This exceptional recording gathers the finest young vocal talents in a unique program of songs by Sullivan, many of them very rarely recorded. Currently widely acclaimed for key operatic title roles in the UK and abroad, the ""deeply touching, outstanding"" (The Guardian)soprano Mary Bevan, the ""elegant yet intense, impeccable"" (The Guardian) tenor Ben Johnson, and the ""increasingly impressive"" (The Financial Times) bass-baritone Ashley Riches - who here appears on Chandos for the first time - span fifty years of Arthur Sullivan's large non-operatic vocal output. They are accompanied by the UK pianist David Owen Norris, who regularly appears in highly praised concerto performances at the BBC Proms. This album continues to celebrate the Shakespeare anniversary but also presents a wide variety of poets, drawing on texts from a vast range of sources, through the voices of today's greatest rising stars.

The Italian Steffani spent most of his fabulous career as a composer, spy, and diplomat in Germany, in München and Hanover, with a prolonged visit to Paris to the court of Louis XIV. In terms of the prevalent national styles of music in the late 17th C, Steffani was "all over the place" – his overtures are thoroughly French, his arias sparklingly Italian, and his mastery of counterpoint profoundly German. Does that stylistic Duke's Mixture ring any bells? A certain pair of Germans born in 1685, one revered for his cantatas and the other for his operas, were both indebted to Steffani for his synthesis of Italian, French, and German fashions.

Magenta's brand new, and long awaited, 9th studio album sees a major change in direction from past works. A fully orchestrated affair with no drums or bass anywhere to be found (sorry Dan and Jiffy :) ) with Christina, like a fine wine, getting better with age and really gelling gloriously with the music. Chris Fry provides a classical guitar clinic which certainly augments the overall lush sound and that brings us to Robert Reed. While composers like Hans Zimmer, John Williams and Howard Shore are at the forefront of modern day film music scores, Rob succeeds in producing, arranging and adapting Magenta's unique sound so that he stands alongside some of the greatest composers of the modern era. 'White Witch - A Symphonic Trilogy' will take you on a musical exploration the likes of which you've never experienced.

"Dimensional Stardust" showcases the intricacy and complexity of Mazurek’s compositions but in their most potent, most compacted forms. Opting to focus on tight ensemble orchestration over passages of open improvisation, Mazurek distills a maximal orchestra of explosive improvisers into a beautifully restrained, graceful group exercise in melodic minimalism. The album features almost no “soloist” moments, excepting Jeff Parker’s other-worldy guitar meltdown on “The Careening Prism Within,” and when Nicole Mitchell’s flute floats to the front of the barrage on “Sun Core Tet.”

Formidable psychic warriors, channelers of the mystic and proponents of a spiritual quest that transcends this realm, Goat remain a band shrouded in mystery. Travelling from their origins in the Swedish village of Korpilombo across the stages and festivals of the world in the last decade, this band has created their incendiary music entirely according to their own co-ordinates and conducted their affairs strictly by their own code.

Singer Cymin Samawatie and percussionist Ketan Bhatti from the Berlin-based group Cyminology apply their poetic musical language on a larger scale with the Trickster Orchestra. Under Cymin and Ketan’s artistic direction, the orchestra interprets their characteristic blend of transcultural modern music. Cymin draws inspiration from traditional verses, spanning psalms to texts by Sufi poets Rumi and Hafiz, this time around performing lyrics not only in Farsi but also in Hebrew, Turkish and Arabic. With the growth of instrumentation comes an expansion of dynamics, textures and colours.

Power trio instrumental electric guitar rock to accompany footage of surfers, ranging from raging metal to wailing ballads. Jimi Hendrix lives again, and this time his name is Gary Hoey. A versatile American hard rock guitarist, vocalist, and songwriter, Gary Hoey found success in 1993 with a hard-hitting cover of Focus' "Hocus Pocus," which became one of the most ubiquitous singles of the year. Hoey emerged in the late 1980s as a leading candidate to replace Jake E. Lee in Ozzy Osbourne's band (the job went to Zakk Wylde), and he later went on to found the short-lived glam metal group Heavy Bones. Since going solo in 1993, Hoey has issued a string of LPs – such as Bug Alley (1996), Wake Up Call (2003), and Neon Highway Blues (2019) – that run the gamut from rock and blues to fusion. He has worked alongside Roger Daltrey, Johnny Winter, Joe Perry, Brian May, Steve Vai, and Dick Dale, among others.

