"More Jazz Meets The Symphony" is a brilliant 1994 release by the legendary composer and pianist Lalo Schifrin. Building on his pioneering work of blending jazz and classical orchestration, this album features sophisticated arrangements that fuse the spontaneity of jazz with the grandeur of symphonic textures. From the intricate rhythms of "Sketches of Miles" to the lyrical beauty of "Django," Schifrin explores a wide spectrum of moods and tonalities. Tracks like "Begin the Beguine" and "Portrait of Louis Armstrong" highlight his deft touch in combining improvisation, melodic richness, and orchestral depth. This album is a masterful demonstration of Schifrin's artistry, bridging genres and creating timeless musical experiences.

In the summer of 1956, the famed Harlem congressman Adam Clayton Powell arranged for Dizzy Gillespie to embark on a worldwide goodwill-ambassador tour sponsored by the State Department. Gillespie and an all-star big band featuring trumpeter Quincy Jones, the late trombonist Melba Liston, alto saxophonist Phil Woods, and tenor saxophonist Benny Golson performed in Ecuador, Argentina, Uruguay, and Brazil to frenzied, beret-wearing fans. Recordings were made but they weren't commercially available and were played only for a select group of musicians before Gillespie's death in 1993. Now the sides have been released, showcasing Dizzy at his bebopping best.

While he's best known as a composer of music for films and television (the original Mission: Impossible series), Lalo Schifrin is also a jazz pianist, once in the employ of iconic trumpeter Dizzy Gillespie in the late-1950s and early-'60s. Released in 1962, Bossa Nova finds the Argentina-born Schifrin paying tribute to the Brazilian style with lush, elegant strings and his lyrical piano. There are bossa nova standards, three originals, and some songs by American composers given the romantic bossa treatment.

Gustavo Dudamel and the LA Philharmonic accent the colours, rhythms, and passion of music by leading composers from Argentina in this invigorating evening at the Hollywood Bowl. Master of the Tango Nuevo, Astor Piazzolla’s four tangos feature on stage the dance company Tango Buenos Aires, known worldwide as the most authentic and uncompromising representative of the tango. Alberto Ginastera, one of the most important twentieth century classical composers of the Americas and Piazzolla´s first teacher, is also represented on this brand new release from C Major Entertainment, along with Lalo Schifrin, whom, beside his concert music, is the composer of the famous scores of Mission Impossible and Dirty Harry. His Concerto for Guitar and Orchestra, a world-premiere recording, is composed for Ángel Romero, an iconic master of the classical guitar.

It’s never been easy to pigeonhole Lalo Schifrin. The four-time Grammy-winning Argentinian composer created one of the most memorable television themes of all time with his “Mission: Impossible,” recorded jazz albums for labels including Verve and Creed Taylor’s CTI, worked with Count Basie, Cannonball Adderley and Sarah Vaughan, and scored innumerable films, racking up six Oscar nominations in the process. Now, Demon Music Group has reissued two lost gems of the Schifrin oeuvre, both originally recorded for Clarence Avant’s Tabu label, for the first time on CD. Gypsies (1978) and No One Home (1979) have recently arrived in deluxe, casebound expanded editions as part of Demon’s long-running Tabu series.

It’s never been easy to pigeonhole Lalo Schifrin. The four-time Grammy-winning Argentinian composer created one of the most memorable television themes of all time with his “Mission: Impossible,” recorded jazz albums for labels including Verve and Creed Taylor’s CTI, worked with Count Basie, Cannonball Adderley and Sarah Vaughan, and scored innumerable films, racking up six Oscar nominations in the process. Now, Demon Music Group has reissued two lost gems of the Schifrin oeuvre, both originally recorded for Clarence Avant’s Tabu label, for the first time on CD. Gypsies (1978) and No One Home (1979) have recently arrived in deluxe, casebound expanded editions as part of Demon’s long-running Tabu series.

17 track Japan compilation cd featuring the best of Clarence Avant's record label Tabu Records.

A movie as appealing and savory as the heaping piles of dinosaur sh*t that pass for its sight gags, 1980's Caveman ranks among the worst bombs Hollywood ever produced. Though a vehicle for Ringo Starr, the erstwhile Beatle did not record the film's soundtrack, with that, uh, "honor" going to the great screen composer Lalo Schifrin. Somehow Schifrin manages to rise above it all – especially given the circumstances, his Caveman score ain't half bad: though its epic sweep would have been far better suited for a movie worth watching, this is the kind of melodramatic score harking back to Hollywood's golden era, complete with eruptions of brass and strings. And in keeping with the prehistoric plot, there's even a tribal energy to the percussion – sounds silly, but it works.