The Original Bootlegs is a series of six Tori Amos live albums, recorded during the Original Sinsuality and Summer of Sin tours, both of which were in support of her 2005 album, The Beekeeper. Double-disc sets were released for each complete show, which were initially released in pairs and sold individually or as a pair. On December 6, 2005 a cardboard-housed compilation of all six concerts was released, titled The Original Bootlegs.

Tori Amos'second full-length solo effort has often been considered a transitional album, a building on the success of Little Earthquakes that enabled her to pursue increasingly more adventurous releases in later years. As such, it has been unfairly neglected when in fact it has as good a claim as any to be one of the strongest, and maybe even the strongest, record she has put out. Able to appeal to a mass audience without being shoehorned into the incipient "adult album alternative" format that sprang to life in the mid-1990s, Amos combines some of her strongest melodies and lyrics with especially haunting and powerful arrangements to create an artistic success that stands on its own two feet. The best-known tracks are the two contemporaneous singles "God," a wicked critique of the deity armed with a stiff, heavy funk-rock arrangement, and "Cornflake Girl," a waltz-paced number with an unnerving whistle and stuttering vocal hook.

Little Earthquakes is the debut solo album of singer-songwriter Tori Amos, featuring the singles "Silent All These Years", "China", "Winter" and "Crucify". In 1998, Q magazine readers voted Little Earthquakes the 66th greatest album of all time, and in 2002 the same magazine named it the fourth Greatest Album of All-Time by a Female Artist. In a retrospective review of the album, AllMusic critic Steve Huey stated that with Little Earthquakes, Amos "carved the template for the female singer/songwriter movement of the '90s" and that while "her subsequent albums were often very strong, Amos would never bare her soul quite so directly (or comprehensibly) as she did here, nor with such consistently focused results." Little Earthquakes was included in the book 1001 Albums You Must Hear Before You Die.

Christmastide’ is a special collection of four original tracks designed to celebrate the holiday season with her fans. The record will be released on 4th December, digitally and on limited edition vinyl with stunning Illustrations by graphic artist Rantz Hoseley, along with a special Christmas Card and message from Tori Amos. The EP is a celebration of hope and togetherness, featuring her trademark vocals and piano and it also sees the return of her longtime musical collaborators, drummer Matt Chamberlain and bassist Jon Evans.

American Doll Posse is the ninth studio album by American singer-songwriter Tori Amos, released in 2007 by Epic records. A concept album, American Doll Posse sees Amos assuming the identity of five different female personalities inspired by Greek mythology in order to narrate stories of life in modern America. Themes include opposition to the Iraq War, recording industry misogyny, disillusion, sexuality, personal loss and female empowerment in general. Musically, the album is more rock-oriented than other studio albums by Amos, notably featuring more guitar and drums than previous albums The Beekeeper (2005) and Scarlet's Walk (2002). Limited Deluxe Package comes in a softpak with a 36 page full-color booklet, a bonus DVD containing never-before-seen footage plus bonus track, and a collectible set of 5 postcards (3 different sets available).

"Pretty Good Year" is a single by the American singer-songwriter Tori Amos, taken from her second album Under the Pink. Released in March 1994, it reached #7 on the UK Singles Chart, her second consecutive Top 10 hit there following "Cornflake Girl"…

"Cornflake Girl" is a song by American singer-songwriter and musician Tori Amos. It was released as the first single from her second studio album Under the Pink…

Tori Amos'second full-length solo effort has often been considered a transitional album, a building on the success of Little Earthquakes that enabled her to pursue increasingly more adventurous releases in later years. As such, it has been unfairly neglected when in fact it has as good a claim as any to be one of the strongest, and maybe even the strongest, record she has put out…

Highly ambitious, challenging, idiosyncratic, and confounding, Boys for Pele expands on the more experimental and progressive tendencies of Under the Pink. Amos frequently discards traditional song structures and employs wide-ranging, eclectic instrumentation in her music, while her lyrics seem to grow even more obscure, giving the album a very impressionistic feel…

From the Choirgirl Hotel is the fourth studio album by American singer and songwriter Tori Amos, released on May 5, 1998. A departure from her previous albums, it was more a heavily produced project featuring a full rock band sound (instead of Amos's usual minimalist piano sound). The album debuted at number 5 on the Billboard 200 and number 6 in the UK. In 1999, Amos received two Grammy nominations: Alternative Music Performance, and Female Rock Vocal Performance for "Raspberry Swirl".

TO VENUS AND BACK pairs a disc of studio tracks with a disc of live concert recordings. The first disc features some of Amos' most electronic-sounding productions to date. Though her acrobatic singing is given its usual full rein, many of the studio songs feature intricate, effects-rich orchestrations. The album-opening "Bliss" begins as a windswept soundscape, only to open up into a hook-laden chorus. "Juarez" is an intoxicating stew of disembodied voices, roiling synthesizers, and propulsive percussion. "Glory of the '80s" visits a night of drug-fueled hedonism during a decade that defined excess. "Josephine" is a standout track that will appeal to fans of Amos' more open, piano-centered work. The second disc culls tracks from Amos' 1998 Plugged Tour. The live rendering of "Cornflake Girl" is a particularly stirring affair, noteworthy for Amos' vocal bravura and for the cascading sheets of piano that she adds during the song's climax. Also featured is "Cooling," a track that Amos has never committed to album. No Tori Amos fan will want to be without TO VENUS AND BACK. Album was nominated for the 2000 Grammy Award for Best Alternative Music Performance.

Intimate, confessional, poetic, and defiantly independent, Amos' songs touch on self, family, religion, femininity, pain, and love with a searching spirit that translates powerfully into songcraft. This momentous box spans the depth and breadth of her extraordinary repertoire, spotlighting both album versions and a sprawling tapestry of rarities. Disc A - Little Earthquakes extended Disc B - Pink And Pele Disc C - Pele/Venus/Tales Disc D - Scarlet/Beekeeper/Choirgirl Disc E - Bonus B-sides.

The Beekeeper is the eighth studio album by singer-songwriter Tori Amos. It deals with the topics of death, adultery and romantic conflict, and makes brief reference to ancient Gnostic mysticism from the Apocryphon of John. Sonically, it incorporates Celtic choirs, African drums, and Amos's whirring B-3 Hammond organ, giving it a more groove-based sound, thus making it perhaps her most melodic album to date. The limited edition package with a bonus DVD - footage includes a candid conversation with Tori Amos talking about the inspiration and theme for The Beekeeper and the bonus track "Garlands". The limited edition package groups the 19 songs into 6 different gardens- Roses and Thorns, Herbs and Elixers, The Desert Garden, The Greenhouse, The Orchard and The Rock Garden. To complement this garden theme the package includes a "Beekeeper" mix of flower and plant seeds.

These two concerts from Montreux in 1991 and 1992 catch Tori Amos right at the start of her solo career. The first, from July 1991, was filmed a few months before the release of her "Little Earthquakes" album and the second from July 1992 followed a few months after. There is a fascinating progression from one year to the next as she grows in confidence and skill as a live performer, buoyed by the critical and commercial success of the album. Naturally most of the songs are taken from "Little Earthquakes" but there are also rare songs from her various EPs released across the two years which didn't make it onto the album including her distinctive takes on Led Zeppelin's "Whole Lotta Love" and "Thank You" and Nirvana's "Smells Like Teen Spirit".