Hooking up with regular Madonna collaborator Patrick Leonard as the co-producer of this album proved to be just the trick for Ferry. Bete Noire sparkles as the highlight of Ferry's post-Roxy solo career, adding enough energy to make it more than Boys and Girls part two. Here, his trademark well-polished heartache strikes a fine balance between mysterious moodiness and dancefloor energy, and Leonard adds more than a few tricks that keep the pep up. Five out of the nine songs are Ferry/Leonard collaborations; all succeed, from "Limbo"'s opening punch and flow to the cinematic (and unsurprisingly French-tinged) feeling of the title track.

This album will raise eyebrows. After all, didn't Johnny Hates Jazz have only one hit song? Forget the band's brief popularity on the American charts. Johnny Hates Jazz was a vastly underrated group, a British pop act whose handsome looks blinded many to the talent bubbling underneath the surface. Most of the record consists of tracks from the band's debut LP, Turn Back the Clock, and their lesser-known follow-up, Tall Stories. Tall Stories was recorded after vocalist Clark Datchler left the group, replaced by Phil Thornalley. Since the long-deleted Tall Stories is hard to find, this might be the only opportunity for fans to hear songs from it. Three of them are collected here: "Let Me Change Your Mind," "Last to Know," and "Fool's Gold." Sounding no different than anything on Turn Back the Clock, these tracks prove that Johnny Hates Jazz didn't lose their knack for soulful, danceable hooks after Datchler's departure. Given that Turn Back the Clock has no filler, the songs taken from that album shouldn't been seen as providing the complete picture.

There's a cult of Meet Danny Wilson lovers and if you ever ask them about the album, a Steely Dan comparison is bound to come up. It's not without merit, and considering that the other bands the album might remind you of – Deacon Blue and Fairground Attraction – aren't on the tip of much of anyone's tongue, Steely Dan is at close as it comes. But the Dan never sounded this lively, this exuberant, this finger-snapping. If that makes them sound light as feather, keep in mind that Lloyd Cole loves this record. Head songwriter Gary Clark shares some of Cole's love of literate and clever lyrics that fit just right with the notes they land on, but he prefers a horn-section blast to Cole's guitar jangle (plus Clark has more Jimmy Van Heusen records than Cole does, no doubt). The sweet "Mary's Prayer" is the almost-hit, barely making enough impact to call the band a one-hit wonder. It's only part of the story for an album that effortlessly hurls clever arrangements and lyrical stingers out of the speakers. Opening with the syncopated and humble "Davy" and then switching to the Vegas hipster, Bobby Darin-for-the-'80s "Aberdeen" makes for a killer opening, and the album keeps minding the pace.

An update of the 1994 compilation The Best of Sade, The Ultimate Collection contains all but two of the Sade singles – "When Am I Going to Make a Living" and, unfortunately, "Turn My Back on You" – released through the first six studio albums. There are six well-chosen album cuts, highlighted by the exceptionally spacious Love Deluxe ballads "Bullet Proof Soul" and "Pearls." For some Sade followers, the one rarity (a restrained Neptunes mix of "By Your Side") and four new songs will be enough to justify re-acquiring the old material. The best of the new songs is a cover of Thin Lizzy's anguished ballad "Still in Love with You," a surprising but strikingly appropriate choice that is granted a hint of sweetness.

Smart, sophisticated, and timelessly stylish, Steve McQueen (titled Two Wheels Good in the U.S. after threats of a lawsuit from the actor's estate) is a minor classic, a shimmering jazz-pop masterpiece sparked by Paddy McAloon's witty and inventive songwriting. McAloon is a wickedly cavalier composer, his songs exploring human weaknesses like regret ("Bonny"), lust ("Appetite"), and infidelity ("Horsin' Around") with cynical insight and sarcastic flair; he's also remarkably adaptable, easily switching gears from the faux country of "Faron Young" to the stately pop grace of "Moving the River."

After the seven-year gap between 1990's Jordan: The Comeback and 1997's Andromeda Heights, many Prefab Sprout fans were surprised by the comparatively brief four years between that album and 2001's The Gunman and Other Stories. The album holds other surprises for the longtime Prefab Sprout fan; for one thing, backing vocalist Wendy Smith is absent, having left the group after the birth of her first child, and for another, it's a Western-themed concept album.

Picture Book is the debut album by British pop group Simply Red, released in October 1985. It contains the #1 single "Holding Back the Years", the band's most successful single, and a cover of The Valentine Brothers' "Money's Too Tight (To Mention)". Three other singles were released from the album: "Come to My Aid", "Jericho", and "Open Up the Red Box". The album includes 'lively' and 'energetic' groove beats and ballad orientated keyboard undertones that help songs such as "Holding Back the Years" to be so effective. Members Tim Kellett and Fritz McIntyre are acclaimed by Hucknall to be the most influential in the album based on the distinctive sound of their playing.