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    R.E.M. - Part Lies Part Heart Part Truth Part Garbage: 1982-2011 (2011)

    Posted By: Designol
    R.E.M. - Part Lies Part Heart Part Truth Part Garbage: 1982-2011 (2011)

    R.E.M. - Part Lies Part Heart Part Truth Part Garbage: 1982-2011 (2011)
    XLD | FLAC | Tracks (Cue&Log) ~ 1.1 Gb | Mp3 (CBR320) ~ 356 Mb
    Label: Warner Bros. | # 9362-49534-5 | Time: 02:32:11| Artwork Included
    Alternative Rock, College Rock, Folk-Rock, Jangle Pop

    Part Lies, Part Heart, Part Truth, Part Garbage 1982–2011 is a 2011 greatest hits album from alternative rock band R.E.M. Intended as a coda on their career, this is the first compilation album that features both their early work on independent record label I.R.S. Records in addition to their 10 studio releases through Warner Bros. Records. The double-disc retrospective was released through Warner Bros. on November 11, 2011, and was compiled by the band members; the existence of the compilation was revealed simultaneously with the group's announcement that they were disbanding on September 21, 2011.

    R.E.M. - The Best Of R.E.M. (1991)

    Posted By: Designol
    R.E.M. - The Best Of R.E.M. (1991)

    R.E.M. - The Best Of R.E.M. (1991)
    EAC | FLAC | Tracks (Cue&Log) ~ 417 Mb | Mp3 (CBR320) ~ 175 Mb | Scans included | 00:59:28
    Alternative Pop/Rock, College Rock, Jangle Pop | Label: I.R.S. | # CDP 7131282

    The Best of R.E.M. is a greatest hits album by R.E.M. released in 1991, shortly after the success of the band's seventh studio album, Out of Time, released by Warner Bros. The Best of R.E.M., however, was released by the band's previous record label, I.R.S. Records, and only includes tracks from their first five albums while the group was with that label. As such, it covers their output from 1982 to 1987. The Best of R.E.M. was only issued in the United Kingdom, New Zealand, Australia and Brazil, complete with liner notes from Remarks: The Story of R.E.M. by Tony Fletcher (a domestic American greatest hits album had been released prior with a very similar track list titled Eponymous). It has no alternate mixes (unlike Eponymous); all the songs are the album versions. Three songs were taken from each of the first five studio albums and one song was taken from Chronic Town, the band's first EP, making a total of sixteen songs on the album.

    R.E.M. - Document (1987) Expanded Reissue 1993

    Posted By: Designol
    R.E.M. - Document (1987) Expanded Reissue 1993

    R.E.M. - Document (1987) Expanded Reissue 1993
    EAC | FLAC | Tracks (Cue&Log) ~ 483 Mb | Mp3 (CBR320) ~ 198 Mb
    Label: I.R.S. | # 0777 7 13200 2 6 | Time: 01:07:43 | Scans included
    Alternative Rock, College Rock, Folk-Rock

    R.E.M. began to move toward mainstream record production on Lifes Rich Pageant, but they didn't have a commercial breakthrough until the following year's Document. Ironically, Document is a stranger, more varied album than its predecessor, but co-producer Scott Litt – who would go on to produce every R.E.M. album in the following decade – is a better conduit for the band than Don Gehman, giving the group a clean sound without sacrificing their enigmatic tendencies. "Finest Worksong," the stream-of-conscious rant "It's the End of the World as We Know It (And I Feel Fine)," and the surprise Top Ten single "The One I Love" all crackle with muscular rhythms and guitar riffs, but the real surprise is how political the mid-tempo jangle pop of "Welcome to the Occupation," "Disturbance at the Heron House," and "King of Birds" is. Where Lifes Rich Pageant sounded a bit like a party record, Document is a fiery statement, and its memorable melodies and riffs are made all the more indelible by its righteous anger.

    R.E.M. - Boston 1983 (2025)

    Posted By: ciklon5
    R.E.M. - Boston 1983 (2025)

    R.E.M. - Boston 1983 (2025)
    FLAC (tracks), Lossless | 1:17:54 | 492 Mb
    Genre: Alternative Rock

    R.E.M. marked the point when post-punk turned into alternative rock. When their first single, "Radio Free Europe," was released in 1981, it sparked a back-to-the-garage movement in the American underground. While there were a number of hardcore and punk bands in the U.S. during the early '80s, R.E.M. brought guitar pop back into the underground lexicon. Combining ringing guitar hooks with mumbled, cryptic lyrics and a D.I.Y. aesthetic borrowed from post-punk, the band simultaneously sounded traditional and modern. Though there were no overt innovations in their music, R.E.M. had an identity and sense of purpose that transformed the American underground. Throughout the '80s, they worked relentlessly, releasing records every year and touring constantly, playing both theaters and backwoods dives. Along the way, they inspired countless bands, from the legions of jangle pop groups in the mid-'80s to scores of alternative pop groups in the '90s, who admired their slow climb to stardom.

