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    Dave Alvin with Clarence 'Gatemouth' Brown, Billy Boy Arnold, Joe Louis Walker - Live In Long Beach 1997 (2015)

    Posted By: Designol
    Dave Alvin with Clarence 'Gatemouth' Brown, Billy Boy Arnold, Joe Louis Walker - Live In Long Beach 1997 (2015)

    Dave Alvin - Live In Long Beach 1997 (2015)
    with Clarence 'Gatemouth' Brown, Billy Boy Arnold, Joe Louis Walker

    EAC | FLAC | Image (Cue&Log) ~ 347 Mb | Mp3 (CBR320) ~ 147 Mb | Scans included
    Label: RockBeat Records | # ROC-CD-3285 | Time: 01:03:28
    Blues, Roots Rock, Americana, Country Rock, Rock & Roll

    In 1997, Dave Alvin – former guitarist and songwriter with the Blasters, and one of the leading advocates of classic blues and R&B on the West Coast roots rock scene – played a special show in Long Beach, California, where he was joined by three very special guests. The fabled Texas fiddler and guitarist Clarence "Gatemouth" Brown, Chicago harmonica master Billy Boy Arnold, and San Francisco-born blues guitarist Joe Louis Walker all sat in with Alvin that evening, making for a very eventful evening for fans of blues and American roots music. The show was captured on tape, and Live in Long Beach 1997 allows listeners to hear Alvin mix it up on-stage with a few of his heroes. Songs include "Barn Burning", "Long White Cadillac", "I Wish You Would", "Chains of Love", "Jolie Blon", "Wabash Cannonball", and more.

    Clarence 'Gatemouth' Brown - Timeless (2004)

    Posted By: Designol
    Clarence 'Gatemouth' Brown - Timeless (2004)

    Clarence 'Gatemouth' Brown - Timeless (2004)
    EAC | FLAC | Image (Cue&Log) ~ 340 Mb | Mp3 (CBR320) ~ 132 Mb
    Label: HighTone | # HCD8174 | Time: 00:57:36 | Scans ~ 71 Mb
    Modern Electric Texas Blues, Rock & Roll, Swing

    Journeyman blues icon vocalist/guitarist/violinist Clarence "Gatemouth" Brown delivers another solid mix of electric Texas blues, country, and swing on Timeless. At this point in his career, Brown essentially represents all that is "roots" music, which is another way of saying he has nothing to prove and the listener has everything to gain. To these ends, Brown's impassioned wail fills the sky on the slow blues "For Now So Long," he reworks "Unchained Melody" into an atmospheric John Coltrane-inspired piece, and he delivers a funny yet compelling Sun Ra-esque spoken word intro on "The Drifter." Featuring a full complement of horns and a rhythm section, Timeless showcases all that makes Brown a living national treasure.

    Clarence 'Gatemouth' Brown - Back To Bogalusa (2001)

    Posted By: Designol
    Clarence 'Gatemouth' Brown - Back To Bogalusa (2001)

    Clarence 'Gatemouth' Brown - Back To Bogalusa (2001)
    EAC | FLAC | Image (Cue&Log) ~ 375 Mb | Mp3 (CBR320) ~ 126 Mb | Scans ~ 61 Mb
    Label: Blue Thumb/Universal | # 549 785-2 | Time: 00:54:51
    Modern Electric Blues, Texas Blues

    In 1995, septuagenarian Clarence "Gatemouth" Brown moved from the independent blues label Alligator to Verve, then to the jazz division of PolyGram, part of Universal. In his five albums for the label (the last two of them released on the Blue Thumb subsidiary) – The Man (1995), Long Way Home (1996), Gate Swings (1997), American Music, Texas Style (1999), and now Back to Bogalusa – he has been able to pursue his eclectic inclinations more fully than he did when his label bosses were trying to emphasize his blues guitar playing. The center of Brown's taste is post-World War II jump blues and R&B with a distinctly Southwestern feel. Tasty as his guitar playing is, he likes to add horns and even a bit of country fiddle to the mix. As its title indicates, Back to Bogalusa particularly investigates the Louisiana influences on this Pelican State native, notably on the tracks "Going Back to Louisiana," "Breaux Bridge Rag," "Bogalusa Boogie Man," and the Cajun-styled "Louisian'".

