Originally released on LP by Cramps Records in 1979. Recorded live on June 14 1979 at Arena Civica, Milan (Italy). The show, conceived to raise funds to cure Demetrio Stratos' disease, became a tribute in his honor after the news of the death of the artist occurred the day before the date scheduled for the concert.

An ECM artist for his entire musical career, US guitarist Ralph Towner has built up a unique body of work in his recordings for the label. Central to his oeuvre are his solo albums, the first of which, Diary, was issued 50 years ago. At First Light extends this great tradition, drawing inspiration from a broad palette of music. “My solo recordings have always included my own compositions in which there are trace elements of the many composers and musicians that have attracted me,” writes Towner in a liner note, citing the influence of, among others, George Gershwin, John Coltrane, John Dowland and Bill Evans: “I feel that At First Light is a good example of shaping this expanse of influences into my personal music.” In addition to his own pieces, Towner also plays Hoagy Carmichael’s “Little Old Lady”, Jule Styne’s “Make Someone Happy” and the traditional tune “Danny Boy.” Recorded at Auditorio Stelio Molo RSI, Lugano, in February 2022, At First Light was produced by Manfred Eicher.

This album was originally recorded in 1982, but not released until 1998 (I think) as 'Nightwinds Dying'. This is another release of the same album. It contains the tremendous studio version of 'Tango', highlight in the bands concerts, plus some (unreleased) other songs. All in all is this a really great rock album! A must for any fan, and perhaps for everyone?

Tomas Bodin's regular job is to play the keyboards for The Flower Kings but as usual some of these musicians and especially if they are a member of The Flower Kings have too many ideas and one musical life doesn't satisfy them any longer. They need to have a solo project. And seemingly Tomas Bodin also has a lot of good ideas left over. But the music on his solo albums is quite different, it's a mix between Jazzrock/Fusion and Retro Prog, mostly instrumental. And of course the whole sound is keyboard dominated.

Artistic director Chris Zelov was in the audience at their Gatherings concert of 2007 in Philadelphia, & as a result of what he heard, commissioned the band to provide soundtrack music. Preparatory writing was undertaken, & these ideas were worked up alongside several improvisations at the recording sessions. They wrote to a series of specific scene lengths & briefs, with the idea that the music's presence would underscore the narrative. These pieces were then re-edited as the documentary entered its final cut. This album is a selection of music from the finished film, placed in this order for a coherent listening experience.

my bloody valentine, the quartet of Bilinda Butcher, Kevin Shields, Deb Googe and Colm Ó Cíosóig, are widely revered as one of the most groundbreaking and influential groups of the past forty years. During an era in which guitar bands denoted, at best, a retro-classicism, not only did my bloody valentine sound unlike any of their contemporaries, the band achieved the rare feat of sounding like the future.

50th Anniversary Project! The latest remastered all-time best album is finally released! This 3-CD all-time collection includes many of the songs released by Kitty Records, Toshiba-EMI, and his own label "Lagoon Records". 3CD+1DVD with live video footage, the first time it has been released on DVD. All songs were remastered in 2021.

Japanese original greatest hits album from Electric Light Orchestra combines the following two albums already released: "All Over The World - The Very Best Of Electric Light Orchestra" (2005) and "Ticket To The Moon - The Very Best Of Electric Light Orchestra Volume 2" (2007). Features Blu-spec CD2 format and contains 40 tracks total on two discs.

Before I Forget is a 1982 album by Jon Lord, featuring a largely conventional eight-song line-up, no orchestra. The bulk of the songs are either mainstream rock tracks ("Hollywood Rock and Roll", "Chance on a Feeling") or, specifically on Side Two, a series of very English classical piano ballads sung by mother and daughter duo, Vicki Brown and Sam Brown (wife and daughter of entertainer Joe Brown) and vocalist Elmer Gantry. The album also features prolific session drummer (and National Youth Jazz Orchestra alumnus) Simon Phillips, Cozy Powell, Neil Murray, Simon Kirke, Boz Burrell and Mick Ralphs. Lord used synthesizers more than before, principally to retain an intimacy with the material and to create a jam atmosphere with old friends like Tony Ashton.

Debut albums rarely come as ambitious as the Manic Street Preachers' Generation Terrorists. Released in England as a double album (it was trimmed to the length of a single record in America), the album teemed with slogans, political rhetoric, and scarily inarticulate angst. Since the Manics deliver these charged lyrics as heavy guitar-rockers, the music doesn't always hit quite as forcefully as intended. The relatively polished production and big guitar sound occasionally sell the music short, especially the lesser songs, yet the Manics' passion is undeniable, even on the weaker cuts. While the album is loaded with a little bit too much unrealized material in retrospect, its best moments – the fiery "Slash N' Burn," "Little Baby Nothing," the incendiary "Stay Beautiful," the sardonic "You Love Us," and the haunting "Motorcycle Emptiness" – capture the Manics in all their raging glory.

The concept of these recordings is to give the listener the complete Groover experience as you would hear it live in a club. Many recordings today are limited for time so you don’t get the full experience of hearing solos develop and people stretching out like you do on live dates. And then there’s the energy of the audience feeding the band which I think is an essential part of playing music. These recordings were made as if we weren’t recording at all so the listener gets a completely uninhibited performance that sounds great.