    R.E.M. - National Bowl, Milton Keynes, England, July 30th, 1995 (2025)

    Posted By: ciklon5
    R.E.M. - National Bowl, Milton Keynes, England, July 30th, 1995 (2025)

    R.E.M. - National Bowl, Milton Keynes, England, July 30th, 1995 (2025)
    FLAC (tracks), Lossless | 1:53:22 | 694 Mb
    Genre: Alternative Rock

    R.E.M. marked the point when post-punk turned into alternative rock. When their first single, "Radio Free Europe," was released in 1981, it sparked a back-to-the-garage movement in the American underground. While there were a number of hardcore and punk bands in the U.S. during the early '80s, R.E.M. brought guitar pop back into the underground lexicon. Combining ringing guitar hooks with mumbled, cryptic lyrics and a D.I.Y. aesthetic borrowed from post-punk, the band simultaneously sounded traditional and modern. Though there were no overt innovations in their music, R.E.M. had an identity and sense of purpose that transformed the American underground. Throughout the '80s, they worked relentlessly, releasing records every year and touring constantly, playing both theaters and backwoods dives. Along the way, they inspired countless bands, from the legions of jangle pop groups in the mid-'80s to scores of alternative pop groups in the '90s, who admired their slow climb to stardom.

    R.E.M. - Paradise Rock Club, Boston, July 13th, 1983 (2015)

    Posted By: ciklon5
    R.E.M. - Paradise Rock Club, Boston, July 13th, 1983 (2015)

    R.E.M. - Paradise Rock Club, Boston, July 13th, 1983 (2015)
    FLAC (tracks), Lossless / MP3 320 kbps | 1:17:54 | 487 / 179 Mb
    Genre: Alternative Rock, Pop, Rock

    R.E.M. verscheen ten tonele toen post-punk overging in alternatieve rock. Hun eerste single, "Radio Free Europe," uit 1981, veroorzaakte een terug-naar-de-garage beweging in de Amerikaanse underground. Door de combinatie van gitaarsolo's, gemompelde, cryptische teksten en een D.H.Z. esthetiek die was overgenomen van de post-punk, klonk de band zowel traditioneel als modern. Gedurende de jaren '80 werkten ze onafgebroken; ze brachten elk jaar platen uit en waren voortdurend op tournee. Tegen het eind van de jaren '80, was hun fanbase groot genoeg om goede verkopen te garanderen, maar het top tien succes van Document en "The One I Love" in 1987 was toch onverwachts. Na Document groeide R.E.M. langzaam uit tot een van 's werelds populairste bands.

    VA - I'm Your Fan: The Songs of Leonard Cohen By... (1991)

    Posted By: Designol
    VA - I'm Your Fan: The Songs of Leonard Cohen By... (1991)

    VA - I'm Your Fan: The Songs of Leonard Cohen By… (1991)
    EAC | FLAC | Image (Cue&Log) ~ 492 Mb | Mp3 (CBR320) ~ 202 Mb | Scans included | Time: 01:15:53
    Tribute, Rock, Alternative Rock, Folk-Rock, College Rock | Label: Columbia/Oscar | # COL 469032 2

    This 1991 tribute album reveals the broad range of Cohen's talent as composer in its dazzling variety of voices and styles. Following the prayer Who By Fire by House of Love, Ian McCulloch soars through Hey That's No Way To Say Goodbye, adding his own melancholy twist to the song's sublime sadness; The Pixies storm through I Can't Forget at their characteristic fast pace, whilst That Petrol Emotion poignantly render Stories Of The Street and James perform a meandering but moving So Long Marianne. Stephen Duffy of The Lilac Time gently caresses Bird On A Wire, followed by the Ugandan singer Geoffrey Oryema whose Suzanne, embellished by flute and a trio of guitars, fades out on a click-filled chorus. Quite brutal is David McComb's exploration of the sleazy Don't Go Home With Your Hard-on which shakes, rattles and rolls along with the best of the psychotic beats, while Dead Famous People, produced by Serge Gainsbourg, make a surprising success of a bubblegum singalong rendition of True Love Leaves No Traces. The star of the show is John Cale as he paints a truly great soundscape with only voice and piano in Hallelujah, a classic which would have remained buried in Cohen's own rather monotone version.

