This 1991 tribute album reveals the broad range of Cohen's talent as composer in its dazzling variety of voices and styles. Following the prayer Who By Fire by House of Love, Ian McCulloch soars through Hey That's No Way To Say Goodbye, adding his own melancholy twist to the song's sublime sadness; The Pixies storm through I Can't Forget at their characteristic fast pace, whilst That Petrol Emotion poignantly render Stories Of The Street and James perform a meandering but moving So Long Marianne. Stephen Duffy of The Lilac Time gently caresses Bird On A Wire, followed by the Ugandan singer Geoffrey Oryema whose Suzanne, embellished by flute and a trio of guitars, fades out on a click-filled chorus. Quite brutal is David McComb's exploration of the sleazy Don't Go Home With Your Hard-on which shakes, rattles and rolls along with the best of the psychotic beats, while Dead Famous People, produced by Serge Gainsbourg, make a surprising success of a bubblegum singalong rendition of True Love Leaves No Traces. The star of the show is John Cale as he paints a truly great soundscape with only voice and piano in Hallelujah, a classic which would have remained buried in Cohen's own rather monotone version.

35 years since their groundbreaking platinum-certified album Doolittle catapulted the band into the UK Top Ten, and 20 years since their celebrated reformation at Coachella, Pixies are deep into their second act, and in the midst of a creative purple patch. The Night The Zombies Came is Pixies’ tenth album, if you count their classic 1987 4AD mini- LP, Come On Pilgrim, and first new music since 2022’s acclaimed Doggerel LP. 13 new songs that find Pixies looking ahead to the most cinematic record of their career. Druidism, apocalyptic shopping malls, mediaeval themed restaurants, 12th century poetic form, surf rock, gargoyles, bog people, and the distinctive dry drum sound of 1970s-era Fleetwood Mac are just some of the disparate wonders that inform the new songs.

The iconic Pixies forged an influential path for alt-rock during their first era, while their post 2004 reunion has seen them alchemize more sophisticated dark arts - a return which has them add another three UK Top 10 albums to the three they achieved on their first run. Now as fired up as ever before, Pixies release their eighth studio album Doggerel via BMG, including lead single ‘There’s a Moon On’. Doggerel is a mature yet visceral record of gruesome folk, ballroom pop and brutal rock, haunted by the ghosts of affairs and indulgences, driven wild by cosmic forces and envisioning digital afterlives where no God has provided one. And all the while, right there on the news, another distant storm approaches.

Official live album recorded during the band's 2018 run of anniversary shows at London’s Roundhouse, where they performed Come on Pilgrim and Surfer Rosa, start to finish. Featuring Black Francis (vocals, guitar), Joey Santiago (guitar), David Lovering (drums) and Paz Lenchantin (bass, vocals). Limited edition artist's store exclusive (only 1,000 units produced)… once they're gone, they're gone!

The title might be French for "fool the world," but with Trompe le Monde, the Pixies weren't fooling anyone: this was essentially Black Francis' solo debut. It focuses on Francis' sci-fi fascination and lacks any Kim Deal songs; even her backing vocals are far and few between. Yet the band sounds revitalized on Trompe le Monde, as if it were planned as their last hurrah. The raucous "Distance Equals Rate Times Time" and the explosive cover of the Jesus and Mary Chain's "Head On" are fairly straightforward, but the lyrics remain quirky on "Planet of Sound," a song about a Martian who lands on Earth, and "Palace of the Brine," a tribute to sea monkeys and Utah's Salt Lake…

After a decade-long hiatus, alternative rock legends Pixies reunited for a triumphant set at Coachella 2004. Hitting the stage before a headline set by Radiohead, Pixies delivered a now-iconic performance packed full of classic tracks including ‘Where Is My Mind?’, ‘Here Comes Your Man’ and ‘Debaser’.