Giacomo Puccini’s Madama Butterfly – the composer’s selfproclaimed favourite work and certainly one of the most beloved operas in the repertoire – is brought to life at the world-famous Arena di Verona. This opulent production, directed by respected film and opera director Franco Zeffirelli, is sung by a cast of excellent singers. Fiorenza Cedolins is a sought after Butterfly singer and her Pinkerton is performed by the renowned tenor Marcello Giordani. The celebrated operatic baritone Juan Pons gives the principled United States consul Sharpless. The performance is lead by long-established Arena di Verona conductor Daniel Oren with all the splendour that a Puccini opera demands. The sum of all this is a gloriously sung musical experience.

NOW That's What I Call Pride! is an installment in the American compilation album series "NOW That's What I Call Music!" It is expected to be released on May 20, 2022. It is notable for being the first NOW! album in any country to be specifically focused on LGBTQ+ pride.

Naxos began its Haydn series with his last four sonatas, perhaps to tempt listeners into investigating the series. Jenö Jandó, the house pianist for Naxos, has maintained a surprisingly high standard in his many previous recordings, but in Haydn he outdoes himself. He has obviously studied these pieces well, and he plays them as individual works, with intelligent and meaningful characterization of each and a good appreciation of Haydn's sparkling wit. This is indeed a good place to start investigating Haydn's piano sonatas, since each one on this disc is a masterpiece. But so are many of the others in this series.

For Jackets XL, the Yellowjackets' 25th album and fourth for Mack Avenue Music Group, the band continues to stretch and reinvent itself with an exciting, full-bodied collaboration with the superb WDR Big Band of Cologne, Germany. The project combines the shapeshifting, multiple GRAMMY® Award-winning quartet with the renowned big band, re-imagining well-known band originals with dynamic new arrangements that feature twists and turns, textures and colors, moving harmonies and bold solos. With it's pockets of halcyon, buoyance, mystery, tumult, groove and whimsy, Jackets XL plays out as a multifaceted documentation of how far the band has come. "It was like putting a new set of clothes on," Bob Mintzer says. "This represents how the Yellowjackets play now."

Brand new studio album from Sammy Hagar and The Circle — Sammy Hagar (vocals), Michael Anthony (bass), Jason Bonham (drums/percussion), Vic Johnson (guitars). Featuring the title track, “Father Time,” “Funky Feng Shui” and more.

Conceived and recorded entirely under the umbrella of COVID-19, A New Day is a deeply comforting yet forward-thinking 11-track collection (with one bonus track on the physical CD. A New Day features collaborations with David Sanborn on "Side by Side", Brian McKnight and Earth, Wind & Fire percussionist Ralph Johnson (on "Summertime in NYC"), Bob James, Marc Antoine, Meshell Ndegeocello (playing bass on the album's only cover song, the Beatles' "Yesterday"), Paul Jackson, Jr., Jeff Lorber, David Mann, Antwaun Stanley (of funk band Vulfpeck), Philippe Saisse and Chris "Big Dog" Davis.

The first ever international album from Djibouti and Ostinato's first studio recorded album. This ain't a compilation or reissue! A stunning collision of Indian Bollywood, Jamaican dub and reggae, sleek horns inspired by Harlem’s jazz era, Somali funk, and the haunting and joyous synthesizer melodies of the Red Sea by Groupe RTD, one of East Africa’s best kept secrets. Recorded in three days with a state-of-the-art mobile recording studio replete with the very best audio interfaces and carefully positioned microphones around a less than soundproof room to achieve a vibrant, professional sound while maintaining the analog warmth of decades prior.

Hausmusik’s performance of the Mendelssohn Octet comes with the advantage of a sensibly steady tempo for the famous scherzo, allowing for maximum transparency and lightness; and a dazzling finale in which for once the cello’s first scurrying fugal entry sounds crystal clear. The First String Quintet, and the Op. 13 Quartet – Mendelssohn’s homage to the late quartets of the recently deceased Beethoven – are also miraculous products of the composer’s teenage years. The Quintet is quite beautifully done here, but the Quartet, like the late Quintet, Op. 87, is rather lacking in tension and urgency. Woldemar Bargiel was Schumann’s brother-in-law. For all its obvious weaknesses, his Octet contains some attractive ideas, and Divertimenti’s performance makes a strong case for it. Divertimenti is impressive in the Mendelssohn, too – though its finale is not quite as exhilarating as Hausmusik’s; and in the last resort neither group can quite match the élan of the ASMF Chamber Ensemble.

Parmi les œuvres emblématiques de Versailles, les Symphonies pour les Soupers du Roi figurent au premier plan. Musiques d’un Palais convoquant un monde de passions, de caractères, d’intrigues, d’échos de batailles… ennobli par le faste des trompettes et des hautbois, elles résonnent jusqu’à nos jours comme les musiques du Plus Grand Roi du Monde. Certes, ce sont des « Musiques de Table » comme on en trouve ailleurs en Europe (le Banchetto Musicale de Schein en 1617, la Tafelmusik de Telemann en 1733), mais quel Prince peut aligner pour ce faire les 24 Violons du Roi, et les vents de sa royale Ecurie ? Avec le luxe d’un orchestre d’Opéra, voici Louis XIV mangeant en public chaque jour, un moment essentiel de la journée.

Penny Goodwin is an obscure female singer from Milwaukee. The feel is very much in the Chicago sophisti-soul mode and, at times, the record sounds a lot like Marlena Shaw's best work in the '70s, particularly her sides for Blue Note in the early part of the decade.