Francis Albert Sinatra (/sɪˈnɑːtrə/; December 12, 1915 – May 14, 1998) was an American singer, actor, and producer. Nicknamed the "Chairman of the Board" and "Ol' Blue Eyes", he is regarded as one of the most popular entertainers of the 20th century. Sinatra is among the world's best-selling music artists, with an estimated 150 million record sales globally.
Born to Italian immigrants in Hoboken, New Jersey, Sinatra began his musical career in the swing era and was influenced by the easy-listening vocal style of Bing Crosby. He joined the Harry James band as the vocalist in 1939 before finding success as a solo artist after signing with Columbia Records in 1943, becoming the idol of the "bobby soxers".

Released in early 1961, Sinatra's Swingin' Session!!! is one of the last albums the Chairman of the Board made for Capitol before leaving for Reprise. Like most of Sinatra's Capitol recordings, this one shows the singer at the peak of his vocal and interpretive abilities. Nelson Riddle's hard-swinging arrangements of standards like Rodgers and Hart's "Blue Moon," Irving Berlin's "Always," and Cole Porter's "You Do Something to Me" would leave most vocalists in the dust, but Sinatra masters them without ever seeming to break a sweat.

Francis Albert Sinatra (/sɪˈnɑːtrə/; December 12, 1915 – May 14, 1998) was an American singer and actor. Nicknamed the "Chairman of the Board", "Ol' Blue Eyes", and "The Voice", he is regarded as one of the most popular entertainers of the 20th century. Sinatra is among the world's best-selling music artists, with an estimated 150 million record sales globally.

Francis Albert Sinatra (/sɪˈnɑːtrə/; December 12, 1915 – May 14, 1998) was an American singer and actor. Nicknamed the "Chairman of the Board", "Ol' Blue Eyes", and "The Voice", he is regarded as one of the most popular entertainers of the 20th century. Sinatra is among the world's best-selling music artists, with an estimated 150 million record sales globally.

Francis Albert Sinatra (/sɪˈnɑːtrə/; December 12, 1915 – May 14, 1998) was an American singer and actor. Nicknamed the "Chairman of the Board", "Ol' Blue Eyes", and "The Voice", he is regarded as one of the most popular entertainers of the 20th century. Sinatra is among the world's best-selling music artists, with an estimated 150 million record sales globally.

Sometimes it’s okay to judge a book by its cover. Depicting a down-and-out Frank Sinatra entrenched in his own private world while glamorous couples dance and swirl around him, oblivious to his presence and condition, the artwork to the aptly titled No One Cares testifies on behalf of the music and moods within the record’s grooves. One of the crooner’s top-flight ballads efforts, the 1959 Capitol effort again finds him pairing with sympathetic arranger Gordon Jenkins and inhabiting each note of every song.
Often viewed as the sister album to 1957’s Where Are You?, this third pairing of Sinatra and Jenkins yields slower tempos, more deliberate textures, and lonelier emotions. A profound sense of tragedy burrows into both the luscious strings and Sinatra’s timbre, laced with ache, wanderlust, and dismay…

Where Are You? is perfect in every sense. Recorded when Frank Sinatra was 42, the torch album finds him in impeccable voice and spirit. The dozen tracks fit together as a unified whole; it’s difficult to imagine one song missing, or another added. Arranger Gordon Jenkins reads Sinatra’s mind, affording him with lush arrangements that break hearts and underscore deliberation. Topping it off, Sinatra’s interpretive skills utterly astonish. Genres aside, this 1957 Capitol classic is inarguably one of the ten-best vocal pop efforts made in the 1950s.
While not as known as Only the Lonely, Where Are You? is its creative equivalent, a poignant masterwork on which Sinatra reflects on what could have been, ponders life’s deep questions, elicits sympathy via romantic distress, and does whatever it takes to get through the night…

15 complete original Sinatra albums and 43 bonus tracks on a limited edition 9CD box set. Legendary records from Frank Sinatra's golden age as a popular sophisticated vocalist released on Capitol with three on the singer's own label Reprise - with accompaniment from orchestras conducted by Nelson Riddle, Billy May and Johnny Mandel. Digitally remastered. Includes detailed booklet.

Cole Porter was one of a handful of American musical colossi. He had the genius to conjure up improbable rhyming lyrics to catchy melodies delivering not only a single song but as often or not a whole conundrum of numbers collected within the sphere of a show. This collection of 40 songs exemplifies the talent of Cole Porter and is a testament (tribute) to his longevity in musical history. Wit, humour, sophistication, rhythmic and key changes are small change to his ability.Who else could win a challenge to produce 'Miss Otis Regrets' after questioned whether he could write lyrics from the next words he heard? The cast of star celebrities in this collection say it all. Sinatra, Bennett, Crosby, Ella, Billie, Nat, Marlene, Judy to name a few. Also, the bigger bands of not so long ago, Nat Gonella, Jack Hylton, Geraldo. These need preservation orders and what better than endorse the master composer Mr Cole Porter? Add this to your collection.

