On their way-kool second studio disc, The Muggs unleash 11 tracks of bad-ass, killer, vintage, blues-based, heavy guitar power trio rock n' roll mojo that delivers the six string riffage that matters. "On With The Show" kicks ass and is all about the rock. Highly recommended to fans of Mountain, Led Zeppelin, Grand Funk, James Gang & Budgie. The Muggs is an American blues-rock band from Detroit, Michigan. Formed in February 2000 by guitarist Danny Methric, bassist Tony DeNardo and drummer Matt Rost. They were ranked in December 2008 on the "100 Hot Unsigned Band" list by Music Connection Magazine. They won several awards including the Best Blues Artist and the Best Rock Band for 2007.

Arcangelo Corelli was the most famous Italian composer of the late 17th century. He owed this preeminence to his skill in harnessing the musical tendencies of his time, as is demonstrated by his celebrated Sonatas, which became the models for the chamber sonata (sonata da camera) and church sonata (sonata da chiesa). Yet the composer himself was constantly reacting against these archetypes, and it is this perpetual reflection on his own art that gives his works their extraordinary richness.

This recording brings together two of the greatest works of the Classical era in transcriptions for solo piano by two of the greatest pianist-composers of the Romantic era, resulting in two of the most thrilling experiences that nineteenth-century pianism has to offer.

Although Moritz Moszkowski (1854–1925) wrote a considerable quantity of piano music, only a single piece, ‘Étincelles’, made it into the repertoire, not least because Horowitz enjoyed playing it. The early works on this second instalment in Ian Hobson’s survey of Moszkowski’s complete music for solo piano reveal a debt to Mendelssohn and Schumann, but the effortless craftsmanship heard here already justifies a later remark of Paderewski’s: ‘After Chopin, Moszkowski best understands how to write for the piano, and his writing embraces the whole gamut of piano technique’. Most of the pieces in Opp. 15 and 18 are attractive salon miniatures, but the Three Piano Pieces in Dance Form, Op. 17, are extended Lisztian essays that showcase Moszkowski’s mastery of the keyboard and his command of form.

The 2015 International Chopin Competition in Warsaw was so thick with talent that even as fine a Chopin interpreter as Aimi Kobayashi did not make the medal stand (she did place in the round of ten). She's an exceptional pianist who brings the power and speed of the piano stars of yore, who often plays Liszt as well as Chopin. On this release of Chopin's preludes, plus a few other Chopin hits, listen to the well-worn Prelude in C minor, Op. 28, No. 20, where the imposing opening chords seem to pulse through the whole work. Kobayashi's passagework in the faster preludes is fleet but never muddy, and where Chopin has embedded a melody, she catches it.

Ismaël Lô (also Ismaël Lo; born 1956) is a Senegalese musician and actor.
Lô was born in Dogondoutchi, Niger on 30 August 1956, to a Senegalese father and a Nigerien mother. Shortly after Lo's birth the family returned to Senegal where they settled in the town of Rufisque, near the capital Dakar. He plays guitar and harmonica, and has been called "the Bob Dylan of Africa".

In the 1970s, Lo studied at the School of Art in Dakar. He later joined the popular group Super Diamono, but left in 1984 to start a solo career. Over the next four years Lo recorded five popular solo albums.

If anyone has earned the right to mess around with Vivaldi’s Four Seasons it is Nigel Kennedy, the violin world’s Marmite violinist. Remember how fresh he made this music sound on his recording of a quarter-century ago? This latest version offers a ferment of all he’s played since – concertos, jazz, Jimi Hendrix. It’s affectionate and irreverent in equal measure, and Kennedy and his Orchestra of Life never sound less than riveting. Pretty much all Vivaldi’s notes are there; around, above and in between them come interjections, overlays and linking passages involving guest musicians from jazz and rock: Orphy Robinson, Damon Reece, Z-Star and others. Spring is welcomed in by a distant-sounding intro on an electric-guitar. Summer’s storms bring forth bursts of crazily sampled static. Autumn tears off at a cracking pace, but with a jazz trumpet sauntering lazily over the top. It all sounds like a colossal jam session from the inside of a Botticelli painting.