Francis Albert Sinatra was an American singer and actor. Nicknamed the "Chairman of the Board" and "Ol' Blue Eyes", he is regarded as one of the most influential entertainers of the 20th century.

Released in 2009 by Demon Music Group Ltd., 100 Hits Legends stands as a monumental five-disc box set summarizing the golden era of the most celebrated vocalist in American popular music, Frank Sinatra. This massive compilation provides listeners with a meticulously selected journey through Ol' Blue Eyes' unparalleled catalog, featuring his definitive studio triumphs and timeless pop standards. Backed by legendary big bands and lush orchestral arrangements crafted by master arrangers like Nelson Riddle and Billy May, Sinatra's impeccable phrasing, expressive baritone delivery, and signature swing sensibilities are preserved here in pristine high-fidelity quality. Spanning an incredible five hours across five distinct discs, this set balances up-tempo, swaggering anthems like Come Fly With Me and I've Got You Under My Skin with the deeply intimate, melancholic late-night lounge ballads from his seminal concepts such as In The Wee Small Hours Of The Morning and One For My Baby, making it an essential definitive anthology for both dedicated collectors and casual jazz pop enthusiasts alike.

Released in 1993 by the Recording Arts label, Anthology is a comprehensive three-disc retrospective chronicling the historic artistic evolution of Frank Sinatra, universally recognized as the Chairman of the Board and the definitive voice of twentieth-century American popular music. This expansive sixty-track compilation serves as a spectacular sonic documentary, tracing his musical journey from his early professional breakthroughs as a brilliant big band crooner alongside the Tommy Dorsey Orchestra up through his sophisticated mid-century classic pop triumphs and legendary swing eras. Listeners are treated to an immaculate survey of his interpretive genius, showcasing his unparalleled breath control, flawless jazz-tinged phrasing, and deep emotional connectivity. Across three distinct discs, the collection bridges the gap between his youthful, romantic wartime recordings and his mature, swaggering mid-century saloon songs, balancing definitive vocal standards like I'll Never Smile Again, Begin The Beguine, and Come Fly With Me with his monumental, career-defining masterpiece My Way.

A fascinating musical journey through pop, jazz, swing and ballads from the '30s, '40s, '50s by the all-time master vocalist.

Frank Sinatra’s 1956 album Songs for Swingin’ Lovers! is getting reissued as part of Blue Note’s acclaimed Tone Poet series. The release is out March 27th, which is also the album’s 70th anniversary. Produced for release by Joe Harley, the new Tone Poet Vinyl Edition was mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and comes packaged in a deluxe gatefold tip-on jacket featuring session photos by William Claxton and Ken Veeder.

Cycles was Frank Sinatra's first full-fledged pop/rock-oriented album, concentrating on a more orchestrated variation on the popular folk-rock of the late '60s. The foundation of the arrangements on Cycles are guitars, bass, and drum kits, all played gently and unobtrusively; the strings are layered on top of the pop rhythm section. Appropriately, Sinatra sang a variety of material associated with folk-rock, particularly Joni Mitchell's "Both Sides Now" and Glen Campbell's "Gentle on My Mind" and "By the Time I Get to Phoenix." Sinatra responds to the softer material by phasing out most of the edginess in his phrasing. He doesn't sing with the nuanced textures of his Jobim albums - he is simply restrained. That doesn't result in an embarrassing album, yet Cycles isn't the successful rock and traditional pop fusion that it might have been.

The Ultimate Christmas is a festive compilation featuring timeless holiday recordings associated with Frank Sinatra, one of the most iconic vocalists in music history. Known for his smooth phrasing, warm tone, and effortless swing, Sinatra brings a classic and elegant touch to these beloved Christmas standards. The album captures the spirit of the holiday season with a mix of joyful carols and sentimental favorites, delivered with his signature style and emotional depth. Songs like “Have Yourself a Merry Little Christmas,” “The Christmas Song,” and “White Christmas” highlight Sinatra’s ability to convey both warmth and nostalgia, making his interpretations definitive versions for many listeners. The arrangements complement his vocals with lush orchestration and traditional jazz influences, creating a rich and inviting atmosphere. While some bonus tracks feature other performers, the core of the collection remains a celebration of Sinatra’s enduring legacy and his contribution to holiday music. This compilation serves as a timeless addition to any Christmas jazz collection.

