Vinegar Joe might very easily have been Island Records' answer to the Allman Bros. or Wet Willie. A sextet formed out of a busted big-band rock outfit called Dada, they were brought together at the suggestion of Island founder Chris Blackwell. Elkie Brooks (vocals), Robert Palmer (vocals, guitar), Pete Gage (guitars, piano), and Steve York (bass, harmonica), were at the core of the group, with Tim Hinkley and then Mike Deacon on keyboards, and Conrad Isadore and Keef Hartley, and then John Woods and Pete Gavin on drums–the band cut three albums for between 1971 and 1973. Their live shows were well reviewed and attracted significant audiences in England, but this was never reflected in their record sales. They split up in 1973, with Robert Palmer becoming an international star as a pop-rock blue-eyed soul singer and Elkie Brooks a success as an MOR singer with Pete Gage as her arranger. Collection includes: Vinegar Joe (1972); Rock'n Roll Gypsies (1972); Six Star General (1973); Six Star Gypsies (1993).

Thanks in part to Robert Palmer's hand in the process of compiling Addictions, Vol. 1, this early best-of is a fine peek into the musical passions that made Palmer tick. The 13 songs that make up the collection are mostly first-rate, and at the very least they present to a newcomer the eclecticism and style that made Palmer so consistently interesting. Since its genesis was 1989, the highlighted albums are Palmer's Island releases from 1978 to 1988: Double Fun, Secrets, Clues, Maybe It's Live, Pride, Riptide, Heavy Nova, and the soundtrack to Sweet Lies. Appropriately, the thundering, menacing "Some Like It Hot" from the Power Station's debut is included, though it's somewhat of a mystery as to why the band's T. Rex cover, "Get It On (Bang a Gong)," doesn't make an appearance. Only that song and "I Didn't Mean to Turn You On" seem like obvious omissions. The latter would appear on the remix-heavy Addictions, Vol. 2, but the former wouldn't appear on a career sampler until 1997's The Very Best of Robert Palmer. Otherwise, the collection is nearly perfect.

Ex-Band songwriter/guitarist Robbie Robertson put together this soundtrack, which allowed him to collaborate with blues master Willie Dixon and jazz master Gil Evans, though it was his collaboration with Eric Clapton that produced the album's hit song, "It's in the Way That You Use It." Also featured: Don Henley, Robert Palmer (three tracks), and B. B. King.

Do you ever feel the need to stock up on tinned sweets and beaded seat covers and hit the road? Us too, which is why we’re bringing you a positively indulgent selection of Soft Rock favourites, guaranteed to add drama and interest to your journey. Who doesn’t want to listen to Whitesnake’s ’Is This Love’ while eating up the M4? Do you want to know what love is? So do Foreigner. Add belters from Cher, Bonnie Tyler and Chicago and you have the soundtrack to a great road trip or an intense evening in. Go nuts.

A unique compilation of the best and most beautiful rock classics for everyone.

Before he moved to Nassau and became a carefree, laid-back expat who craved sunshine, Robert Palmer lived in New York City, hired Little Feat for a backup band, and released the all over the place yet still solid Pressure Drop. Named after the massive reggae hit from Toots & the Maytals and the excellent cover version Palmer performs here, Pressure Drop is sometimes wrongly sold as the singer's first island-styled album. Past the title cut, Feat and the New Orleans funk of the Meters are much bigger influences, along with smooth, dated disco ballads smothered in strings. The latter numbers are what make the album too blue-eyed and polished for fans of Palmer's more gutsy moments, but the soft songs are well written and convincing, especially the opening "Give Me an Inch"…

Robert Palmer's second EMI album, which turned out to be a sales disappointment, seems to combine two different musical concepts in its 18 tracks. The first is a straightforward, rhythm-heavy Robert Palmer rock album that takes up about the first half of the record. The second is a soundtrack for a planned musical that a Palmer bio describes as "a futuristic comedy using telling songs from the '40s to the present day," some produced by jazzman Teo Macero. These include songs like Bob Dylan's "I'll Be Your Baby Tonight" (done reggae style), Marvin Gaye's "Mercy Mercy Me" and "I Want You," and Rodgers & Hammerstein's "People Will Say We're in Love." The idea looks forward to Palmer's next album, Ridin' High, which is comprised entirely of standards, but the mixture of rhythm tracks and string-filled arrangements here makes for a confusing mixture.

Robert Palmer was an English singer-songwriter, musician, and record producer. He was known for his distinctive, soulful voice, eclectic mix of musical styles on his albums, combining soul, jazz, rock, pop, reggae, blues, and sartorial acumen. He found success both in his solo career and with the Power Station, and had Top 10 songs in both the UK and the US. His iconic music videos directed by British fashion photographer Terence Donovan for the hits "Addicted to Love" and "Simply Irresistible" featured identically-dressed dancing women with pale faces, dark-eye makeup and bright-red lipstick, which resembled the women in the art of Patrick Nagel, an artist popular in the 1980s. Palmer's involvement in the music industry commenced in the 1960s, covered four decades and included a spell with Vinegar Joe.

Before becoming a slick, sharp-dressed pop star in the 1980s, Robert Palmer was a soul singer deeply rooted in R&B and funk. Those influences are on full display on his debut album Sneakin' Sally Through the Alley. With a backing band including members of Little Feat and the Meters, the music has a laid-back groove whether Palmer's covering New Orleans legend Allen Toussaint (the title track) or singing originals ("Hey Julia," " Get Outside"). While the music is tight and solid, it is Robert Palmer's voice that is revelatory - he sounds supremely confident among these talented musicians, and they seem to feed off his vocal intensity. Fans of the Meters or people who want to discover the funky side of Robert Palmer should check this one out.