To mark the 50th anniversary of the release of the first Ten Years After album in 1967, Chrysalis records are releasing a very special box set – “The albums 1967 – 1974”. As the name suggests it includes the nine albums released in that time period, and it also contains a CD of previously unreleased material…

Think Alvin Lee and most people will tell you what a great blues guitarist he is, but he's also one great rock and roller and this collection showcases that. This is a collection of songs he did both with his old band Ten Years After and "solo"…

Rock & Roll Music to the World is the seventh studio album by the English blues rock band Ten Years After, released in 1972. It includes several standards of Ten Years After hits, including "Standing at the Station", "Choo Choo Mama", and the title track…

Alvin Lee and Company is the third compilation album by Ten Years After released by their old record label Deram after they had switched to Columbia Records. It consists of songs that didn't make it on the older records and a few alternative versions of old songs…

Watt had many of the same ingredients as its predecessor, Cricklewood Green, but wasn't nearly as well thought out. The band had obviously spent much time on the road, leaving little time for developing new material…

Cricklewood Green provides the best example of Ten Years After's recorded sound. On this album, the band and engineer Andy Johns mix studio tricks and sound effects, blues-based song structures, a driving rhythm section, and Alvin Lee's signature lightning-fast guitar licks into a unified album that flows nicely from start to finish…

Watt had many of the same ingredients as its predecessor, Cricklewood Green, but wasn't nearly as well thought out. The band had obviously spent much time on the road, leaving little time for developing new material…

A Space in Time was Ten Years After's best-selling album. This was due primarily to the strength of "I'd Love to Change the World," the band's only hit single, and one of the most ubiquitous AM and FM radio cuts of the summer of 1971. TYA's first album for Columbia, A Space in Time has more of a pop-oriented feel than any of their previous releases had…

Ssssh was Ten Years After's new release at the time of their incendiary performance at the Woodstock Festival in August, 1969. As a result, it was their first hit album in the U.S., peaking at number 20 in September of that year. This recording is a primer of British blues-rock of the era, showcasing Alvin Lee's guitar pyrotechnics and the band's propulsive rhythm section…

Here, Ten Years After expanded on their boogie base and continued the hits. The title cut was the hit, and while they continued to groove along in the boogie atmosphere, things on Rock & Roll Music to the World sounded a bit too tame for the thundering hordes to chant along to at the time…

Ten Years After is the debut album by the English rock/blues band Ten Years After. It features "Spoonful", a cover that the British blues rock group Cream also covered. The album is also low on original material in comparison to the band's later works which were, in most cases, entirely composed of Alvin Lee's songs….

Positive Vibrations is the eighth studio album by the English blues rock band, Ten Years After, which was released in 1974. Shortly after the release of this album, the band broke up. The album peaked at #81 in the US Billboard 200 chart…

"I'm Going Home" from Ten Years After's previous release put them on the charts, at least in the U.K. (the band's U.S. breakthrough was at Woodstock a year after its release), but the four-piece was already experimenting with ways to expand their basic boogie rock template. Stonedhenge was the result, as producer Mike Vernon helped steer the band into a more jazz- and blues-oriented direction. That's especially evident in the swinging "Woman Trouble," but this set is generally more prone to broadening the sound without losing TYA's basic concept. It doesn't always gel – the four short pieces that feature each musician alone on their instrument is an interesting idea that ends up as a distraction – yet the album boasts some terrific performances by a group that was hitting its peak. Canned Heat, who TYA supported in America and who were also trying to push their own boogie envelope, were a big influence, born out by the very Heat-sounding "Hear Me Calling." Alvin Lee keeps his fleet fingers in check, preferring to work his style into a more organic fusion.