…Featuring Norah Jones is a compilation album by American singer Norah Jones that was released on November 16, 2010, by Blue Note Records. The album includes songs by other artists on which Jones is featured, including songs by her side bands The Little Willies and El Madmo. The album includes "Here We Go Again", a duet with Ray Charles, which won the Grammy Award for Record of the Year in 2005. The song "Little Lou, Ugly Jack, Prophet John" by Belle & Sebastian had only been released one month prior to the release of this album on the group's October 2010 album Belle and Sebastian Write About Love.

Norah Jones has been a warm voice of comfort and reassurance for nearly 20 years since her cozy 2002 debut, Come Away With Me. Now, the 9x GRAMMY-winning artist has made her first holiday album with I Dream Of Christmas, a collection of timeless seasonal favorites (“White Christmas,” “Winter Wonderland,” “Christmas Time Is Here”) and profound new originals that explore the complicated emotions of the past year and our hopes that this holiday season will be full of joy and togetherness.

During 2018, Norah Jones concentrated her creative endeavors on a series of digital singles that found the singer/songwriter stretching herself stylistically. Usually, she pushed herself by teaming with new, unexpected collaborators, including Wilco's Jeff Tweedy – a tactic that guaranteed a variety of sounds and songs, a practice put into sharp relief by the 2019 release of Begin Again. This brief LP collects the seven songs recorded for this project – all but one released beforehand – and while they're a disparate batch, they nevertheless cohere thanks to their elegant, elastic experimentation.

Hear Music is a small group of passionate music lovers creating CDs that help people discover all the great music out there. We came up with the idea for Artist’s Choice CDs because we always wanted to know what our favorite artists were listening to. We’re very grateful to Norah Jones for making this a terrific project. We caught up with Norah Jones in New York City where she took some time to sit down and talk to us about the musical influences in her life — the songs she heard in the car when she was a kid, the importance of Ray Charles, and why she loves the sound of Levon Helm’s voice. Spend an hour with Norah Jones’ record collection.

'Til We Meet Again, the first live album released by Norah Jones, collects highlights from the tours she gave in the wake of the 2016 release of Day Breaks. The 14 songs on 'Til We Meet Again were recorded between 2017 and 2019, taken from performances given in the United States, Italy, France, Brazil, and Argentina. To Jones' credit, the album doesn't feel like it was cobbled together from different sources. The music flows easily, with Jones taking the time to stretch and solo, playing with her vocal phrasing just enough to enliven older songs and give newer tunes a lift. There are some overt surprises, such as a closing cover of Soundgarden's "Black Hole Sun" that was given a week after Chris Cornell's 2017 death at the same Detroit venue where the band played their last show, but this isn't an album that upends expectations. Rather, it's a testament to the enduring elegance of Norah Jones' jazz-pop while also offering proof of the depth of her songbook.

With a sterling career that boasts nine GRAMMYs, 50 million albums sold, and the most-livestreamed performances of 2020, Norah Jones has accomplished nearly every feat in the music industry. But on April 16th, Blue Note will be releasing Jones’ first-ever live album, ‘Til We Meet Again.

It may be far too obvious to even mention that Norah Jones' follow-up to her 18-million-unit-selling, eight-Grammy-winning, genre-bending, super-smash album Come Away with Me has perhaps a bit too much to live up to. But that's probably the biggest conundrum for Jones: having to follow up the phenomenal success of an album that was never designed to be so hugely popular in the first place. Come Away with Me was a little album by an unknown pianist/vocalist who attempted to mix jazz, country, and folk in an acoustic setting – who knew? Feels Like Home could be seen as "Come Away with Me Again" if not for that fact that it's actually better.

Puss N Boots—the charming trio featuring Norah Jones, Sasha Dobson, and Catherine Popper—are slated to release their second full-length album. Sister is a collection of originals written by the band members collectively and individually, mixed with loving covers of songs by Tom Petty (“Angel Dream”), Dolly Parton (“The Grass Is Blue”), Paul Westerberg (“It’s a Wonderful Lie”), and Concrete Blonde (“Joey”). Jones, Dobson, and Popper each take turns delivering lead vocals and also pick up multiple instruments throughout the album trading off on guitar, bass, and drums.

It may be far too obvious to even mention that Norah Jones' follow-up to her 18-million-unit-selling, eight-Grammy-winning, genre-bending, super-smash album Come Away with Me has perhaps a bit too much to live up to. But that's probably the biggest conundrum for Jones: having to follow up the phenomenal success of an album that was never designed to be so hugely popular in the first place. Come Away with Me was a little album by an unknown pianist/vocalist who attempted to mix jazz, country, and folk in an acoustic setting – who knew? Feels Like Home could be seen as "Come Away with Me Again" if not for that fact that it's actually better.

Norah Jones' debut on Blue Note is a mellow, acoustic pop affair with soul and country overtones, immaculately produced by the great Arif Mardin. (It's pretty much an open secret that the 22-year-old vocalist and pianist is the daughter of Ravi Shankar.) Jones is not quite a jazz singer, but she is joined by some highly regarded jazz talent: guitarists Adam Levy, Adam Rogers, Tony Scherr, Bill Frisell, and Kevin Breit; drummers Brian Blade, Dan Rieser, and Kenny Wollesen; organist Sam Yahel; accordionist Rob Burger; and violinist Jenny Scheinman. Her regular guitarist and bassist, Jesse Harris and Lee Alexander, respectively, play on every track and also serve as the chief songwriters.

In the dense annual blizzard of holiday albums, A VERY SPECIAL ACOUSTIC CHRISTMAS shines like a gleaming treetop star from a warm, inviting living room, thanks to its organic, no-frills approach and its remarkable lineup of performers. Dan Tyminski (of O BROTHER, WHERE ART THOU? fame) offers up a charming version of "Frosty the Snowman," while Willie Nelson lends his legendary voice and guitar playing to a fine take on "Please Come Home for Christmas." Alison Krauss contributes her surprisingly poppy "Only You Can Bring Me Cheer (Gentleman's Lady)," Marty Stuart confides that "Even Santa Claus Gets the Blues," and Pat Green saunters through a relaxed "Winter Wonderland." Bringing the Yuletide album to an appropriate close is Norah Jones, in a beautiful solo rendition of Horace Silver's "Peace".

Norah Jones took liberty with her blockbuster success to set out on a musical walkabout, spending a good portion of the decade following 2004's Feels Like Home experimenting, either on her own albums or on a variety of collaborations. Day Breaks, released four years after the atmospheric adult alternative pop of the Danger Mouse-produced Little Broken Hearts, finds Jones returning home to an extent: it, like her 2002 debut Come Away with Me, is a singer/songwriter album with roots in pop and jazz, divided between originals and sharply selected covers. Such similarities are immediately apparent, but Day Breaks is much slyer than a mere revival.