Am 16. Januar 2020 kommt das Udo-Biopic "Lindenberg! Mach Dein Ding" in die deutschen Kinos, das erzählt, wie alles anfing: Seine ersten Jahre als Nobody aus Westfalen, die ersten Gehversuche als Trommler (unter anderem bei Klaus Doldinger und der Tatort-Melodie), bis er in einer amerikanischen Militärbar in Nordafrika zum Sänger wird und der in Hamburg schließlich seinen Durchbruch schafft, weil er konsequent an sich selbst glaubt und sein Ding durchzieht.

Thomas Pynchon's 2009 novel Inherent Vice gave filmmaker Paul Thomas Anderson an outlet for his more antic, erratic impulses. Paul Thomas Anderson's 2014 film Inherent Vice, meanwhile, gives composer and Radiohead guitarist Jonny Greenwood a chance to indulge his inner Hollywood romantic. As a composer, Greenwood has mostly been called on for slashing chords, thick string textures, and foreboding. But "Shasta", which opens the Nonesuch OST and appears early in the film, opens on a rosy blush of strings and woodwinds that calls to mind sinuous old Hollywood scores. It is by far the most conventional orchestral music to emerge from his pen.

Whoever you are, you can’t have gone too far without coming across BBC America’s Killing Eve. What’s more, you’ll know its sultry soundtrack. Composers David Holmes, Jade Vincent and Keefus Ciancia — known collectively as Unloved — manage stupendous genre leaps to score the show’s winning mix of noir-ish cat-and-mouse chase and international intrigue recalling much of the soundtrack’s stellar featured tracks from The Troggs, Cat’s Eyes, Cigarettes After Sex and Brigitte Bardot.

De ware rebellen komen tegenwoordig uit ’t Gooi. Ze zetten daar de boel eens flink op stelten, beginnen een band en trekken als Robin Hood er op uit, om er nòòit meer terug te keren. Tenzij het gaat om televisie- of radio-optredens of plaatopnames in de Wisseloord Studio’s. Exact zo is het gegaan met mooiboy-met-de-grote-bek Lucas Hamming. Je zou hem kunnen kennen van de Beste Singer-Songwriter van Nederland, als 3FM Serious Talent met een megahit op zak. En ja hoor, zijn EP The Perv In Perfection is opgenomen in die studio daar in de Hilversummer bossen.

Six years, two albums, the highs of critical accolades and the lows of doubt and exhaustion have all led Dublin, Ireland native Gemma Hayes to her third album, ''Hollow of Morning.'' And with another roll of the dice, Hayes shows herself to have grown into an incredible songwriter and also a woman who has surveyed her career to date and decided to go her own way, independent in every sense.Co-produced by long-time cohort and collaborator David Odlum, who worked with Gemma on her Mercury-nominated debut, ''Night on My Side,'' ''Hollow of Morning'' is a ten-track filigree of melody and subtle harmonic rhythms. It

This week's most popular songs across all genres, ranked by radio airplay audience impressions as measured by Nielsen Music, sales data as compiled by Nielsen Music and streaming activity data provided by online music sources.

Lumineux, c'est l'adjectif pour décrire cet album, vous vous rappelez la chanson "billy bob a raison" sur l'album "negatif" et bien c'est du même tonneau et quelque fois en mieux notamment "la ballade du mois de juin" porté par la voix à la limite de la cassure par miss biolay, "Tête à Claques" un duo bluesy avec de paroles plus Hardy que Françoise ("t'as voulu des sous tasses on a eu des sous tasses, t'as voulu un vélo …"), "A House Is Not A Home" délicieuse ballade mélancolique en anglais à la prononciation très scolaire…

The full story of the incredible Janie Jones recording career, from her first big hit "Witches brew" in 1965 to her 1983 punk comback supported by "The Clash", who wrote "The House of the Ju Ju Queen" specially for Janie (and backed her on the single). As bizarre and eclectic set of singles as you would imagine from the woman dubbed "London's Vice Queen" by the News Of The World and jailed in 1973, this fascinating CD includes all her a and b sides plus several unissued numbers. The CD concentrates on her musical career with the likes of Jimmy Webb, Marc Bolan and others, and includes detailed notes plus loads of great pictures and cuttings, and a discography. The sixties have never swung quite like this before!

Barbra Streisand's fourth live album was the only one to be drawn from a concert tour and not a one-time occasion, but it is no less special for that. For her first tour in 28 years, Streisand didn't just come out and sing her greatest hits for an hour-and-a-half. Instead, she wove a selection of her best-known songs together with what she considered career highlights and added new and special material, starting with the customized lyrics of "As If We Never Said Goodbye" and "I'm Still Here," and including "Ordinary Miracles," by her conductor, Marvin Hamlisch and her house lyricists, Alan and Marilyn Bergman.

The box contains CDs with the ten albums of the blues group from The Hague, from "Hell's Session" from 1969 to "Out Of The Blue" from 1995. Two bonus CDs complete the collection (see tracklist below). The box appears on July 22.
Around 1970 Livin ’Blues, along with the band Cuby + Blizzards, was counted among the absolute top of the Dutch blues world. The fixed core consisted of Ted Oberg (guitar), John Lagrand (harmonica) and Nicko Christiansen (vocals). The group scored hits such as "Wang dang doodle" and "L.B. Boogie. The band performed throughout Europe, from England to Italy.

The 33-year-old Eefje de Visser can be described as one of the most interesting singer-songwriters in the Netherlands. It has been ten years since she won the Grand Prix of the Netherlands in the category "best singer-songwriter", the start of a very beautiful career that has already produced three albums. Number four is also finished and will be released in January. The two singles "Lange Vinnen" and "Zwarte Zon" that she released earlier this year, will of course also be found on Bitterzoet.

Broadway veteran Liz Callaway and cabaret/jazz vocalist Ann Hampton Callaway joined forces for an extended engagement at Birdland in 2011, exploring favorite pop songs from the 1960s and early '70s. The two sisters explain a little bit about their influences and thoughts about some of the songs between performances and connect with their attentive audiences. Whether singing together or individually, they capture the essence of each song, supported by pianist Alex Rybeck's lively arrangements. They're equally effective interpreting ballads like Carly Simon's "That's the Way I Always Heard It Should Be" and Marvin Hamlisch's "The Way We Were" as a duo, complementing one another's voices.

It's great to see -in perspective- how Olivia Newton-John has proved to be a great, skillful singer with the capacity to cover a wide range of different musical styles from pop/country to jazz and new age. This album of covers, produced by Phil Ramone, is a good example of the amazing voice and musical charisma of Olivia Newton-John. It's a tribute album so she, wisely, has not tried to overshadow any of the singers she's honoring but what she does is amazing, she makes the songs believable, touching and beautiful in her own way and style.

The Very Best is an unofficial 1993 compilation CD by the late Irish guitarist Gary Moore. This was released on the Unison label.

Get Closer is the eleventh studio album by singer, songwriter and producer Linda Ronstadt, released in 1982. Get Closer found Ronstadt returning to the genres that had resulted in her commercial and critical success throughout the 1970s, and working again with British musician and producer Peter Asher. Ronstadt was nominated in early 1983 for a Grammy Award for Best Pop Vocal Performance Female and Best Rock Vocal Performance Female for the album and the song "Get Closer", losing to Melissa Manchester and Pat Benatar respectively. The album did, however, win the Grammy for Best Album Package, an art director's award. The trophy went to well known designers Ron Larson and Kosh.