    R.E.M. - The One I Love (1988) Limited Edition Single

    Posted By: Designol
    R.E.M. - The One I Love (1988) Limited Edition Single

    R.E.M. - The One I Love (1988) Limited Edition Single
    EAC | FLAC | Tracks (Cue&Log) ~ 90 Mb | Mp3 (CBR320) ~ 34 Mb | Scans included | 00:13:33
    Alternative Pop/Rock, College Rock, Folk-Rock | Label: I.R.S. | # DIRMX 178

    "The One I Love" is a song by American alternative rock band R.E.M. It was released on the band's fifth full-length studio album, Document, and also as a 7" vinyl single in 1987. The song was their first hit single, reaching #9 in the US Billboard Hot 100, #14 in Canada, and later reached #16 in the UK singles chart on its UK release (1991). The song was included in Activision's Guitar Hero World Tour and is in Guitar Hero On Tour: Decades. In March 2005, Q magazine placed "The One I Love" at number 57 in its list of the 100 Greatest Guitar Tracks. In 2012, Slant Magazine listed the song as the 38th best single of the 1980s.

    R.E.M. - Complete Rarities 1988-2011 (2016)

    Posted By: Rtax
    R.E.M. - Complete Rarities 1988-2011 (2016)

    R.E.M. - Complete Rarities 1988-2011 (2016)
    WEB FLAC (tracks) - 3.3 GB | MP3 CBR 320 kbps - 1.1 GB
    8:27:25 | Alternative Rock, Pop Rock | Label: Concord Records

    Unlike its companion, Complete Rarities: IRS 1982-1987, the music collected on the 2014 digital-only Complete Warner Bros. Rarities 1988-2011 hasn't been anthologized often. Bits and pieces have been rounded up in singles boxes, and there was a "Rarities and B-sides" bonus disc added to the 2003 compilation In Time: The Best of R.E.M. 1988-2003, but there was no Warner-era equivalent of Dead Letter Office, and the expanded editions of the albums often skimped on bonus tracks. So this mammoth collection – 131 tracks, all instrumentals, alternate, and singles, mixes, covers, and live tracks that never appeared on albums – is noteworthy for providing a service for dedicated fans who nevertheless stopped buying all those multi-part CD singles somewhere around New Adventures in Hi-Fi or Up. The eagle-eyed will notice there are a few songs missing – usually, these are alternate versions from the early '90s – but there are also a couple of live cover versions M.I.A., along with instrumental B-sides from Automatic for the People – but the sheer heft of the set guarantees that almost all will take its title claim of "Complete" as factual; it's close enough to complete for most intents and purposes.

    R.E.M. - Radio Free Europe 2025 (2025)

    Posted By: Rtax
    R.E.M. - Radio Free Europe 2025 (2025)

    R.E.M. - Radio Free Europe 2025 (2025)
    WEB FLAC (tracks) - 117 MB | MP3 CBR 320 kbps - 37 MB
    15:40 | Alternative Rock | Label: Craft Recordings

    "Radio Free Europe" is the debut single by American alternative rock band R.E.M., released in 1981 on the short-lived independent record label Hib-Tone. The song features "what were to become the trademark unintelligible lyrics which have distinguished R.E.M.'s work ever since." The single received critical acclaim, and its success earned the band a record deal with I.R.S. Records. R.E.M. re-recorded the song for their 1983 debut album Murmur. The re-recording for I.R.S. became the group's first charting single, peaking at number 78 on the Billboard Hot 100 chart. The song is ranked number 174 in Rolling Stone's 2024 list of the 500 Greatest Songs of All Time. In 2009, it was added to the Library of Congress's National Recording Registry for setting "the pattern for later indie rock releases by breaking through on college radio in the face of mainstream radio's general indifference."

