The 1958 version of the Jazz Messengers were widely recorded during their stay in Paris, but this LP does not duplicate any of the other recordings previously released. This band (with trumpeter Lee Morgan, Benny Golson on tenor, and pianist Bobby Timmons) was particularly strong, and it is quite enjoyable to hear them stretch out on such songs as "I Remember Clifford," "Moanin'," "Blues March," and "Whisper Not." Hard bop at its best, all of it propelled by the powerful drumming of Art Blakey.

German progressive rockers Grobschnitt took a major leap forward on their second album, 1974's "Ballermann". While the ambitious, double-length release featured a fair amount of eccentric drummer/ringmaster Eroc's trademark goofy, Monty Python-esque clowning, the Krautrockers also took a definitive leap from jammy rock to a full-blown symphonic-progressive style, with the 33 1/2-minute "Solar Music" suite, one of German prog's masterworks, which would also be memorably revisited on their 1978 Solar Music Live album.

You can expect a successful mix of great rock and pop hits in a new guise. Breathtaking! In Gregorian, everything fits together, forms a unity and abducts the listener with famous melodies in a completely new sound in the timeless world of Gregorian chant. Experience the audio-visual spectacle of your live shows now at home! The Platinum Collection by Gregorian featuring: Nothing Else Matters, Tears In Heaven, Close My Eyes Forever, Brothers In Arms, Blue Monday etc.

"Playlist: The Very Best of Toni Braxton" is the fourth greatest hits compilation released by Braxton, following "The Essential Toni Braxton, in 2007. The album was released on October 28, 2008, by Legacy Recordings, being part of Sony BMG's Playlist series. The tracklist contains Braxton most successful singles, with a few different tracks, such as "A Better Man" from her fourth studio album, "More Than a Woman" (2002), "Maybe", a single from "The Heat" and an Hex Hector remix for "Spanish Guitar". Enhanced section includes the interactive digital booklet with liner notes, photos and more.

Liberation arrives in 2018, six years after Lotus, by far the longest stretch of time between Christina Aguilera albums. During that hiatus Aguilera wasn't exactly in hibernation but she wasn't prominent, taking a couple of seasons off from the televised singing competition The Voice to raise a child and spending as much time onscreen as she did on-stage when she re-emerged in the middle of the 2010s. Aguilera may have been omnipresent in showbiz but she was largely absent from the pop charts. Save a handful of duets – "Moves Like Jagger," which appeared in 2011 in the first flush of The Voice's success; "Feel This Moment," a 2013 Pitbull hit; "Say Something," a 2013 Great Big World single featuring Christina on vocals – Aguilera hadn't reached the American Top Ten since 2008's "Keeps Gettin' Better," fanbait added to her hits collection of the same name.

Katy Perry achieved maturation with Prism, the 2013 album anchored on the self-empowerment anthem "Roar" and the club smash "Dark Horse." Considering how "Roar" scored the closing stages of Hillary Clinton's 2016 campaign, it would've seemed like a logical move for Perry to build upon its adult alternative affirmation but she's instead chosen to use "Dark Horse" as a blueprint for Witness, the long-awaited 2017 successor to Prism. Perhaps Perry shifted her approach after "Rise," the "Roar"-alike written for the 2016 Olympics that she also performed at that year's Democratic National Convention, failed to crack the Top Ten, perhaps she always planned to construct this album with electronic beats and synths, but Witness is so slick with synths it seems slippery.

Dirty Work is the Rolling Stones' 18th British and 20th American studio album. It was released on 24 March 1986 on the Rolling Stones label by CBS Records. Produced by Steve Lillywhite, the album was recorded during a period when relations between Mick Jagger and Keith Richards soured considerably, according to Richards' autobiography Life. The album produced a US Top 5 hit for the Rolling Stones, the cover of "Harlem Shuffle," and featured a number of guest appearances, including contributions by Tom Waits, Marku Ribas, Patti Scialfa, Bobby Womack, and Jimmy Page on "One Hit (To the Body)".

Global cello sensation HAUSER returns with Cinema – a sweeping new album of iconic melodies from the silver screen. Bringing his signature romantic flair and expressive cello playing to the world of film music, HAUSER curates a stunning collection of timeless movie themes that span generations. From the nostalgic beauty of the “Tara’s Theme” from Gone with the Wind to the haunting tenderness of Billie Eilish’s Oscar®-winning “What Was I Made For” from Barbie, Cinema captures the emotional essence of some of film’s most iconic moments. With richly orchestrated arrangements, HAUSER breathes new life into works by the greatest composers in film history John Williams, Ennio Morricone, Henry Mancini, and John Barry as well as beloved ballads like Sam Smith’s “Writing’s on the Wall” (Spectre) and “The Music of the Night” from The Phantom of the Opera.