and transformed it into a gift. In these newly sourced pearls, we can hear as never before the birth and fast burning flame of Janis Joplin. Included are outtakes and unreleased songs from the 1968 "Cheap Thrills" studio sessions, demos for the 1969 Kozmic Blues album and vast improvements on all existing vintage (1962-65) live recordings. The vintage recordings, in particular, are wonderful and although we had some of this material from the long out of print "Janis" movie soundtrack vinyl release, this collection has 39 (!) tracks recorded between 1962-65 including the ubiquitous "Typewriter Tapes" made by Jorma. The fourth CD unchains the urgent expression and lets it be heard in a complete Big Brother concert from 1967.

For the first time, listen to the complete concert from the Grande Ballroom in Detroit on May 2, 1968.

A limited-edition five-CD box set comprising both albums that Janis Joplin made with Big Brother & the Holding Company (Cheap Thrills and Big Brother & the Holding Company), both of her solo albums (I Got Dem Ol' Kozmic Blues Again Mama! and Pearl), and a bonus EP with five previously unreleased recordings. Each of these four albums includes previously unreleased bonus tracks (including live material), and each is available separately with the same bonus cuts. The tracks on the bonus EP aren't available anywhere else, and if you're devoted enough to consider laying out for this deluxe box, you're probably most interested in what's on that fifth disc.

Whether it was singing with Big Brother And The Holding Company or with her Full Tilt Boogie Band, Janis Joplin had one of the most identifiable, most emotional and most soulful voices ever recorded. Coming to San Francisco from Texas in 1966, Janis soon had the music world’s total attention, simply blowing the audience away at Monterey in 1967 while fronting Big Brother and gaining a record deal with Columbia Records in the process. After that, it was hit after hit with songs like her signature Piece Of My Heart, Cry Baby, and her Number One take of Kris Kristofferson’s present day standard Me And Bobby McGee, all included here. Through it all, Janis Joplin established herself as one of the very best and one of the most important singers and song interpreters ever to hit the music scene.

Jorma Kaukonen (later of Jefferson Airplane and Hot Tuna) met a singer named Janis Joplin at a hootenanny in San Jose, California, in the fall of 1962. Over the following years, Janis would call on Jorma to accompany her at gigs. As they continued to play together, the Bay Area was changing musically and developing into the legendary San Francisco scene to which both Janis and Jorma would be integral. During a rehearsal for a show in North Beach, Jorma started his reel-to-reel machine to capture what they were working on. For decades, this recording was the stuff of legend, with inferior, multi-generational transfers making their way through select collector’s circles. Now, for the very first time, it is available officially, with the blessing and cooperation of both the Janis Joplin Estate and Jorma Kaukonen.

As a soundtrack to the documentary Janis: Little Girl Blue, this 2016 album does its job, providing an aural biography to complement the visual one. The 17 tracks are sequenced chronologically – the exception being the title track, pulled from I Got Dem Ol' Kozmic Blues Again Mama! and functioning as a coda here – so it's possible to hear her raw talent evolve from an early performance of "Careless Love" to a heavy dose of Big Brother & the Holding Company and on to her solo work. Although Big Brother's "Down on Me" and her lone Top 10 hit "Me and Bobby McGee" are here in their familiar studio versions, this soundtrack is populated by live tracks, many pulled from expanded reissues, so this functions almost as an alternate history: it tells the story through versions that aren't readily familiar. Also, these versions seem somewhat more rare than they actually are – any dedicated Janis fan likely has all of the cuts here somewhere in their collection – which speaks to how thoroughly the vaults have been combed. That said, this does a good job of rounding up some of the best rarities and presenting them in a fashion that's appealing to a broader audience.

As well as being one of the finest rock singers of the 1960s, Janis Joplin was also a great blues singer, making her material her own with her wailing, raspy, supercharged emotional delivery. First rising to stardom as the frontwoman for San Francisco psychedelic band Big Brother & the Holding Company, she left the group in the late '60s for a brief and uneven (though commercially successful) career as a solo artist. Although she wasn't always supplied with the best material or most sympathetic musicians, her best recordings, with both Big Brother and on her own, are some of the most exciting performances of the era. She also did much to redefine the role of women in rock with her assertive, sexually forthright persona and raunchy, electrifying on-stage presence.

This three-CD box set is the most thorough and valuable retrospective of Janis Joplin's career. Besides including all of her most essential recordings with and without Big Brother & the Holding Company, this 49-song package features quite a few enticing rarities; 18 of the tracks were previously unissued. These include a 1962 home recording of the Joplin original "What Good Can Drinkin' Do," which marked the first time her singing was captured on tape; a pair of acoustic blues tunes from 1965 with backup guitar by future Jefferson Airplane star Jorma Kaukonen, an acoustic demo of "Me and Bobby McGee," a 1970 birthday song for John Lennon, and live performances from her appearance on The Ed Sullivan Show in 1969…