"I'm Going Home" from Ten Years After's previous release put them on the charts, at least in the U.K. (the band's U.S. breakthrough was at Woodstock a year after its release), but the four-piece was already experimenting with ways to expand their basic boogie rock template. Stonedhenge was the result, as producer Mike Vernon helped steer the band into a more jazz- and blues-oriented direction. That's especially evident in the swinging "Woman Trouble," but this set is generally more prone to broadening the sound without losing TYA's basic concept. It doesn't always gel – the four short pieces that feature each musician alone on their instrument is an interesting idea that ends up as a distraction – yet the album boasts some terrific performances by a group that was hitting its peak. Canned Heat, who TYA supported in America and who were also trying to push their own boogie envelope, were a big influence, born out by the very Heat-sounding "Hear Me Calling." Alvin Lee keeps his fleet fingers in check, preferring to work his style into a more organic fusion.

One of three acts (with Peter Gabriel and Paul Butterfield) on Rockpalast’s Third Rocknacht ("Rock Night") on 15th September, 1978 at the 10,000-capacity Grugahalle in Essen, recorded on the night of the famous Ali-Spinks heavyweight boxing match. Features legendary guitarist Alvin Lee in his only Rockpalast appearance, with backing musicians Tom Compton (drums) and Mick Hawksworth (bass). The Full 10-song set includes the Ten Years After Woodstock classic "I’m Going Home". Includes bonus unbroadcast tracks ‘Sweet Little Sixteen’ and 'Roll Over Beethoven' Alvin Lee post-show comment: "The best TV show I ever appeared in."

Alvin Lee always works with red hot drummers and one of the delights of this excellent album is the driving drum work of American funkster John Susswell, visiting England when Alvin was planning this 1978 solo effort. Vintage performances by the guitarist are sparked by a tasty rhythm section that includes stalwart bass player Alan Spenner. Ten top tracks written by Alvin include the intriguing ‘Chemicals, Chemistry, Mystery & More’.

Ten Years After's Woodstock performance was, up until that time, their biggest live triumph. Appearing at the festival in August 1969, in front of a 500,000 strong audience, the festival was a landmark moment in musical history, featuring Jimi Hendrix, Crosby, Stills and Nash, The Who, Joe Cocker, Jefferson Airplane, Sly and The Family Stone and many more.

Well, it was hot and new back in 1979 when this hard rockin’ album was first released. Ten Years Later was the group Alvin put together to replace Ten Years After, when he wanted to get back on the road after the original band split in 1974. Alvin teamed up with Tom Compton (drums) and Mick Hawksworth (bass), fine musicians who are featured on the ‘live’ and ‘studio’ recordings that comprised the original LP. The leader described the live recording featured as ‘A true and faithful recording of Ten Years Later on stage with no overdubs or effects’. You can hear Alvin and the boys get stuck into ‘Ain’t Nothin’ Shakin’, ‘Hey Joe’ and, of course, ‘Going Home’ - a blistering eight-minute version of the famed boogie shuffle. The other five tracks were recorded in Alvin’s Space Studio…

Alvin Lee got itchy feet after some years mainly working in the studio. He’d quit Ten Years After to take a break from endless touring, but the lure of the road drew him back and the result was the ironically titled Ten Years Later that was a splendid platform for the virtuoso guitarist to get his rocks off, once again.

Ten Years After are an English blues rock band, most popular in the late 1960s and early 1970s. Between 1968 and 1973, Ten Years After scored eight Top 40 albums on the UK Albums Chart. In addition they had twelve albums enter the US Billboard 200, and are best known for tracks such as "I'm Going Home", "Hear Me Calling", "I'd Love to Change the World" and "Love Like a Man". Their musical style consisted of blues rock, and hard rock.

This release is Exclusive and the first of a handful of releases to comemorate the 50th Anniversary of the bands legendary appearance at Woodstock in 1969. The Cap Ferrat Sessions took place during the recording of their Rock and Roll Music To The World album and first appeared on the 2017 10CD Box Set 1969-1974. This is the first release outside the box set.

Ssssh was Ten Years After's new release at the time of their incendiary performance at the Woodstock Festival in August, 1969. As a result, it was their first hit album in the U.S., peaking at number 20 in September of that year. This recording is a primer of British blues-rock of the era, showcasing Alvin Lee's guitar pyrotechnics and the band's propulsive rhythm section. As with most of TYA's work, the lyrics were throwaways, but the music was hot. Featured is a lengthy cover of Sonny Boy Williamson's "Good Morning Little Schoolgirl," with reworked lyrics leaving little doubt as to what the singer had in mind for the title character. Also included was a 12-bar blues song with the ultimate generic blues title "I Woke Up This Morning." Ssssh marked the beginning of the band's two-year run of popularity on the U.S. album charts and in the underground FM-radio scene.

A Space in Time (1971). A Space in Time was Ten Years After's best-selling album. This was due primarily to the strength of "I'd Love to Change the World," the band's only hit single, and one of the most ubiquitous AM and FM radio cuts of the summer of 1971. TYA's first album for Columbia, A Space in Time has more of a pop-oriented feel than any of their previous releases had. The individual cuts are shorter, and Alvin Lee displays a broader instrumental palette than before. In fact, six of the disc's ten songs are built around acoustic guitar riffs. However, there are still a couple of barn-burning jams. The leadoff track, "One of These Days," is a particularly scorching workout, featuring extended harmonica and guitar solos…

About Time is an album by the blues rock band Ten Years After, released in 1989. It was the final studio album featuring Alvin Lee, their singer and most prominent songwriter since the band's formation. It was their first studio release in fifteen years (since Positive Vibrations, in 1974).

Pure Blues is a compilation album of Alvin Lee’s music both with Ten Years After and his solo work and was released in 1995. The album featured singles “Don’t Want You Woman” from Ten Years After’s self-titled debut and “I Woke Up This Morning”, and “The Stomp” (both from the SSSSH album) and two killer live tracks, “Slow Blues in C” and “Help Me” from the Recorded Live album.