Kerygmatic Project was born in 1998, created by Samuele Tadini, Danilo Nobili and Marco Campagnolo, with the purpose of composing original music that recover in style and construction the great British progressive rock tradition of the seventies and eighties, renewed tradition with a new key able to embrace different styles, so as to constitute an original sound well recognizable. The Kerygmatic Project compositions are affected, in fact, from the contributions of various genres taken by rock, pop, jazz, fusion and classical music compositions, by proposing that, in fact, could hardly be categorized in a precise genre and that are the result a well-defined philosophy.

Mellow Records seems to be a focal point for Italian Neo bands of the '90s. This is especially true if they are of the obscure nature. EDITH is a prime example of this. They may not be completely unknown, but concerning the band itself, there isn't much information to be found. Drummer Biagio Bisignani, singer Mario Gulisano, guitarist Antonio Moschetto, and bass player Giovanni Scaccianoce got together, and recorded "…A Space Between Ever and Never…" with help on keyboards from Salvo Fiorentino, in 1989. The debut was a rough start. It fell into the Neo realm, but was very reliant on AOR. At this point, they hadn't truly found their sound. The second album, 1991's "Ice," saw a vast improvement. The band was now also comfortable in its Neo-prog shoes.

Crispian St. Peters was one mid-'60s act, like We Five (from whom he appropriated a song), who seemed to capture a moment with his best songs, but never moved past that moment. In his particular case, a mix of psychological problems, bad timing, and an inconsistent style seemed to make it impossible to get past his two big hits.

This Solti performance is the perfect balance between classical structure and clarity with expressive warmth. … Perhaps I'd rather hear Judith Raskin or Margaret Price singing "Das himmlische Leben, but Kiri Te Kanawa is just fine in the end. … This is truly a great performance from beginning to end.

Thomas Trotter is a prize-winning concert organist and one of the UK's most admired performing musicians, reflected in Her Majesty The Queen awarding him The Queen's Medal for Music on St Cecilia's Day 2020. For this recording of Duruflé's complete organ works he returns to the chapel in which his extraordinary performing career began. Trotter was the 14th organist to be awarded the position of Organ Scholar at King's College, taking up the post in 1976. Organ Scholars at King's are undergraduate students at the College with a range of roles and responsibilities, including playing for choral services in the Chapel, assisting in the traiing of the probationers and Choristers, and conducting the full choir from time to time. The position of Organ Scholar is held for the duration of the student's degree course.

Illinois Speed Press was a guitar-driven rock quintet on this, their first recording. Produced by Chicago's producer and mentor, James William Guercio, this album sounds at times like Chicago Transit Authority without horns. ISP is important in rock history primarily as the band from which co-leader Paul Cotton emerged to replace Jim Messina in Poco, whom he would help guide to commercial success. "Get in the Wind," later recorded by Poco in a completely different form, rocks hard in this version, while Cotton's "P.N.S. (When You Come Around)" hints at the sound of From the Inside era Poco. The bouncy acoustic number "Here Today" is another highlight, standing out amidst the bluesy rock that makes up the bulk of this recording. The liner notes, designed like a newspaper, were written by Firesign Theatre.

A switch back to Atlantic finds Jean-Luc Ponty continuing to dabble in West African waters while re-establishing his earlier solid base in repeating sequenced patterns. The electronics are back, for Ponty splits his time between the electric violin and various synthesizers and sequencers while Abdou M'Boup and Sydney Thiam add African percussion, which often takes a back seat to the electronics as the rhythmic basis for the music. This time, though, the material Ponty has composed isn't as compelling as it had been in the past; at times, Ponty sounds like he is very competently treading water (though "Blue Mambo" has a compelling groove). Yet despite all of the changes Ponty has put himself through, his music still has a Continental elegance that cannot be mistaken for that of anyone else.

This was the first Livin' Blues album not to be produced by ex-Golden Earring drummer Jaap Eggermont and was instead produced by Englishman Mike Vernon, who had experience producing other blues rock groups such as John John Mayall, Ten Years After and Fleetwood Mac. It was recorded at his studio in Chipping Norton, Oxfordshire (The album cover shows the band in front of the Bliss Tweed Mill in Chipping Norton) from late October to early November 1972 and released before the end of the year…

Laine, an accomplished actress and performer, displays her distinctive voice and technique covering everything from standards to show tunes and things in between. One of her best early albums, which is now available on CD.

Glacier are a melodic progressive rock band based in the North East of England and have been in existence since the late 70's early 80's. All music is their own original work.
"Ashes For The Monarch" is their second studio album.