Companion Soundtrack to the James Erskine-directed documentary on the breathtaking talent of Billie Holiday. Billie Holiday featured with her band, The Sonhouse All Stars, performing her classic works including I Only Have Eyes For You, God Bless The Child, Strange Fruit and more. Billie features newly unearthed interviews from those who knew Holiday best — Charles Mingus, Tony Bennett, Sylvia Syms and Count Basie among them.

This remarkable DVD includes rare TV and film performances, an especially rare radio interview with Mike Wallace, an audio-only rehearsal session with pianist Jimmy Rowles, audio interviews with friends and fellow musicians, an interactive timeline and an evocative photo-document gallery featuring hundreds of dates and images, from rare photos to personal letters, plus Lady Day’s complete recording history for major record companies. Performance highlights include three from 1956's Stars Of Jax TV that are seen here for the first time since their original broadcast, Holiday’s first appearance on film, Duke Ellington’s "Saddest Tale," and the classic "Fine And Mellow" with Lester Young, Coleman Hawkins, and jazz greats.

From a label with no shortage of first-rate jazz material come this very attractive vocal sampler. Staying true to the Compact Jazz ethos, Best of the Jazz Vocalists favors quality over hits and comes with a budget price tag. The majority of songs are from the label's prime '50s and '60s run, including a cloud-bound "Summertime" by Helen Merrill and one of the all-time great versions of "If You Could See Me Now," compliments of Billy Eckstine. Continuing with this balancing act between the sexes, the collection also includes fine work by Bill Henderson, Ella Fitzgerald, Louis Armstrong, Abbey Lincoln, Jon Hendricks, Shirley Horn, and Anita O'Day; latter-day entries include Lincoln's "I've Got Thunder and It Rings" from her 1990 Verve debut and Horn's "I Got Lost in His Arms" from 1988's Close Enough for Love. Nicely wrapped up with Nina Simone's Afro-percussion clarion call "Come Ye," this Verve roundup works as the perfect primer for more adventurous trips through the label's fertile stores of essential jazz.

This DVD presents most of Billie Holiday’s filmed performances, taken from TV shows filmed between 1950 and 1959. Performance footage of Billie Holiday may admittedly be scant, but this issue compiles into a single release song cuts from some of Holiday's live filmed performances that are still extant. Billie Holiday: Strange Fruit video Concerts from which the compilation draws include: an August 19, 1950 gig with Count Basie and his orchestra, an August 13, 1956 set with pianist Corky Hale and his trio; a July 10, 1958 set, filmed in Newark, in which Holiday is backed up by tenor saxophonist Georgie Auld, bassist Vinnie Burke, pianist Mal Waldron and others; and a November 1958 Parisian set where Holiday is accompanied by Waldron and bassist Michel Gaudry…

Quintessential jazz singer whose reedy voice and laconic style made her a legend for the ages. The first popular jazz singer to move audiences with the intense, personal feeling of classic blues, Billie Holiday changed the art of American pop vocals forever. More than a half-century after her death, it's difficult to believe that prior to her emergence, jazz and pop singers were tied to the Tin Pan Alley tradition and rarely personalized their songs; only blues singers like Bessie Smith and Ma Rainey actually gave the impression they had lived through what they were singing. Billie Holiday's highly stylized reading of this blues tradition revolutionized traditional pop, ripping the decades-long tradition of song plugging in two by refusing to compromise her artistry for either the song or the band.

Songs for Distingué Lovers forms part of the last series of extensive small-group recordings that Lady Day would make in the studio. Although her voice was largely shot at this point, she puts so much feeling into the lyrics that it's easy to overlook her dark sound. The band is a major asset, and made up of all-stars: trumpeter Harry "Sweets" Edison, tenor saxophonist Ben Webster, pianist Jimmie Rowles, guitarist Barney Kessel, bassist Red Mitchell, and Alvin Stoller or Larry Bunker on drums. There are plenty of short solos for Edison, Webster, and Kessel. Holiday does her best on such numbers as "A Foggy Day," "One for My Baby," "Just One of Those Things," and "I Didn't Know What Time It Was," and there are plenty of haunting moments, even if one could tell (even at the time) that the end was probably drawing near for the singer.