Here are the articled funky beats that hip-hop DJs can’t stop diggin’ in the crates for – including rare grooves aplenty. What’s more, there’s soul, jazz and a message or two to go with those killer breaks. As sampled by everyone in rap - including you?

Over 2 hours of the smoothest soul from the 60s, 70s and 80s on 2 CDs featuring tracks by classic soul artists such as Luther Vandross, The Isley Brothers, Isaac Hayes, Fat Larry’s Band, The Chi-lites, Jackie Wilson and many more.
Soul Sessions takes us on a journey through the deepest soul cuts of the last 30 years. From the loved-up sixties stomp of Jackie Wilson’s ‘Sweetest Feeling’ through the blissed-out harmonies of The Chi-lites ‘Have You Seen Her’ to the smooth sensuality of eighties heart throb Luther Vandross. Soul Sessions offers enough soul food to satisfy the hungriest of lovers. So whatcha waiting for…get it on!

2009 five CD set. 101 Dinner Party Songs is the perfect collection for those intimate parties with family and friends. Featuring a wide array of genres and artists, there's something for almost everybody on this four disc set. Includes cuts from Julie London, UB40, Ann Peebles, Johnny Mercer, Bobby Womack, Eva Cassidy, Willie Nelson, Richard Thompson, The Beach Boys, Sigur Ros and many others. EMI.

Of the many wonderful blaxploitation soundtracks to emerge during the early '70s, Shaft certainly deserves mention as not only one of the most lasting but also one of the most successful. Isaac Hayes was undoubtedly one of the era's most accomplished soul artists, having helped elevate Stax to its esteemed status; therefore, his being chosen to score such a high-profile major-studio film shouldn't seem like a surprise. And with "Theme from Shaft," he delivered an anthem just as ambitious and revered as the film itself, a song that has only grown more treasured over the years, after having been an enormously popular hit at the time of its release. Besides this song, though, there aren't too many more radio-targeted moments here. "Soulsville" operates effectively as the sort of downtempo ballad Hayes was most known for, just as the almost 20-minute "Do Your Thing" showcased just how impressive the Bar-Kays had become, stretching the song to unseen limits with their inventive, funky jamming.

Although this is Isaac Hayes' third long-player, he had long been a staple of the Memphis R&B scene – primarily within the Stax coterie – where his multiple talents included instrumentalist, arranger, and composer of some of the most beloved soul music of the '60s. Along with his primary collaborator, David Porter, Hayes was responsible for well over 200 sides – including the genre-defining "When Something Is Wrong With My Baby," "Soul Man," "B-A-B-Y," "Hold On, I'm Comin'," and "I Had a Dream." As a solo artist however, Hayes redefined the role of the long-player with his inimitably smooth narrative style of covering classic pop and R&B tracks, many of which would spiral well over ten minutes.