An album of Joseph Haydns (1732-1809) eight delightful early keyboard sonatas by Tuija Hakkila performed on two fortepianos. The current consensus is that there are about 60 surviving authentic Piano Sonatas by Haydn, while contemporary sources point to as many as 80. The earliest of these probably date from Haydns youth in the 1750s; the last one was completed in summer 1795. Some of the lost Sonatas are works that Haydn simply gave away as a young man, and they have never been heard of since. In mid-18th-century Vienna music was mainly distributed in the form of manuscript copies made by copyists. Haydn did not publish his first collection of six Sonatas until 1774. Of the Sonatas selected for this project, Haydn wrote all of these over a period of about 15 years before his 40th birthday.

Caroline of Ansbach, [actually Wilhelmina Charlotte Caroline von Brandenburg-Ansbach] wife of King George II, remarkably beautiful patron of the arts and sciences, considered Handel an esteemed confidant. It was in Hanover that Caroline first encountered Handel, actively encouraging his appointment as Kapellmeister there in 1710, and it was apparently at her behest that he composed five of his Italian chamber duets. With the accession of the elector as George I in 1714, Caroline became Princess of Wales and on his death, in 1727, Queen of Great Britain and Ireland, consort of King George II.

Philippe Herreweghe uses the second of Bach's four versions of the St. John Passion, the one from 1725, which substitutes some of the arias and the opening chorus, along with lesser changes. The result is somewhat more dramatic than the standard version, which Herreweghe recorded previously. Those familiar with the conductor's work will find his usual warmth, making the most of the lyric moments, but they'll also find greater sensitivity to rhythmic and dramatic thrust and a generally livelier approach. The singers are uniformly fine. Padmore is an unusually effective Evangelist, projecting the drama without undue overacting.

One of the sad things about the takeover of the old Jazz FM by Blancmange Radio (Guardian Media/Smooth FM to you and me) was the end of all those lovely compilation albums which complemented the station’s output. Jazz FM, of course, is now back (on digital) and lo and behold… so too are the compilations and here’s the first, complete with the old chameleon art work. As of old, this album is stuffed with a cross section from the station’s playlist and, put together by Ralph Tee and Steve Quirke, it’s quality music all the way. There’s lots of soul – old and new – along with a bracing selection of smooth jazz – some of which, like Chris Standing’s ‘Love And Paragraphs’ and the L. A. Chillharmonic’s ‘Gift’ is a touch too smooth.

It’s never been easy to pigeonhole Lalo Schifrin. The four-time Grammy-winning Argentinian composer created one of the most memorable television themes of all time with his “Mission: Impossible,” recorded jazz albums for labels including Verve and Creed Taylor’s CTI, worked with Count Basie, Cannonball Adderley and Sarah Vaughan, and scored innumerable films, racking up six Oscar nominations in the process. Now, Demon Music Group has reissued two lost gems of the Schifrin oeuvre, both originally recorded for Clarence Avant’s Tabu label, for the first time on CD. Gypsies (1978) and No One Home (1979) have recently arrived in deluxe, casebound expanded editions as part of Demon’s long-running Tabu series.

It’s never been easy to pigeonhole Lalo Schifrin. The four-time Grammy-winning Argentinian composer created one of the most memorable television themes of all time with his “Mission: Impossible,” recorded jazz albums for labels including Verve and Creed Taylor’s CTI, worked with Count Basie, Cannonball Adderley and Sarah Vaughan, and scored innumerable films, racking up six Oscar nominations in the process. Now, Demon Music Group has reissued two lost gems of the Schifrin oeuvre, both originally recorded for Clarence Avant’s Tabu label, for the first time on CD. Gypsies (1978) and No One Home (1979) have recently arrived in deluxe, casebound expanded editions as part of Demon’s long-running Tabu series.