This is one of two albums released by Capitol Records in anticipation of the December 2001 release of the remake of Ocean's Eleven, the 1960 Las Vegas caper film that utilized the talents of Frank Sinatra's Rat Pack of entertainers. The original film had no formal soundtrack album, but there was music in the picture and, of course, Sinatra, Dean Martin, and Sammy Davis, Jr. (along with comedian Joey Bishop and actor Peter Lawford) performed on-stage during the making of the movie. This compilation of studio recordings made in the 1950s and '60s draws not only from the Capitol archives but also from Reprise, for which all three singers began to record starting in the early '60s.

Duets is a compilation album by Linda Ronstadt. It was released on the Rhino Records label in April 2014, a few days before Ronstadt's induction into the Rock & Roll Hall of Fame. The album peaked at number 32 on the Billboard album chart - Ronstadt's highest charting album in 24 years. The songs on the album were all previously released with the exception of "Pretty Bird", a duet with bluegrass singer Laurie Lewis. In his review for AllMusic critic Stephen Thomas Erlewine states that "generally, this Duets emphasizes the sweeter, softer, and slower side of Ronstadt, a move that makes for pleasant listening".

Although it follows the same patterns and approach as Cycles, My Way is a stronger album, with a better, more varied selection of material and a more focused, gutsy performance from Frank Sinatra. Built around the hit single "My Way," the album again alternates between rock covers ("Yesterday," "Hallelujah, I Love Her So," "For Once in My Life," "Didn't We," "Mrs. Robinson"), a couple of adapted French songs, and a handful of standards. This time out, Don Costa has written more engaging charts than the previous Cycles. The Beatles' "Yesterday" is given an affecting, melancholy treatment that brings out the best in Sinatra, as does the new arrangement of "All My Tomorrows," which is lush and aching. If Sinatra doesn't quite pull off the R&B of "Hallelujah, I Love Her So," he does sing the light Latin stylings of "A Day in the Life of a Fool" beautifully, and he has fun with Paul Simon's "Mrs. Robinson," changing the lyrics dramatically so they become a tongue-in-cheek, swinging hipster tribute. For that matter, most of the record is successful in creating a middle ground between the traditional pop Sinatra loves and the contemporary pop/rock that dominated the charts in the late '60s. My Way doesn't have the macho swagger of his prime Rat Pack records, but its reflective, knowing arrangements show that Sinatra could come to terms with rock & roll at some level.

By the late '60s, even Sinatra had trouble resisting the succeeding waves of youth-oriented rock music that topped the charts. But Frank Sinatra's Greatest Hits!, a compilation of his '60s singles successes released in August 1968, was a million-seller, and Cycles, an album of songs by contemporary writers like Joni Mitchell and Jimmy Webb, released that fall, went gold. In March 1969, Sinatra released "My Way," with a lyric specially crafted for him by Paul Anka. It quickly became a signature song for him.

Sinatra insisted that Styne and Cahn be hired to write the songs for his first MGM musical, Anchors Aweigh, and over the course of his career, the singer recorded more songs by Cahn (a lyricist who worked with several composers) than by any other songwriter. Anchors Aweigh, in which Sinatra was paired with Gene Kelly, was released in July 1945 and went on to become the most successful film of the year. Sinatra returned to radio in September with a new show bearing an old name, Songs by Sinatra. It ran weekly for the next two seasons, concluding in June 1947. Among his eight Top Ten hits in 1946 were two that hit number one ("Oh! What It Seemed to Be" and Styne and Cahn's "Five Minutes More"), as well as "They Say It's Wonderful" and "The Girl That I Marry" from Irving Berlin's musical Annie Get Your Gun, Jerome Kern's "All Through the Day," and Kurt Weill's "September Song." He also topped the album charts with the collection The Voice of Frank Sinatra.

Frank Sinatra was arguably the most important musical figure of the 20th century, his only real rivals for the title being Elvis Presley and the Beatles. In a professional career lasting 60 years, he demonstrated a remarkable ability to maintain his appeal and pursue his musical goals despite countervailing trends. He came to the fore during the swing era of the 1930s and '40s, helped to define the "sing era" of the '40s and '50s, and continued to attract listeners during the rock era that began in the mid-'50s. He scored his first number one hit in 1940 and was still making million-selling recordings in 1994. This popularity was a mark of his success at singing and promoting the American popular song as it was written, particularly in the 1920s, '30s, and '40s. He was able to take the work of great theater composers of that period, such as Jerome Kern, Irving Berlin, George Gershwin, Cole Porter, and Richard Rodgers, and reinterpret their songs for later audiences in a way that led to their rediscovery and their permanent enshrinement as classics. On records and in live performances, on film, radio, and television, he consistently sang standards in a way that demonstrated their perennial appeal.