The Dave Brubeck Quartet suddenly became a Trio for this Vienna concert when, after the previous evening's concert in Hamburg, Paul Desmond went out and never made his plane to Austria. While Paul's lyricism was missed, Dave, Gene, and Joe's playing was incredibly strong, high energy & swinging. To the Brubeck family's knowledge, this is the only recording of Dave, Gene & Joe as a Trio.

The third of three Concord albums by this version of the Quartet (with Jerry Bergonzi on tenor, Chris Brubeck on bass and bass trombone and drummer Randy Jones) is the most rewarding of the trio although each one is recommended. Brubeck and the Coltrane-influenced tenor Bergonzi take consistently exciting solos on seven standards which are highlighted by "Music, Maestro, Please," "I Hear a Rhapsody" and "It's Only a Paper Moon"; Brubeck's solo version of "St. Louis Blues" is also noteworthy.

All the Things We Are is a bit unusual in the Dave Brubeck discography. The pianist is heard in a quartet with altoist Lee Konitz on "Like Someone in Love" and a brief "Don't Get Around Much Anymore," with avant-garde giant Anthony Braxton (also on alto) featured on "In Your Own Sweet Way," while both Konitz and Braxton team up for "All the Things You Are." In addition, the Brubeck Trio (with bassist Jack Six and drummer Alan Dawson) plays an exquisite and frequently exciting 21-minute, five-song "Jimmy Van Heusen Medley." A total success, this "experimental" Brubeck set is highly recommended.

Forty years after his classic quartet's first triumphant tour of the U.K. in 1958, Dave Brubeck took his then current group back for an anniversary visit, playing a mixed bag of old and new songs for fans both old and new. This time out, Brubeck's working quartet included two British natives, drummer Randy Jones and bassist Alec Dankworth (the son of British jazz superstars Cleo Laine and John Dankworth). Brubeck himself was the obvious draw for the crowds, but it's saxman Bobby Militello who is truly the musical star of the show. The highly regarded Militello shows he can roam across the entire spectrum of alto saxophone tonality, employing a light, delicate tone à la Paul Desmond one minute, then bearing down for some gritty, deep-throated improvisations the next…

16 original albums on 10 CDs!
This Box Set combines the best recordings from the crucial first decade of Brubeck's career. The great live recordings at college and festival appearances, the series with odd rhythmic meters that started with "Time Out," his first solo album, the recordings with musical impressions from his worldwide concert tours, and the totally underrated "The Real Ambassadors ", featuring Louis Armstrong, Carmen McRae and Lambert, Hendricks and Ross with a fantastic libretto by Brubeck's wife Iola.

One of the hardest albums to acquire for most Dave Brubeck fans is In Berlin, a 1964 concert by his quartet released only in Germany by CBS. Since the set list includes two songs that were recorded at the 1963 Carnegie Hall concert, that may be why it wasn't also issued in the United States by Columbia, though the performances are sufficiently different and well played. Desmond is witty as usual in "St. Louis Blues," though Brubeck adds an amusing Charlie Parker lick in his solo and bassist Eugene Wright also shines. Brubeck's "Koto Song," which had just been recorded a few months earlier for the LP Jazz Impressions of Japan, gave the audience a taste of something new. The composer's economical solo contrasts with his supposed reputation for heavy-handed playing. The group's breezy rendition of "Take the 'A' Train" is followed by the inevitable "Take Five"…

Previously Unreleased Takes from the Original 1959 Sessions.

In 1998, Columbia reissued a bunch of CDs by the Dave Brubeck Quartet, often adding one or two previously unissued selections to the sets. Buried Treasures: Recorded Live in Mexico City, however, is something different, for none of the music had been out before. Recorded live in 1967 during a tour of Mexico that also resulted in the album Bravo! Brubeck!, the set features the classic Brubeck Quartet (with altoist Paul Desmond, bassist Eugene Wright and drummer Joe Morello) performing seven selections they had previously recorded, which was probably why this particular music stayed in the vaults for decades. The quality is certainly quite high, with Brubeck and Desmond really digging into such songs as "Koto Song" (coming up with some inspired ideas over its vamp), "You Go to My Head," a lengthy "St. Louis Blues," and a fairly concise version of "Take Five," one of the few versions by Brubeck of the hit song that does not have a drum solo. Suffice to say, Dave Brubeck fans only need to be notified of two things: they do not already own this music, and the Quartet is heard throughout in prime form. Recommended.

Dave Brubeck is still going strong at the age of 83 during this 2004 concert in Baden-Baden at the Festspielhaus, well accompanied by alto saxophonist Bobby Militello, bassist Michael Moore, and his longtime drummer Randy Jones. At a point where many jazz musicians rest on their laurels, revisiting past hits exclusively, the pianist mixes in several recent songs. His quartet easily negotiates the demands of his tricky "London Flat, London Sharp" while Brubeck's haunting "Elegy" showcases Militello on flute and Moore's matchless arco bass. Jones is featured extensively in "Out of the Way of the People" and the inevitable "Take Five." Although Brubeck seems reserved during several of the performances, his lyrical touch is evident throughout much of the concert, which is capped by an encore consisting of a single chorus of "Brahms' Lullaby" at the piano.

Dave Brubeck's defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time. It was a risky move – Brubeck's record company wasn't keen on releasing such an arty project, and many critics initially roasted him for tampering with jazz's rhythmic foundation…

This excellent CD reissues the LP Brubeck Time plus half of Red Hot and Cool. One of the few early studio (as opposed to club) recordings by the early Dave Brubeck Quartet (this version has bassist Bob Bates and drummer Joe Dodge in addition to pianist Brubeck and altoist Paul Desmond), the fine unit performs nine standards plus three new compositions: "Stompin' for Mili," "Audrey" (dedicated to Audrey Hepburn) and Brubeck's classic, "The Duke."

One of the Dave Brubeck Quartet's lesser-known albums, this LP features the group performing six instrumental versions of songs from The Real Ambassadors plus "Dizzy Ditty" and a 12-minute rendition of "Brandenburg Gate." Brubeck, altoist Paul Desmond, bassist Eugene Wright and drummer Joe Morello seem inspired during this concert by the fresh material, making this hard-to-find album a bit of a collector's item.