Originally released in October 1985, and coming hot on the heels of the global smash single ‘(Don’t You) Forget About Me’ , ‘Once Upon A Time’ was to prove the album that propelled Simple Minds to stratospheric heights of artistic and commercial success. Containing the classic hit singles ‘Alive And Kicking’, ‘All The Things She Said’, ‘Sanctify Yourself’, and ‘Ghostdancing’ the original era-defining Number 1 album now comes as part of this incredible 5CD / 1DVD box set…

This new 4CD / 1DVD Super Deluxe Box Set version comprises a host of bonus material including; B-sides and extended mixes; BBC sessions; a previously unreleased Glasgow Barrowlands concert; promo videos; Top Of The Pops and Oxford Road Show footage; a booklet containing sleeve notes and interviews plus track by track annotation and a reproduction concert programme…

The fifth disc of the fourth and final Themes box is the only one that features exclusive material to rope in hesitant fans and, of course, it was only obtainable through this set – Virgin would eventually issue all the CD5s in the box sets individually, but not that one. Clearly, Virgin attempted to take advantage of Simple Minds fans on a number of levels…

Covering the singles released from September of 1985 to June of 1987, the third five-disc installment of the Themes boxes covers the Once Upon a Time era and stretches out to include the live-version single of "Promised You a Miracle" that was issued in support of 1987's Live in the City of Light…

Silver Box is mostly made up of previously unreleased demos, radio & TV sessions and various live recordings from 1979 to 1995… and is also including—as a final bonus disc—their genuine twelfth studio album (of original material), Our Secrets Are the Same, originally recorded between April and June 1999 and originally planned to be released on its own in early 2000 but delayed many times and even cancelled until its final inclusion in this very box set…

Simple Minds signed to Chrysalis for Néapolis and saw the return of Derek Forbes on bass. Néapolis signals a return to form while remaining on the cutting edge. Unlike U2, the band they have been most often compared to, Simple Minds have not lost themselves in techno beats and processed samples. Longtime fans will embrace this album; from the opening track, "Song for the Tribes," through the two singles, "Glitterball" and "War Babies," one immediately recognizes that classic sound. Other standout tracks include "Tears of a Guy," "Superman V Supersoul," and a potential third single, "Killing Andy Warhol." The biggest surprise on the album is "Androgyny," a welcomed instrumental in the tradition of their earlier works (see Empires and Dance, Sister Feelings Call, and Sons and Fascination). It's nice to know that in the 1990s, one classic new wave band hasn't forgotten what it is all about. Unfortunately, Chrysalis felt there was not enough of a following outside of Europe to justify the worldwide release of the album.

That the opening bars to Cry finds Jim Kerr opining "It's difficult to love you when you do the things you do time and time again" almost implies that the hideously unfashionable Simple Minds are once again anticipating getting stabbed in the buttocks by poison pens and have decided to save their critics the bother by writing the reviews for them. Well, if that's the case, they've done themselves a little bit of an injustice. The good news–and from this world, not the next–is that Jim Kerr has not reneged on his commitment to making an indecently modest pop record, one where any delusional notions of stadium rock empires are held in check and where melody is a stronger currency than reverb and hot air. Although the cleaner-than-a-kitchen-showroom production is out of step with the contemporary, scuffed-up sounds of "now"–Simple Minds remain hamstrung by their own outmoded brand of professionalism–Cry has more than enough decent tunes to entice persons beyond the well-creased folds of their fan base.

Neon Lights is Simple Minds' covers album. Frankly, these projects often serve little purpose beyond announcing that the artists concerned have run out of original ideas. With the Simple Minds' new album of freshly composed material, Our Secrets Are the Same, now shelved due to legal complications, the Minds have opted to doff their caps in the direction of the heroes of their youth, such as David Bowie, Lou Reed, and the Doors. This is the material the band performed when they were scrawny Glaswegian punks called Johnny & the Self-Abusers. The arrangements here are slightly dated techno-rock efforts, albeit without the expansive pomp and bluster of their stadium-straddling 1980s heyday. Even so, Neon Lights is probably too respectful. Many of these numbers–Echo & the Bunnymen's "Bring on the Dancing Horses," Bowie's "The Man Who Sold the World"–are identikit presentations, while electro-rock assaults on Them's "Gloria" and the Doors "Hello I Love You" are monotonous and misguided. A very interesting revision of Pete Shelley's "Homosapien" and a faithful, powerful reading of the Velvet Underground's "All Tomorrow's Parties" are much better.

The second box dedicated to compiling Simple Minds' Themes series – i.e., dolled-up reissues of the group's original 12" singles – covers August of 1982 through April of 1985, which means that the A-sides originate from the New Gold Dream and Sparkle in the Rain albums…

In 1990, as Simple Minds continued to rampage full-steam into a downward slide of overwrought albums and evaporating relevance, Virgin U.K. began repackaging the group's singles as CD5s through the Themes series…