Raised on Radio is the ninth studio album by the American rock band Journey, released in May 1986 on the Columbia Records label. It is the only album to feature bassist Randy Jackson, bassist Bob Glaub and drummer Larrie Londin. The album spawned four top 40 singles in the US: "Girl Can't Help It" (No. 17), "Be Good to Yourself" (No. 9), "I'll Be Alright Without You" (No. 14), and "Suzanne" (No. 17). It went to No. 4 on the Billboard 200 chart, and it was certified double platinum in the USA.

Tenor Jonathan Tetelman has already earned a reputation in the opera world as a dedicated, distinctive and versatile artist. Having signed an exclusive agreement with DG last autumn, he has now recorded his debut DG album, Arias, released 12 August 2022. With his agile technique, dramatic eloquence and rich palette of vocal colours, Tetelman here inhabits a range of roles from the French and Italian repertoire. DG is pleased to have been able to record the album in the unique acoustics of the Alfredo Kraus Auditorium in Las Palmas de Gran Canaria, and to work with such supportive partners as the Orquesta Filarmónica de Gran Canaria and its Music Director Karel Mark Chichon.

Escape Music are delighted to announce the release date of the highly anticipated and long awaited ‘Turkish Delight – Volume 1’. Featuring an ‘A list’ collection of musicians, this compilation album celebrates the absolute joy that Escape Music co-owner Khalil Turk has for the kind of music he loves so much and has spent the last thirty and then some years championing.

Live is a concert video release by rock band The Cranberries. Recorded on 14 January 1994 at Astoria 2 on the band's stop in London, England, it was originally released on VHS in May 1994. The concert was re-released on DVD in February 2005. The DVD includes an interactive picture gallery and a jukebox feature that allows you to play the tracks in a randomised playlist.

In order to bear witness one must believe what one sees and belief, of course, is subjective. Knowledge is essentially faith. And the flexibility of human memory, our blind spots (whether empathetic or optic) and our great imaginations don’t make truth any easier to contain. This becomes more evident over time as the pages of history weather and the cataracts of progress cloud our collective “knowledge”. Humans love to forget and to repeat. We fall subject to confirmation bias, sway to suggestion, take the easy way out and allow ourselves to be governed while adamantly broadcasting our independence. Naturally it takes followers for a leader to exist, but like anomalons or quantum particles that change when being observed, the psychological battle within each of us changes depending on who is bearing witness. We are the worst portrayers of truth as we have no idea what it is. Everyone is a hypocrite. Everyone is wrong.

On Friday 21st June 1979, the Steve Hillage Band performed a headline set of soaring psychedelic guitar riffs of cosmic aspirations. The summer solstice night was a pivotal point in Steve Hillage's musical journey, and this recording, provided from Steve's personal archives, will cement the performance as historic. Prior to the festival, Steve and the band spent two weeks rehearsing in a barn at Worthy Farm, site of the Glastonbury Festival. They crafted a set fitting and psychedelically uplifting enough to truly celebrate the longest day of Summer at such an auspicious location. Steve was an integral member of the Glasto team alongside Michael Eavis, 'Pyramid' Bill Harkin and Turbosound/Funktion One's Tony Andrews. Their work focalised the 1979 Fayre, helping the rebirth of the first of the modern Glastonbury Festivals. After spending the 80's in music production, Steve and his partner Miquette Giraudy returned to recording and live performance in the 90's with the dance oriented System 7 and was fundamental in the introduction of the Dance Stage to Glastonbury in 1995.

Star tenor follows critically acclaimed Deutsche Grammophon recording of Mozart’s La clemenza di Tito with his first Christmas album for the Yellow Label Feliz Navidad extends great tradition of seasonal albums by Fritz Wunderlich, Luciano Pavarotti, Plácido Domingo and Bryn Terfel.