    Clarence 'Gatemouth' Brown - American Music, Texas Style (1999)

    Posted By: Designol
    Clarence 'Gatemouth' Brown - American Music, Texas Style (1999)

    Clarence 'Gatemouth' Brown - American Music, Texas Style (1999)
    EAC | FLAC | Image (Cue&Log) ~ 322 Mb | Mp3 (CBR320) ~ 128 Mb
    Label: Blue Thumb | # 547 536-2 | Time: 00:55:37 | Scans ~ 53 Mb
    Modern Electric Texas Blues, Jazz-Blues, Rhythm & Blues

    Clarence "Gatemouth" Brown was 74 when he recorded American Music, Texas Style, and the Texas bluesman made it clear that he still had plenty of energy. On this CD, Brown really emphasizes his love of jazz. Young hard bop players like trumpeter Nicholas Payton and alto saxman Wes Anderson are on board, and the veteran singer/guitarist offers no less than three standards from Duke Ellington's repertoire ("I'm Beginning to See the Light," "Don't Get Around Much Anymore," and son Mercer Ellington's "Things Ain't What They Used to Be") and two classics from Charlie Parker's years with Jay McShann ("Hootie Blues," "Jumpin' the Blues"). Meanwhile, the jazz influence is hard to miss on such fast jump blues as "Rock My Blues Away" and "Without Me Baby." Brown's voice is thinner than it used to be, but his guitar playing is as energetic as ever. While this CD isn't definitive, it's a good, solid effort that Brown can be proud of.

    Clarence 'Gatemouth' Brown - Gate Swings (1997)

    Posted By: Designol
    Clarence 'Gatemouth' Brown - Gate Swings (1997)

    Clarence 'Gatemouth' Brown - Gate Swings (1997)
    EAC | FLAC | Image (Cue&Log) ~ 337 Mb | Mp3 (CBR320) ~ 131 Mb | Scans ~ 58 Mb
    Label: Verve, Gitanes Blues Productions | # 314 537 617-2 | Time: 00:56:46
    Modern Electric Texas Blues, Jump Blues, Jazz-Blues, Swing

    Clarence "Gatemouth" Brown's tough-minded approach to the blues, country, Cajun, and jazz insures a minimum of nonsense and a maximum of variety, while his virtuosity on the guitar and fiddle insures the highest standards. Nonetheless, Brown's 1997 album is a landmark for the 73-year-old picker who won a Rhythm & Blues Foundation Pioneer Award. All 13 tunes on Gate Swings find Brown working with his regular road quartet plus a 13-piece horn section, enabling him to prove that Duke Ellington, Count Basie, and Lionel Hampton have been as important to his music as any bluesman or Creole fiddler. Gate Swings includes tunes by all three of those big-band leaders as well as compositions by Buddy Johnson, Percy Mayfield, Louis Jordan, and Brown himself, and they all swing with the massive force that only a big horn section can muster. Brown has leaned in this direction before, but Gate Swings is special, because it features the horn arrangements of Wardell Quezergue, an alumnus of the Dave Bartholomew band who arranged many of the best New Orleans R&B hits in the '60s and '70s.

    Clarence 'Gatemouth' Brown - No Looking Back (1992)

    Posted By: Designol
    Clarence 'Gatemouth' Brown - No Looking Back (1992)

    Clarence 'Gatemouth' Brown - No Looking Back (1992)
    EAC | FLAC | Image (Cue&Log) ~ 231 Mb | Mp3 (CBR320) ~ 117 Mb | Scans included | 00:41:33
    Modern Electric Texas Blues, Jazz-Blues, Cajun | Label: Alligator | # ALCD 4804

    Clarence "Gatemouth" Brown was one of the most jazz-oriented of bluesmen, a colorful guitarist and a primitive but swinging fiddler. On this release he includes many instrumental sections in his performances including four all-out boppish jazz jams ("Digging New Ground," "C-Jam Blues," "The Peeper" and the stomping "We're Outta Here"). Brown's vocals, which feature consistently intelligent lyrics ("Better Off With The Blues" is particularly memorable), are part of the music rather than the entire show; he even gives his obscure backup horns chances to solo. The set is a particularly strong example of Gatemouth Brown's music with each of the 11 selections (except perhaps for "I Will Be Your Friend," a poppish vocal duet with Michelle Shocked) being well worth hearing.

