After more than three decades finally new music by Swiss pioneering technical Metallers Coroner. "Dissonance Theory" contains 10 new songs across 47 minutes, recorded by Tommy Vetterli at New Sound Studios in Switzerland and mixed/mastered by Jens Bogren at Fascination Street Studios in Sweden (Opeth, Kreator, Amon Amarth, etc.).
Available as Ltd. 2CD Mediabook, with expanded booklet and the legendary “Death Cult” 4-track demo from 1986 - featuring Tom G. Warrior (Triptykon, Celtic Frost, Hellhammer) on vocals - as bonus CD.

Following the global cinematic release of Björk: Cornucopia, the visionary live experience is now set for its first-ever physical release. Available in multiple formats including 3LP, 2CD+DVD, 2CD, DVD, Blu-ray and 4K UHD.

Dressed To Kill celebrates 50 years with a specially tailored Super Deluxe. The original album is newly remastered by Bernie Grundman from the 1975 stereo analog master tapes on CD 1. CD 2 showcases 23 demos, alternate mixes and instrumental outtakes from the Larrabee Sound and Electric Lady Studios sessions including the unreleased tracks “Mistake” and “Burning Up With Fever.” From the 1975 Dressed To Kill Tour comes two full concerts – Cobo Arena in Detroit, Michigan on May 16 and RKO Orpheum Theatre in Davenport, Iowa on July 20, First Show – both newly mixed by legendary producer & engineer Eddie Kramer from the original multi-track analog tapes as KISS performed in 1975 – no overdubs.

With this album eleven British and American blues stars took the fabric of some of the best songs of the 20th Century and spun their own magic, performing from the heart in the way great Blues and Soul artists have always done.

Falco’s 1985 album Falco 3, will be reissued for its 40th anniversary in October. The Austria singer’s third album features the international hit ‘Rock Me Amadeus’ which was number one virtually everywhere – including the UK and USA – as well as ‘Vienna Calling’ and ‘Jeanny’ which also did very well. There was two versions of Falco 3, the original European version released in 1985 and the ‘International’ version issued in UK, USA and Japan and a few other countries. The latter replaced the standard album versions of ‘Rock Me Amadeus’ and Vienna Calling with 12-inch versions (the ‘Salieri Version’ and ‘Metternich Arrival Mix’, respectively) and uses a photo of Falco on the front cover, rather than the red ‘autograph’ version.

With Hourglass, Antibalas returns to its instrumental roots. Previous albums featured lyrics that addressed topics like patriarchy, climate change, militarism, late stage capitalism, oligarchy, white ethnonationalism, and the genocide of Native Americans. In this album the group rearticulates these themes, however speaking through melody and rhythm. “Once a song has lyrics, everyone who doesnʼt speak that language is on the outside. We use rhythm and melody to translate the emotions in the album and make it universally accessible,” explains the co-producer/founder Martín Perna.

Celebrating the 40th anniversary of Clannad's 1985 album, Macalla (meaning ""Echo"" in Irish) and newly remastered by Phil Kinrade at Air Studios. This ninth studio album became their first international success and marked a significant point in the band's career, showcasing a blend of their traditional Irish folk roots with a more mainstream, pop-influenced sound.

The King Of Rockabilly Carl Perkins returns to Sun Records with the landmark release of his never-before-heard album, Some Things Never Change. Tracked in Nashville and his Jackson pool house, Perkins shines as produced by Bill Lloyd. Arriving in celebration of 70 years of “Blue Suede Shoes,” the album features new originals and versions of John Hiatt's "Memphis In The Meantime" and Johnny Cash's "Get Rhythm," backed by sons Stan and Greg Perkins and studio aces Jerry Douglas and Pete Finney.

I’ve always been captivated by the night sky, endlessly wondering about what lies beyond. Amidst the vast expanse of stars, there is a sense of balance and symmetry that fascinates me—an order within the chaos. The innate patterns of the constellations sparked my curiosity, prompting me to explore how these celestial forms might be translated musically.

After years of writing, wandering, and starting over, Evan Dando returns with Love Chant, the first Lemonheads studio album of original material in nearly two decades. Long in the works and shaped by shifting geographies and a cast of trusted collaborators, it’s a bold, melodic reaffirmation of one of alternative rock’s most distinctive voices.