The Australian 2CD edition adds a complete, previously unreleased recording of Sinatra's December 1961 concert at Sydney Stadium.
Ultimate Sinatra is a career-spanning collection that is unique in offering prime cuts from each of Frank Sinatra's major-label periods. Beginning with his early work for Columbia, his artistically rich mid-period with Capitol, and his later years with Reprise, this set offers signature tracks like "I've Got the World on a String," "One for My Baby (And One More for the Road)," "Theme from New York, New York," and many more. Ultimate Sinatra is a great place to start understanding Old Blue Eyes' musical legacy.

Although it follows the same patterns and approach as Cycles, My Way is a stronger album, with a better, more varied selection of material and a more focused, gutsy performance from Frank Sinatra. Built around the hit single "My Way," the album again alternates between rock covers ("Yesterday," "Hallelujah, I Love Her So," "For Once in My Life," "Didn't We," "Mrs. Robinson"), a couple of adapted French songs, and a handful of standards. This time out, Don Costa has written more engaging charts than the previous Cycles. The Beatles' "Yesterday" is given an affecting, melancholy treatment that brings out the best in Sinatra, as does the new arrangement of "All My Tomorrows," which is lush and aching. If Sinatra doesn't quite pull off the R&B of "Hallelujah, I Love Her So," he does sing the light Latin stylings of "A Day in the Life of a Fool" beautifully, and he has fun with Paul Simon's "Mrs. Robinson"…

This is one of two albums released by Capitol Records in anticipation of the December 2001 release of the remake of Ocean's Eleven, the 1960 Las Vegas caper film that utilized the talents of Frank Sinatra's Rat Pack of entertainers. The original film had no formal soundtrack album, but there was music in the picture and, of course, Sinatra, Dean Martin, and Sammy Davis, Jr. (along with comedian Joey Bishop and actor Peter Lawford) performed on-stage during the making of the movie. This compilation of studio recordings made in the 1950s and '60s draws not only from the Capitol archives but also from Reprise, for which all three singers began to record starting in the early '60s.

Frank Sinatra turned 80 in 1995, and Capitol released this two-disc "best of" in celebration. Sinatra's initial tenure at Capitol, which lasted from 1953 to 1962, is generally considered to be his artistic watermark. His voice and technique had improved considerably since his initial peak of popularity in the mid-'40s (the "swinging" phrasing most commonly associated with Sinatra's style really came to the fore during the Capitol years); he also had the good fortune to work with Nelson Riddle and Billy May, whose inventive arrangements certainly brought out the best in Sinatra's singing. This set's song selection is tough to argue with, but you'll really need to get all of Sinatra's Capitol albums to gauge the true measure of the man's artistry.

Ring-a-Ding Ding!, Frank Sinatra's first album for his own record label, broke somewhat from the strict concepts of his Capitol Records; in the process, it set a kind of template for the rest of his '60s Reprise albums. Instead of following a theme, the record captures the atmosphere of Sinatra in 1961 - a time when he was running the Rat Pack, so it's no coincidence that the album is named after one of his favorite phrases of the era. The title track was written especially for Sinatra by Sammy Cahn and Jimmy Van Heusen. And that song reflects the brassy, swaggering feeling of the record - even the ballads are arrogant and self-confident.

The Very Best of Frank Sinatra is a simple double-disc collection of 40 Sinatra classics from his Reprise Recordings. For casual fans wanting something more than the single-disc The Very Good Years but don't want the four-disc The Reprise Collection, The Very Best of Frank Sinatra is ideal, since it contains all of the true essentials he recorded during the '60s and '70s, including "Summer Wind," "Strangers in the Night," "My Way," "It Was a Very Good Year," and "Theme From New York, New York."

More of a singles collection than a proper album, The World We Knew illustrates how heavily Frank Sinatra courted the pop charts in the late '60s. Much of this has a rock-oriented pop production, complete with fuzz guitars, reverb, folky acoustic guitars, wailing harmonicas, drum kits, organs, and brass and string charts that punctuate the songs rather than provide the driving force. Many of the songs recall the music Nancy Sinatra was making at the time, a comparison brought into sharp relief by the father-daughter duet "Somethin' Stupid," yet the songs Sinatra tackles with a variety of arrangers - including Nancy's hitmaker Lee Hazlewood, Billy Strange, Ernie Freeman, Don Costa, and Gordon Jenkins - are more ambitious than most middle-of-the-road, adult-oriented soft rock of the late '60s…