    Clarence 'Gatemouth' Brown - Alright Again! (1981) Reissue 1998

    Posted By: Designol
    Clarence 'Gatemouth' Brown - Alright Again! (1981) Reissue 1998

    Clarence 'Gatemouth' Brown - Alright Again! (1981) Reissue 1998
    EAC | FLAC | Image (Cue&Log) ~ 236 Mb | Mp3 (CBR320) ~ 97 Mb | Scans included
    Genre: Modern Electric Blues | Label: Rounder | # CD 2028 | Time: 00:35:44

    One of the most satisfying contemporary Brown discs of all for the discerning blues fan. Nothing but swinging, horn-abetted blues adorn this album, as Gate pays tribute to an influence and a protege by covering T-Bone Walker's "Strollin' with Bones" and Albert Collins's "Frosty." Brown's jauntily revives Junior Parker's "I Feel Alright Again" and Percy Mayfield's "Give Me Time to Explain," while his own numbers – a funky "Dollar Got the Blues," the luxurious blues "Sometimes I Slip" – are truly brilliant.

    Clarence 'Gatemouth' Brown - One More Mile (1983)

    Posted By: Designol
    Clarence 'Gatemouth' Brown - One More Mile (1983)

    Clarence 'Gatemouth' Brown - One More Mile (1983)
    EAC | FLAC | Image (Cue&Log) ~ 284 Mb | Mp3 (CBR320) ~ 109 Mb
    Label: Rounder | # CD 2034 | Time: 00:39:48 | Scans included
    Modern Electric Texas Blues, Jazz-Blues, Cajun

    For his second Rounder album, Clarence "Gatemouth" Brown offers his "World Music Texas Style" - a compelling synthesis of blues, jazz, Cajun music and even a touch of country. With horn arrangements by Bill Samuel and Homer Brown, the album is a showcase for Gate's virtuoso abilities as a guitarist and violinist, which always tap his blues roots while offering constant musical surprises. 1983 Grammy Award finalist.

    Clarence 'Gatemouth' Brown - Blackjack (1977) Reissue 1999

    Posted By: Designol
    Clarence 'Gatemouth' Brown - Blackjack (1977) Reissue 1999

    Clarence 'Gatemouth' Brown - Blackjack (1977) Reissue 1999
    EAC | FLAC | Image (Cue&Log) ~ 293 Mb | Mp3 (CBR320) ~ 129 Mb | Scans included
    Label: Sugar Hill | # SHCD-3891 | Time: 00:45:08
    Modern Electric Texas Blues, Jazz-Blues, Rhythm & Blues, Cajun

    To call the multitalented Gatemouth Brown, a mainstay of the Texas music scene for over half a century, a bluesman would be inaccurate. Not completely wrong, for Brown's influence on Texas blues has been enormous, but certainly not the whole picture. On Blackjack, Brown (who sings and plays harmonica and a plethora of stringed instruments, from guitar to viola) goes from blues ("Chickenshift") to jazz ("Honey Boy," with a nice drum solo from David Peters) to country ("Dark End of the Hallway") and back again. Not every musician can handle this kind of variety, but Brown makes it work, whether it's the straight-ahead blues of "Here Am I" or "Street Corner" (which has a great harmonica intro), the Cajun-inflected "When My Blue Moon Turns to Gold Again," or the jazz-blues feel of "Tippin' In." It's easy to see, or rather to hear, why Brown has been so influential: every track on Blackjack is performed with the deft assurance of a master.