    R.E.M. - New Adventures in Hi-Fi (1996)

    Posted By: Designol
    R.E.M. - New Adventures in Hi-Fi (1996)

    R.E.M. - New Adventures in Hi-Fi (1996)
    EAC | FLAC | Image (Cue&Log) ~ 437 Mb | Mp3 (CBR320) ~ 150 Mb | Scans ~ 49 Mb
    Alternative Pop/Rock | Label: Warner Bros | # 9362-46436-2 | Time: 01:05:32

    Recorded during and immediately following R.E.M.'s disaster-prone Monster tour, New Adventures in Hi-Fi feels like it was recorded on the road. Not only are all of Michael Stipe's lyrics on the album about moving or travel, the sound is ragged and varied, pieced together from tapes recorded at shows, soundtracks, and studios, giving it a loose, careening charm. New Adventures has the same spirit of much of R.E.M.'s IRS records, but don't take the title of New Adventures in Hi-Fi lightly – R.E.M. tries different textures and new studio tricks. "How the West Was Won and Where It Got Us" opens the album with a rolling, vaguely hip-hop drum beat and slowly adds on jazzily dissonant piano. "E-Bow the Letter" starts out as an updated version of "Country Feedback," then it turns in on itself with layers of moaning guitar effects and Patti Smith's haunting backing vocals. Clocking in at seven minutes, "Leave" is the longest track R.E.M. has yet recorded and it's one of their strangest and best – an affecting minor-key dirge with a howling, siren-like feedback loop that runs throughout the entire song.

    R.E.M. - Automatic for the People (1992)

    Posted By: Designol
    R.E.M. - Automatic for the People (1992)

    R.E.M. - Automatic for the People (1992)
    EAC | FLAC | Image (Cue&Log) ~ 310 Mb | Mp3 (CBR320) ~ 112 Mb | Scans ~ 51 Mb
    Alternative/Indie Rock, Baroque Pop | Label: Warner Bros. | # 9362-45055-2 | 00:48:53

    Turning away from the sweet pop of Out of Time, R.E.M. created a haunting, melancholy masterpiece with Automatic for the People. At its core, the album is a collection of folk songs about aging, death, and loss, but the music has a grand, epic sweep provided by layers of lush strings, interweaving acoustic instruments, and shimmering keyboards. Automatic for the People captures the group at a crossroads, as they moved from cult heroes to elder statesmen, and the album is a graceful transition into their new status. It is a reflective album, with frank discussions on mortality, but it is not a despairing record – "Nightswimming," "Everybody Hurts," and "Sweetness Follows" have a comforting melancholy, while "Find the River" provides a positive sense of closure. R.E.M. have never been as emotionally direct as they are on Automatic for the People, nor have they ever created music quite as rich and timeless, and while the record is not an easy listen, it is the most rewarding record in their oeuvre.

    R.E.M. - 7IN-83-88 (2014)

    Posted By: ciklon5
    R.E.M. - 7IN-83-88 (2014)

    R.E.M. - 7IN-83-88 (2014)
    FLAC (tracks + .cue, log) | 1:19:10 | 492 Mb
    Genre: Alternative Rock, Pop, Rock

    UK cd-r for 7IN-83-88 boxset, purchased from Reckless Records in London around time of release Tracks 13 & 23 are UK singles never released in the US.

    R.E.M. - The Songs Of R.E.M. (2010)

    Posted By: ciklon5
    R.E.M. - The Songs Of R.E.M. (2010)

    R.E.M. - The Songs Of R.E.M. (2010)
    FLAC (tracks + .cue, log) | 2:33:09 | 951 Mb
    Genre: Alternative Rock, Pop, Rock

    R.E.M. verscheen ten tonele toen post-punk overging in alternatieve rock. Hun eerste single, "Radio Free Europe," uit 1981, veroorzaakte een terug-naar-de-garage beweging in de Amerikaanse underground. Door de combinatie van gitaarsolo's, gemompelde, cryptische teksten en een D.H.Z. esthetiek die was overgenomen van de post-punk, klonk de band zowel traditioneel als modern. Gedurende de jaren '80 werkten ze onafgebroken; ze brachten elk jaar platen uit en waren voortdurend op tournee. Tegen het eind van de jaren '80, was hun fanbase groot genoeg om goede verkopen te garanderen, maar het top tien succes van Document en "The One I Love" in 1987 was toch onverwachts. Na Document groeide R.E.M. langzaam uit tot een van 's werelds populairste bands.

    R.E.M. - The Automatic Box (1993)

    Posted By: ciklon5
    R.E.M. - The Automatic Box (1993)

    R.E.M. - The Automatic Box (1993)
    FLAC (tracks + .cue, log, scans) | 1:03:54 | 412 Mb
    Genre: Alternative Rock, Pop, Rock

    R.E.M. Rock band from Athens, Georgia, USA Formed 1980-2011, 2024.