Osanna is classic seventies Italian prog. The basis of their sound is original heavy guitar rock often in combination with amazing flute solos. Additionally, more spacey, Pink Floydian parts and quiet interludes with acoustic guitar and flute can be heard as well. There are plenty of mood changes and surprises that make this music very dynamic and interesting. Their first three are masterpieces in their own right.
The structure of "Palepoli" is very similar to albums like "A Passion Play" and "Thick As A Brick" from Jethro Tull. Each side of the album contains 20-minutes of an album-length epic. However, the music, rather than being Jethro Tull-like, is influenced by early King Crimson (jazzy sax-driven parts), and the Italian prog-rock of the time. So, the music alternates between heavy guitar/sax-led sections, and softer flute/mellotron interludes…

Digitally remastered two CD set containing a pair of albums from the Jazz/Rock outfit: Mirror Image (1974) and New City (1975). Mirror Image was released in the wake of vocalist David Clayton-Thomas' departure and features three different vocalists. New City saw Clayton-Thomas return full-time for a critically-acclaimed album. Both releases made the U.S. Top 200 Albums chart.

Equal parts retrospective, autobiography, and objet d'art, Björk's Family Tree gives fans a very special glimpse at the creative processes behind her work, collecting two decades' worth of her music and words in a unique, lavishly packaged set. A white paper sleeve embossed with work by Icelandic artist Gabriela Fridriksdottir holds a translucent, petal-pink plastic case containing five 3" discs of "Roots," "Beats," and "Strings"; a collection of Björk's favorite songs from her albums; "Words," a booklet of selected lyrics; and an essay by Björk explaining the genesis of this set, which manages to use phrases like "taxonomic structure" and "a new Icelandic modern musical language" without sounding too ambitiously academic. Scattered throughout are Fridriksdottir's paintings, sculptures, and illustrations, which mix a playful, organic sensibility with clean lines that are both futuristic and childlike…

As often happens, the story begins with Bach at the Loussiers' house.

Jean-Baptiste, one of the sons of the famous French composer Jacques Loussier, began learning the piano, music theory and Johann Sebastian Bach at a very early age.

"After the widely noticed performance at the „Acht Brücken Festival 2016” at Cologne's Philharmonic Hall, Gregor Schwellenbach, Hauschka, Erol Sarp (of „Grandbrothers“), Daniel Brandt, Paul Frick (both of "Brandt Brauer Frick") and John Kameel Farah will be releasing their interpretation of Steve Reich’s "Six Pianos" as a studio recording via FILM. The re-recording of this piece is an interpretation of Reich’s composition but still far more than just that – it is a modern approach to his idea behind it. "Keyboard Study #1" by Terry Riley is a worthy b-side opposed to Reich’s composition. The piece is kind of a building set of ever lengthening, repetitive patterns played against each other with the right and left hand displaced. The composition proposes various possible combinations for the performer to choose from and repeat at will. And what the performers have chosen proves Gregor Schwellenbach’s assumption: "Especially Terry Riley’s and Steve Reich’s music are open doors for pianists socialized by pop music and their audience".

These 12 sides represent singer/songwriter Laura Nyro 's earliest professional recordings. More Than a New Discovery was originally issued on the Folkways label in conjunction with Verve Records in early 1967. The contents were subsequently reissued as The First Songs in 1969 after she began to garner national exposure with her first two LPs for Columbia – Eli and the Thirteenth Confession (1968) and New York Tendaberry (1969), respectively. Many of these titles became international hits for some of the early '70s most prominent pop music vocalists and bands. Among them, "Wedding Bell Blues" and "Blowing Away" were covered by the Fifth Dimension . "And When I Die" became one of Blood, Sweat & Tears signature pieces. Likewise, "Stoney End," as well as "I Never Meant to Hurt You," are both arguably best known via Barbra Streisand 's renditions. Accompanied by a small pop combo, Nyro 's prowess as both composer and performer are evidence that she was a disciple of both Tin Pan Alley as well as the Brill Building writers. Additionally, Nyro was able to blend the introspection of a classic torch ballad with an undeniable intimacy inherent in her lyrics.

Joni Mitchell Counterbalances Love and Trust with Freedom and Confusion on Court and Spark: Ranked the 110th Greatest Album of All Time by Rolling Stone. Mobile Fidelity's Numbered-Edition Hybrid SACD Plays with Revealing Detail, Clarity, Presence, and Openness. Court and Spark, the most commercially successful album of Joni Mitchell's trailblazing career, arrived after a year in which she took some time to breathe and kept a low profile. The pause led to more breakthroughs for the singer-songwriter. Marking Mitchell's increasing drift toward jazz (and affinity for Miles Davis and John Coltrane), Court and Spark garnered four Grammy nominations, earned the Best Album of the Year vote in the prestigious Pazz & Jop poll, and ranks #110 on Rolling Stone’s list of the 500 Greatest Albums of All Time.