    Clarence 'Gatemouth' Brown - Bogalusa Boogie Man (1975) Expanded Remastered Reissue 2007

    Posted By: Designol
    Clarence 'Gatemouth' Brown - Bogalusa Boogie Man (1975) Expanded Remastered Reissue 2007

    Clarence 'Gatemouth' Brown - Bogalusa Boogie Man (1975) Expanded Reissue 2007
    EAC | FLAC | Image (Cue&Log) ~ 273 Mb | Mp3 (CBR320) ~ 116 Mb | Scans ~ 50 Mb | Time: 00:50:18
    Electric Texas Blues, Swamp Blues, Country Soul, Southern Rock | Maison De Blues | # SSC 3060

    A sort of a sequel to Gatemouth's 1974 Cajun country & western cowboy album Down South in the Bayou Country, the originally issued Bogalusa Boogie Man consists of 12 tracks performed in more or less that same vein. "Bogalusa Boogie Man" was recorded in Bogalusa, LA, during March of 1975, almost exactly one year after Bayou Country. Material for this project was composed by Danny Morrison, Red Lane, Hoyt Garrick, David Craig, Jerry Hubbard, Pat Rush, Fred Martin, and Little Feat founder Lowell George, whose "Dixie Chicken" features "vocals by everyone around in the studio, including friends and neighbors and the one and only Woody Lee Lewis." George is said to have singled out this version as his all-time favorite.

    Clarence 'Gatemouth' Brown - Down South In The Bayou Country (1974) Remastered Reissue 2006

    Posted By: Designol
    Clarence 'Gatemouth' Brown - Down South In The Bayou Country (1974) Remastered Reissue 2006

    Clarence 'Gatemouth' Brown - Down South In The Bayou Country (1974) Reissue 2006
    EAC | FLAC | Image (Cue&Log) ~ 342 Mb | Mp3 (CBR320) ~ 118 Mb | Scans ~ 65 Mb | Time: 00:48:50
    Electric Texas Blues, Swamp Blues, Country Soul, Southern Rock | Maison De Blues | # SSC 3046

    Like everything on Memphis Slim's album Goin' Back to Tennessee or Alvin Youngblood Hart's "Tallacatcha" (a Western swing performance worthy of Bob Wills), Clarence "Gatemouth" Brown's 1975 Barclay album Down South in the Bayou Country completely transcends any and all attempts to confine this diverse artist within the artificial parameters of blues or any other preordained category. Consisting mostly of songs written by Hoyt Garrick, Jr., Charles Gressett, and David Craig with additional tunes by J. Loyd and Joe Stampley, this pretty parfait of country & western, Southern rock, cowboy hoedown, and electric Cajun soul music was recorded during February and March 1974 in Bogalusa, LA. Gatemouth, fresh from his tenure as Deputy Sheriff of San Juan County, NM, sounds particularly pleased to be active at the center of a project so completely infused with authentic Southern sensibilities. Perhaps the most satisfying track off of the original album is "Loup Garou." This hoodoo funk ritual with background vocals by Geraldine "Sister Gerry" Richard sounds as if it might have been influenced by Dr. John's "Loop Garoo," which had appeared on that artist's Atco album Remedies in 1970.

    Clarence 'Gatemouth' Brown - Sings Louis Jordan (1973)

    Posted By: Designol
    Clarence 'Gatemouth' Brown - Sings Louis Jordan (1973)

    Clarence 'Gatemouth' Brown - Sings Louis Jordan (1973)
    EAC | FLAC | Image (Cue&Log) ~ 379 Mb | Mp3 (CBR320) ~ 132 Mb | Scans ~ 64 Mb
    Label: Black & Blue (The Definitive Black & Blue Sessions) | # BB 936.2 | Time: 00:57:33
    Modern Electric Texas Blues, Rock & Roll, Rhythm & Blues, Jazz-Blues, Swing

    A fresh sort of setting for Clarence Gatemouth Brown – as the session focuses his bluesy talents on the music of Louis Jordan – a combination that comes across surprisingly well on this early 70s set! The tunes are mostly numbers from the 40s vintage of Jordan's big years of recording – but they're nicely recast here in a smaller combo mode, with more distinct touches of electric blues and jazz – thanks to Brown's work on guitar, the Hammond of Milt Buckner, and tenor of Arnett Cobb! Clarence takes the tunes in an easygoing vocal style that's maybe more his own than Jordan's – which is a great way to change up the tunes – and titles include "Ain't Just Alike A Woman", "Somebody Done Changed The Lock Of My Door", "Salt Pork West Virginia", "It's A Low Down Dirty Shame", and"Is You Is Or Is You Ain't My Baby".

