These two 1975-1976 LPs reunited on 1 CD are to say the least very enjoyable. This is not the usual songbook devoted to the composer. Grappelli manages to play with those Porter tunes and ends up winning in the process to make them sounds his own with his instrument. It's a good example of the way a musician can pay tribute to a composer and let his personnality express his true musicianship, without losing grip of the general focus of the project.

Intervention Records is proud to announce that The Church's 1988 smash Starfish arrives on remastered Hybrid CD/SACD in May 2021.

The Tsuyoshi Yamamoto Trio's latest album captures the ensemble's dynamic performance in a live studio setting. This recording features a selection of tracks chosen based on listener requests, including classics like 'Misty' and 'Alice in Wonderland,' showcasing Yamamoto's expressive piano interpretations. The album also introduces fresh renditions of pieces such as 'Milestones' and 'All the Things You Are,' highlighting the trio's versatility and deep connection with their audience. This release offers a vibrant listening experience that reflects the trio's commitment to engaging with jazz enthusiasts.

Feelin' Good is a 1972 studio album by Sarah Vaughan, featuring arrangements by Allyn Ferguson, Jack Elliott, Michel Legrand, and Peter Matz.

Although collectors and serious fans will have little use for it, RCA's Collected Roy Hargrove is a nice overview of his RCA recordings for casual fans, containing ten tracks including "Wee," "Ruby My Dear," "Night Watch," and "Milestones."

Nnenna Freelon's voice is a reflection of life, filled with personal stories, deep emotion, and quiet wisdom. Since her 1992 debut on Columbia, the seven-time Grammy® nominee has used her unique perspective to tell familiar stories—from reimagining Billie Holiday to paying tribute to Stevie Wonder. On Beneath the Skin, she goes the extra step, reaching in to create heart-spoken songs, born from curiosity to more closely visit stories inhabiting her own life. With co-arranger and pianist, Alan Pasqua, Nnenna's created her most personal musical statement to date. Freelon's vocal artistry, rooted in tradition but always forward-thinking, has captivated audiences around the world, and Beneath the Skin is sure to do the same.

In 2020, Chick Corea - 27-time GRAMMY winner, National Endowment for the Arts Jazz Master, and one of the most iconic figures in jazz, hit the road with his powerhouse trio of Christian McBride and Brian Blade, and embarked on what would be his final tour. Candid Records and Chick Corea Productions proudly present the recordings from that tour as Trilogy 3, the third installment from this extraordinary group. This unforgettable double live album showcases their unparalleled chemistry and cements their legacy in contemporary jazz history.

Celebrated trumpeter and vocalist Bria Skonberg forges new foundation with What It Means, a heartfelt and hard-grooving homage to New Orleans, releasing July 26, 2024 via Cellar Music Group.

A surprising step after his earlier work with the Jazz Composer's Orchestra and their juxtaposition of avant-garde soloists in a modern orchestral context, Mantler created a virtual prog rock album, setting Edward Gorey's Freudian/gothic texts to music that owes far more to Henry Cow than Cecil Taylor. Enlisting ex-Soft Machine drummer Robert Wyatt on vocals and Jan Garbarek alumnus Terje Rypdal for some soaring guitar work, he managed to create a very convincing, enjoyably literary recording with potentially large appeal. The song structures are fairly consistent and the melodies often catchy, alternating from somber dirges (quite appropriate to the text) to up-tempo rockers. Much of the success accrues to Wyatt, whose reedy, intelligent voice gives exactly the right ironic inflection to Gorey's eerie tales…

These recordings, dating between 1927 and 1929, are a unique body of work: work songs, minstrel numbers, rags, and what we now define as the blues, all offered in an unpretentious form that would have been every bit as compelling had Henry Thomas cut them this way 40 years later. Songs such as "Arkansas," "Fox and the Hounds" (featuring the reed pipes that Thomas also excelled at playing), and "Little Red Caboose" represent a brand of upbeat dance music associated with late-19th century entertainment, a tradition already largely lost or becoming lost when Thomas cut these numbers. Yet Thomas, who was already in his 50s when he recorded these tracks, sings and plays them with a beguiling ease and honesty, not to mention a dexterity on the guitar that makes him sound every bit as vital and urgent as Big Bill Broonzy or any of the other up-and-coming blues legends just starting out at the time these sides were laid down…

This super deluxe edition boasts an abundance of material. Disc one features a 2016 remaster (by Andrew Walter at Abbey Road) approved by Charlie Burchill and the second disc gathers 12-inch remixes and instrumentals of the singles, a few of which enjoy their CD debut. Various edits and B-sides can be found on the third CD in the set while disc four features previously unreleased BBC John Peel and Kid Jensen radio sessions, recorded in February and August 1982. All ten tracks on disc five are previously unreleased; made up of alternative mixes and demos.
One of Scotland's finest exports, Simple Minds deliver a strong synth-reared release on New Gold Dream. This album harks the darker side of the band's musicianship, and such material alludes to their forthcoming pop-stadium sound which hurled them into rock mainstream during the latter part of the '80s…

The banning of opera performances during Lent in seventeenth- and eighteenth-century Rome meant that composers had to turn their attention to biblical subjects. However there is no sense that either composer or librettist felt at all limited in their subject matter, judging from the extraordinarily inventive oratorios that were produced during this time. Scarlatti’s work tells the dramatic story of David and Goliath. Whilst the biblical account relays the story in a few sentences, the anonymous librettist of Davidis pugna et victoria expands upon these to create an extensive libretto, with the characters fully developed and explored.

Karl Fasch, the son of the famous Kapellmeister of the court of Zerbst, Johann Friedrich Fasch, was harpsichordist at the Prussian court from 1756 until his death. Underemployed by Friedrich II and underestimated by musicologists, he has been forgotten for a long time. Philippe Grisvard is preparing to rectify this injustice with a program consisting of world-premiere recordings that will make it possible to discover an original and visionary composer. The Arts Desk said of Grisvard's previous release on Audax of Handel's keyboard works: 'And what Grisvard does so well is recreate what a contemporary observer described as Handel's uncommon brilliance and command of finger that amazing force and energy.

Simply MARI is the name of the Deutsche Grammophon debut of Norwegian violinist Mari Samuelsen. Recorded with the Konzerthausorchester Berlin under the baton of Jonathan Stockhammer, MARI's music reflects the contradictions of life in our time - the feeling of haste in everyday life, of being driven by constant communication, of being uprooted in a boundlessly mobile world, but MARI also refers to the longing for peace and quiet, for a place in nature to find oneself again.