Produced in part by Mike Vernon, who worked on The Legendary Christine Perfect Album, this is an entertaining and concise package of ten songs performed by the late Freddie King and a slew of guests. Opening with Gonzalez Chandler's "Pack It Up," featuring the Gonzalez Horn Section, the youthful legend was only 40 years of age when he cut this career LP two years before his death. Though no songs went up the charts like his Top Five hit in 1961, "Hide Away," Burglar is one of those gems that journeymen can put together in their sleep. Tom Dowd produced "Sugar Sweet" at Criteria Studios in Miami, FL, featuring Jamie Oldaker on drums, Carl Radle on bass, and guitarists Eric Clapton and George Terry, which, of course, makes this album highly collectable in the Clapton circles. The sound doesn't deviate much from the rest of the disc's Mike Vernon production work; it is pure Freddy King, like on the final track, E. King's "Come On (Let the Good Times Roll)," where his guitar bursts through the horns and party atmosphere, creating a fusion of the pure blues found on "Sugar Sweet" and the rock that fans of Grand Funk grooved to when he opened for that group and was immortalized in their 1973 number one hit "We're an American Band" a year after this record's release.

Get Funked Up with Mothership Connection: Cosmic Parliament Record Ranked the 363rd Greatest Album of All Time by Rolling Stone, Includes “Give Up the Funk (Tear the Roof off the Sucker)”Mobile Fidelity Presents the 1975 Funk Milestone in Audiophile Sound for Its 50th Anniversary: 180g 45RPM 2LP Plays with Intoxicating Definition, Immediacy, and Clarity. “Do not attempt to adjust your radio.” The instruction that begins Parliament’s Mothership Connection prepares you for an ecstatic journey and establishes the setting for a cosmic trip into galaxies populated with galactic grooves, joyous vibes, cheeky humor, streetwise slang. This is nearly 39 minutes of some of the best, sweatiest, most enthusiastic funk devised — all laid down by an all-star band responsible for what Rolling Stone named the 363rd Greatest Album of All Time.

Record Store Day 2025. -Meticulous reproduction of the original 1967 stereo mix, staying true to every nuance from the original mixed master tapes. No rebalancing or EQ adjustments made to the original audio, preserving the full psychedelic authenticity Half-speed mastering process, providing enhanced clarity, deeper stereo imaging, and a pristine listening experience like never before Produced by Walt Andrus and Frank Davis, the same masterminds behind the recording of the 13th Floor Elevators’ iconic Easter Everywhere, which was made shortly after Power Plant

By the time Neil Young played The Cow Palace in San Francisco on the evening of 21st November, 1986 as part of his Live in a Rusted Garage with Crazy Horse tour, he had already released 16 solo albums, three more with Buffalo Springfield and another three with Crosby, Stills & Nash or members thereof. And while across this staggering body of work, amassed by the time this troubadour of troubadours had reached only his 40th year, there were highs and lows, the overall quality and influence of his work by this juncture in his career was unsurpassed in the world of contemporary music. This spectacular show was caught in all its magnificence by KLOS FM, and broadcast across the airwaves for all to witness. At well over two hours long, and boasting impeccable sound quality, Young draws from his full catalogue of work for this momentous concert. In a boisterous yet jovial mood, and displaying so much of his unique guitar work, plus forays with harmonica, vocoder and even a telephone, this performance illustrates perfectly - if anyone is still in doubt - what all the fuss is about .

The Human League’s iconic third studio album, Dare, will be reissued as an SDE exclusive blu-ray audio in October.
Produced by Martin Rushent, Dare was created by a new look Human League line-up that consisted of Philip Oakey (vocals, synthesizer), Jo Callis (synthesizer, guitar), Philip Adrian Wright (visuals, synthesizer), Joanne Catherall (vocals), Susan Ann Sulley (vocals) and Ian Burden (synthesizer). With the new personnel came a fresh, cutting-edge pop sensibility and the group used this to create an album that was not only an enormous commercial and critical success upon its release, but one which has since been hailed as one of the most groundbreaking records of its time.

Collection includes all studio albums by Australian alternative rock band from Sydney. In 2010, their album Diesel and Dust ranked no. 1 in the book The 100 Best Australian Albums.

Quiet Life is the album that transformed Japan from past-tense glam rockers into futuristic synth popsters, though they'd been leaning in that direction for a while. It's also a solid proto-New Romantic synthesizer record, enhanced by Mick Karn's superb fretless bass work and David Sylvian's smooth, sneering vocals spread over pop hits like the title track and "Fall in Love with Me."

Piano is Philip Glass’ primary instrument (he also studied violin and flute); he composes at the keyboard. With its seemingly contradictory elements of lyricism and percussiveness, it is in some ways the ideal medium for Glass’ musical language. With its deep roots in tradition (spanning the Classical, Romantic and Modern eras), the instrument embodies the composer’s desire to merge new ideas with classic forms. It is perhaps via piano (and, by extension, keyboard) that performers and listeners can make the most direct and personal contact with Glass’ musical genius. Nicolas Horvath is an unusual artist with an unconventional résumé. He began his music studies at the Académie de Musique Prince Rainier III de Monaco, and at the age 16, he caught the attention of the American conductor Lawrence Foster who helped him to secure a three-year scholarship from the Princess Grace Foundation in order to further his studies. His mentors include a number of distinguished international pianists. Known for his boundary-less musical explorations, Horvath is an enthusiastic promoter of contemporary music. He has commissioned numerous works and collaborated with leading contemporary composers from around the world including Philip Glass.