    VA - Chess Blues Guitar: Two Decades Of Killer Fretwork 1949-1969 (1998) 2CD Set

    Posted By: Designol
    VA - Chess Blues Guitar: Two Decades Of Killer Fretwork 1949-1969 (1998) 2CD Set

    VA - Chess Blues Guitar: Two Decades Of Killer Fretwork 1949-1969 (1998) 2CD Set
    EAC | FLAC | Image (Cue&Log) ~ 627 Mb | Mp3 (CBR320) ~ 297 Mb | Scans ~ 97 Mb
    Label: Chess/Universal | # 329 393-2, MCD 09393 | Time: 02:09:28
    Blues, Chicago Blues, Electric Blues, Rhythm & Blues, Rock & Roll, Soul-Blues

    This 45-song, two-disc collection is subtitled "two decades of killer fretwork", and never was a set so aptly described. Chess Records was the home to seemingly every hot guitar player in the Chicago area, and many of them make their appearance here. Besides the usual label guitar hotshots (Muddy Waters, Jimmy Rogers, Chuck Berry, Bo Diddley, Buddy Guy, Lowell Fulson, Earl Hooker, Otis Rush, Robert Nighthawk, Little Milton), space is given to sideman work from legends like Hubert Sumlin and Robert Jr. Lockwood and great one-offs by lesser-known artists like Jody Williams, Danny Overbea, Eddie Burns, Joe Hill Louis, Morris Pejoe, Lafayette Thomas and others. It seems as if everyone recorded for Chess at one time or another, also explaining the inclusion of tracks by John Lee Hooker, Albert King, Clarence "Gatemouth" Brown, Lonnie Brooks, Hound Dog Taylor and Elmore James. If electric blues guitar's your thing, then look no further than this fine two-disc compilation.

    Clarence 'Gatemouth' Brown - Long Way Home (1996)

    Posted By: Designol
    Clarence 'Gatemouth' Brown - Long Way Home (1996)

    Clarence 'Gatemouth' Brown - Long Way Home (1996)
    EAC | FLAC | Image (Cue&Log) ~ 286 Mb | Mp3 (CBR320) ~ 128 Mb | Scans ~ 52 Mb
    Label: Gitanes Jazz Productions/Verve | # 529 465-2 | Time: 00:55:58
    Modern Electric Texas Blues, Rhythm & Blues, Jazz-Blues, Cajun

    Any cd which starts out with Blues Power featuring Clarence "Gatemouth" Brown on vocals, Eric Clapton on guitar, and Leon Russell playing piano and doing vocals is worth a listen to. Long Way Home continues to impress with every track. Brown demonstrates his musical skills, and careful choice of music. His all star cast includes Clapton, Russell, Ry Cooder, John Loudermilk (who wrote Tobacco Road and does the vocals on the cd) Sonny Landreth and Maria Muldaur. Great tracks besides Blues Power are Don't Think Twice with Maria Muldaur doing vocals with Gatemouth, Mean and Evil with Leon Russell sharing the stage with Gatemouth and of course Tobacco Road. This is a great cd for a blues or rock fan.

    Clarence 'Gatemouth' Brown - Standing My Ground (1989)

    Posted By: Designol
    Clarence 'Gatemouth' Brown - Standing My Ground (1989)

    Clarence 'Gatemouth' Brown - Standing My Ground (1989)
    EAC | FLAC | Image (Cue&Log) ~ 239 Mb | Mp3 (CBR320) ~ 110 Mb | Scans included | 00:36:58
    Modern Electric Texas Blues, Jazz-Blues, Rhythm & Blues | Label: Alligator | # ALCD 4779

    A delightfully eclectic program spotlighting nearly all of Gate's musical leanings – blues, jazz, country, even a hearty taste of "Louisiana Zydeco" – and a revealing glimpse of his multi-instrumental abilities: he plays guitar, violin, drums, and piano! There's a tender remake of the Chuck Willis R&B ballad and a funk-tinged update of "Got My Mojo Working," but everything else is from Brown's own pen.