Buffalo Springfield's discography received the complete box set treatment in 2001, with a four-disc set filled with previously unreleased demos, alternate takes, and other rarities. In contrast, What's That Sound: The Complete Albums Collection attempts to restore the discography to how it was heard upon its original release. Whether in its vinyl or CD incarnation, it serves up both the stereo and mono versions of 1966's Buffalo Springfield and 1967's Buffalo Springfield Again, along with the stereo version of 1968's Last Time Around.
Buffalo Springfield's time was short - they formed in 1966 and split in 1968 - but their legacy was vast. Some of their legend was cultivated in the ensuing decades, after founding members Richie Furay, Stephen Stills, and Neil Young went on to fame either on their own or with such groups as Poco and Manassas…

Platinum Collection is a triple-disc set that contains one disc of Enigma’s greatest hits, one disc of remixes, and one disc of “The Lost Ones,” brief instrumental snippets that were used as source material and ideas for full-length tracks. Naturally, this last disc is what’s interesting for the hardcore fan which, unlike the rest, consists of unreleased material - but even the hardcore may find this slightly ephemeral; after all, these were designed as something like work tapes, not for release. The rest of the set is a good overview of basics, but it’s still unclear exactly who this is for, as this recycles too much for the hardcore, and it’s too lengthy for the casual fan.

Yusef Lateef's Little Symphony is an album by Yusef Lateef, released through the record label Rhino Atlantic in 1987. The album, which Billboard described as "an atmospheric four-movement classical/jazz composition", was produced by Lateef, recorded, mixed and mastered by Norman Blain, and remastered by Dennis King. Lateef provided all instrumentation that appears on the album. In 1988, Yusef Lateef's Little Symphony earned Lateef the Grammy Award for Best New Age Album despite having no prior association with the genre.

The Bird Of A Thousand Voices by Tigran Hamasyan is a mesmerizing musical journey that showcases the artist's virtuosity and creativity. Released by Believe Digital Gmbh, this album features a fusion of jazz, folk, and classical influences, creating a unique and captivating listening experience.

Nonesuch Records releases pianist and composer Tigran Hamasyan’s StandArt—his first album of American standards—on April 29, 2022. StandArt includes songs from the 1920s through the 1950s, by Richard Rodgers, Charlie Parker, Jerome Kern, David Raksin, and others; it also includes a piece Hamasyan improvised with his bandmates—bassist Matt Brewer and drummer Justin Brown—and trumpeter Ambrose Akinmusire, who is featured on two of the album’s tracks. Other special guests include saxophonist and label-mate Joshua Redman on Charlie Parker’s “Big Foot,” as well as saxophonist Mark Turner on Jerome Kern and Oscar Hammerstein’s “All the Things You Are.” Produced by Hamasyan and recorded last spring in Los Angeles, StandArt is Hamasyan’s first release of American music, having previously only released original compositions and traditional Armenian music.

With Uma Elmo, his fifth album as a leader for ECM, Danish guitarist Jakob Bro presents a new trio featuring Norwegian trumpeter Arve Henriksen and Spanish drummer Jorge Rossy. Astonishingly, given the trio’s musical synergy, the first time these three musicians ever performed together was for the album’s sessions at the Swiss Radio studio in Lugano, with ECM founder Manfred Eicher producing. Uma Elmo reaffirms the observation about Bro’s work by London Jazz News that “there is no hurry to this music, but there is great depth.” Among the album’s highlights is opener “Reconstructing a Dream,” a darkly lyrical reverie.

Quietly stunning jazz with ambient electronic elements. According to the liner notes, every noise on the album was originally produced by either piano or trumpet – from there, they're either left as-is or filtered through a sampler or any number of effects.

”The Timeless Nowhere” consists of 42 tracks distributed across 2 cds. ”Towards Language - Live at Punkt” has previously only been available for streaming and downloads, while the second cd consists of brand new material as well as previously unreleased selections from the past 10 years. That said, while showing many facets of an artist on a seemingly unstoppable quest for for discovery and exploration, there´s also a remarkable unity to these tracks, possibly due to longtime collaborator Jan Bang who features across the board in various roles. ”The Timeless Nowhere” fits well into a lineage of albums like ”Chiaroscuro”, ”Places of Worship” and ”Towards Language”, and serves as a great introduction into Arve´s musical universe, at the same time being an indispensable treasure trove for fans and followers.

SBB is one of the most important Polish bands of the seventies. This band, rightfully listed in the eclectic progressive genre, mainly plays a hybrid of symphonic prog, space/atmospheric prog and fusion.

This third and final Pacific Jazz volume of the Chet Baker Quartet in concert continues with more music from the August 1954 date at the Tiffany Club in Los Angeles (some of which was heard on Vol. 2 in this CD series). Baker is in great form on trumpet throughout this performance, accompanied by pianist Russ Freeman, bassist Carson Smith, and drummer Bob Neel. The group is well-rehearsed and in top form, beginning with a turbocharged run through Charlie Parker's "My Little Suede Shoes." There are some songs previously covered in different versions on the earlier volumes ("Line for Lyons," "My Old Flame," "Carson City Stage," as well as Freeman's "The Wind" and "Russ Job"), but these versions not only measure up to the earlier ones but in several cases improve upon them. Freeman's inventive bop solos are another highlight of this release, especially in up-tempo tracks such as "Zing Went the Strings of My Heart"…

After the heavily distorted bass and doomsday church organ of Emerson, Lake & Palmer's debut album, the exhilarating prog rock of epic proportions on Tarkus, and the violent removal of the sacred aura of classical tunes on Pictures at an Exhibition, Trilogy, ELP's fourth album, features the trio settling down in more crowd-pleasing pastures. Actually, the group was gaining in maturity what they lost in raw energy. Every track on this album has been carefully thought, arranged, and performed to perfection, a process that also included some form of sterilization. Greg Lake's acoustic ballad "From the Beginning" put the group on the charts for a second time. The adaptation of Aaron Copland's "Hoedown" also yielded a crowd-pleaser. Prog rock fans had to satisfy themselves with the three-part "The Endless Enigma" and "Trilogy," both very strong but paced compositions…