Even if the best and most popular songs on this 1965 album are the ones most likely to show up on greatest-hits compilations ("The Long Black Veil, "Orange Blossom Special," "It Ain't Me Babe"), it certainly rates as one of Cash's finer non-greatest-hits releases. If nothing else, it would have historical importance for the inclusion of three Bob Dylan covers, at a time when Dylan was just starting to get heavily covered by pop musicians (and not often covered by country ones). "It Ain't Me Babe," with duet vocals by June Carter, was the most notable of them, although hearing it these days, some may be taken aback by the mariachi horns.

These must be the least well known of Haydn’s later quartets, poorly represented over the years in recital programmes and on disc, yet they show Haydn at the height of his powers. When he first came to London in 1791 his string quartets proved popular items in his public concerts; back in Vienna preparing for his second London visit, he designed these new works especially for public performance, with attention-grabbing opening gestures and brilliant concertante writing for all four instruments. The set’s third quartet is particularly strong – the far-reaching developments of its first movement’s main theme remind one of the great Salomon symphonies, as does the picturesque Andante with variations.

Riccardo Chailly - Kapellmeister of the Gewandhaus in Bach's city of Leipzig - conducts the city's famous Gewandhausorchester in the glorious Christmas Oratorio. An outstanding vocal cast includes Martin Lattke as the evangelist, acclaimed English soprano Carolyn Sampson and the voices of the Dresdner Kammerchor. The six parts which make up the Christmas Oratorio tell the biblical story from Christ's birth to the adoration of the shepherds and the Magi, and the flight in to Egypt to escape Herod's slaughter of the infants. Having first conducted the Gewandhausorchester in 1986, Riccardo Chailly's association with Leipzig is now only one year less than Bach's.

The Djabe came out with a new studio album at the end of 2022. The album ‘Before’, which was released firstly in double CD format, contains fifteen new original recordings. Although the beautiful photos of the four-panel digi sleeve packaging once again praise the beauty of Sardinia, this time the recording sessions were taken in Hungary, Denmark and England. On the double album, the current line-up of Djabe can be heard as the core band, namely: Tamás Barabás bass guitar, guitar, synthesizer program, vocals, sound engineer; Attila Égerházi guitar, percussion, producer; Áron Koós-Hutás trumpet, French horn, Péter Kaszás vocals, drums; Zoltán Bubenyák keyboards. As well as four guest artists already known from previous records: Steve Hackett guitar, harmonica; Rob Townsend sax; Tibor Karvaly electric violin; Éva Kozma koboz and a newcomer in Djabe colors, violinist György Mesics.

American expatriate Joe Dassin was one of France's most popular singers during the late '60s and '70s, initially building his name with stylized adaptations of folk and country material from his birthplace. As his career blossomed, Dassin turned increasingly to traditional-style chansons penned by some of the genre's best writers, scoring an all-time classic with his 1975 smash "L'Eté Indien." Notorious for his perfectionism, Dassin could play the introverted romantic, but his persona also played off of American archetypes and imagery. His premature death of a heart attack in 1980 robbed French pop of one of its greatest modern-day practitioners.