No Lie is a song recorded by Jamaican performer Sean Paul featuring the vocal collaboration of British singer Dua Lipa. Black M is the stage name of Alpha Diallo, a French-Guinean rapper who first became known as a member of successful French hip-hop collective Sexion d Assaut. Tired is a song by Norwegian DJ and music producer Alan Walker, featuring Irish singer-songwriter Gavin James. Malibu is a song recorded by American singer Miley Cyrus as the lead single from Cyrus upcoming sixth studio album.

Santana is the third studio album by Santana. The band's second self-titled album, it is often referred to as III to distinguish it from the band's 1969 debut album. The album was also known as Man with an Outstretched Hand. It was the third and last album by the Woodstock-era lineup, and it was also considered by many to be the band's peak commercially and musically, as subsequent releases aimed towards more experimental jazz and Latin music.

El Origen is a collaborative project between Chile's Rodrigo Gallano (Matanza) and Nicola Cruz (ZZK) exploring the folkloric musical traditions of South America. The A side is comprised of original compositions written, played and sung by Rodrigo while Nicola Cruz remixes all the tracks on the B side, giving the sons his signature deep electronic vibe. The EP will be out on a special limited edition 12" with art composed by renown street artist Ju Mu Monster.

The reissue game continues. All of this material has been available more or less continuously in recent years, with the exception of Frühbeck's Three-Cornered Hat, which only resurfaced quite recently on an EMI twofer accompanied by Atlántida. The reason it reappears here, evidently, stems from the fact that this two-disc set contains all of Victoria de Los Angeles' stereo Falla recordings; and despite the fact that she sings for about 60 seconds in total in "Hat", it's always a pleasure to hear Frühbeck's big-hearted, expansively Romantic but always exciting way with the music.

Recorded in Japan in July 1973, this massive, three-LP live album was available outside the United States in 1974 but held back from domestic release in the U.S. It features the same "New Santana Band" that recorded Welcome, and combines that group's jazz and spiritual influences with performances of earlier Latin rock favorites like "Oye Como Va."

Dopo lo straordinario successo di Il mestiere della vita, Tiziano Ferro torna a pubblicare un nuovo disco, in questo caso la versione in lingua spagnola del suo sesto album: il progetto, intitolato El Oficio de la vida, è stato prodotto appositamente per il mercato latinoamericano (dove Ferro va ancora fortissimo) ed è stato anticipato qualche settimana fa dalla pubblicazione del singolo Podriamos Regresar.

It's Happenin' is the 2008 compact disc by Diana Pérez, who is simply known as Perez. This was released via Zoho Music.

Spanish band Bloque's first album was quite a solid record in terms of guitar-dominated melodic rock but not to be compared with their second one for example exhibiting much more resemblance with 70's Italian progressive rock acts like PFM. First track "Undecimo poder" could be described more or less as plain energetic guitar-dominated hard rock though having as well some nice Hammond organ sound. "Albelardo y Eloisa" is mostly kept in a mellow and romantic vein with atmospheric keys and a blues-tinged guitar before it starts rocking off towards its end. One could think of some earlier, more blues-inspired Floyd work as a reference point…

Edición en triple CD 'La Música que te pone a Miiil' 2 CD'S con los temas dance más actuales con Megamix incluido y un tercer CD 90's que también incluye Megamix por 'Dj VALDI'. Es un lujo presentaros mis 'Joyas de los 90's', esos temas que marcaron mi adolescencia y todavía hoy me ponen los pelos de punta. Seguro que para muchos de vosotros también forman parte de vuestra Banda sonora y apostaría un brazo a que las nuevas generaciones también se irán enganchando a la cultura 90's poco a poco. Mis tres referentes siempre fueron Quique Tejada, Toni Peret y José María Castells. Les debo mi pasión por el Mix y muchísimas horas de auténtico placer desmenuzando aquellas infinitas mezclas.

Resurrected on vinyl some forty-seven years after its original release, Vamonos/Let's Go is the debut and only offering created by Brooklyn salsa outfit The Orchestra Soledad. Containing quaint hits such as I'll Make You A Queen and La Puerta Esta, this niche record is one of histories forgotten and hidden gems.

For the first time ever, the complete recordings of Vicente Amigo, together in a 6 CD + 1 DVD box set, available only as limited edition. Limited special new pack with all the work of this brilliant guitarist. Since he came out his first album in 1991, VICENTE AMIGO is considered as one of the biggest artist of the flamenca guitar and his carreer is punctuated of gratitudes: Grammy Latino of the best flamenco disc in 2001; best flamenco guitarist for the magazine Guitar Player in 1993; two music awards in 1998 and 1999; a Ondas Prize in 2002… just to name some of them.

Colombia is the new Cuba — a country spectacularly rich in tropical music of astonishing variety, particularly the Pacific coast, with its large African population. Rio Mira, named after a local river, is a band of Colombian and Ecuadorean musicians focusing on the regional marimba music that has Unesco Intangible Heritage status. The album was produced by Iván Benavides, one of Colombia’s leading producers.

Ozomatli is an American six-piece band playing primarily Latin, hip hop, and rock music, formed in 1995 in Los Angeles. They are known both for their vocal activist viewpoints and their wide array of musical styles - including salsa, jazz, funk, reggae, rap, and others. The group formed in 1995 and has since released seven studio albums. The group is also known for advocating for farm-workers' rights and immigration reform. The band has performed in various countries all over the world, including China, Tunisia, Jordan, and Burma. Although the band has had many member changes over the years and has sometimes had as many as ten members, the current six members have been in the band since its debut album.

Three and a half decades after Diamanda Galás’ first recordings as a solo vocalist, she still talks about her singing as an act of violence. Musing to Rolling Stone about her performance of the folk standard “O Death”—versions of which are included on both of her new records, *All the Way and At Saint Thomas the Apostle Harlem—*she describes it as a cycle of destruction. “You keep breaking it and breaking it and breaking it and desiccating it and putting it back together until it becomes a new life form,” she says. “And then you rip it apart again.” It’s an accurate description of that solo piano piece—which traffics in the California-born composer’s longheld affinities for bebop, blues, and stately morbidity—but it’s also a handy summation of the harrowing work Galás has made for her whole career.

El grupo de The Hammer Killers se creó en el año 2003 allá por agosto con componentes del grupo punk-oi! Banda Anti-social, la cual se movía por la escena punk-oi! de Euskadi. A la marcha de uno de los vocales y de la guitarra rítmica, Bolitxe y Portu al respecto, The Hammer Killers ya solían quedar pa ensayar pa un grupo q hacía versiones de GG allin q nunca llegó a tocar.