Recorded Live In Japan, Yokohama 5.12.1993.

Paris Theater London, U.K. BBC Concert, May 24, 1973.

TWO SUPERB LIVE BROADCAST RECORDINGS FROM LAURA NYRO IN 1994 Laura Nyro s ninth studio album Walk the Dog and Light the Light was released in the late summer of 1993, more than nine years after its predecessor, Mother's Spiritual. It followed Nyro's 1989 live album Laura: Live at the Bottom Line, and the atmosphere of the new record was similarly laidback It was the last album of new original material that Nyro released during her lifetime: although she began recording another album in 1994, it was not completed prior to her death from ovarian cancer in 1996. The newer recordings were released posthumously in 2001 as Angel In The Dark. Laura went out on the road in early 1994 to promote Walk The Dog…. and on February 22nd that year she performed at The Kintetsu Hall in Osaka, Japan, where she gave an extraordinary concert which was recorded for both FM radio broadcast and for TV transmission. Later in the year, in June, she was back in the US and played at Pittsburgh s Point State Park, another show recorded for radio broadcast. Both these superb concerts are now featured in full on this CD, providing fans of this enormously talented singer and composer with an audio illustration of the strength and beauty of Laura s live performances so near to the end of her sadly short life.

CLASSIC ERA MANASSAS - LIVE BROADCAST FROM THE WEST COAST When Manassas took the stage on 7th October 1973, on the final night of their Winterland engagement that year, they had no idea it would turn out to be one of their last performances. Playing a wealth of material from their debut double album, a few choice numbers from their second record, and with some choice surprises in store, it would turn out to be one of the group s most memorable shows. The first set kicks off with a fully electric performance containing side one of their debut, performed in sequence. Both Stills and Al Perkins, who plays an impressive second lead guitar, as well as pedal steel, provide the bulk of the solos, and by this point in time they had become quite adept at complimenting each other. Chris Hillman then leads the group into a fine rendition of The Byrds' hit So You Want To Be A Rock 'N' Roll Star , providing an unexpected but delightful conclusion to this 18-minute sequence. Johnny's Garden provides some lighter relief with its laidback folk-rock vibe before they conclude this first set with the smouldering blues cut Go Back Home , a standout track from Stills' first solo record.

'The BBC Collection’ is an all-encompassing collection of the many recorded performances of Rory Gallagher at the BBC. Featuring eighteen CDs worth of radio concerts and sessions from 1971 to 1986, roughly 75% of this material has not been officially released before. Also included is two Blu Ray discs of BBC TV concerts and studio performances from 1973 to 1984, all of which has not been officially released previously. Amassed from the BBC archives and Rory Gallagher’s own transcription discs and off-air cassette recordings, the boxset spans 16 years of his career (1971-1986), taking in highlights such as the 1977 dual television and radio broadcast Sight & Sound concert, Rory’s headlining set at the Reading Festival in 1980 to the emotional ‘At Midnight’ concert live from the Ulster Hall in Belfast, 1984. A ‘best of’ from this collection will be available on 2CD and 3LP, titled “The Best of Rory Gallagher at the BBC” These releases celebrate the importance of the artist Rory Gallagher, who was possibly the most recorded musician of the 1970s by the BBC.

In 1956, Bernard Haitink conducted the Concertgebouworkest for the first time and together they would play more than 1,500 concerts across the globe. Besides his modesty, his humanity, his musical taste, and his honesty to the music, three words come to mind when one thinks of Haitink and his orchestra: Sound, Trust and Magic. Jörgen van Rijen, Principal trombone of the Concertgebouworkest, said at a memorial concert in February this year, “Every time with him [Haitink] the orchestra sounded warmer, deeper and richer, from the first moment he started to rehearse. How he did that is difficult to tell … he always gave us musicians the feeling he trusted you, that he was there to help, not to interfere.”

Le Retour des Dieux sur la Terre and Le Caprice d'Erato are part of the tradition inherited from Louis XIV of occasional pieces that served to illustrate major events at Court: Composed four years apart, the first to celebrate the wedding of Louis XV and Marie Leszczynska in 1725 and the second for the birth of their first son in 1729, these two divertissements are veritable little concert operas in which splendid grand narratives, triumphal overtures, surprising dances, solemn choruses and grandiose finales follow one another.

Ever the iconoclast, if there is one thing that Brian Eno has done with any degree of consistency throughout his varied career, it is presenting his art in an array of perpetually "out of the box" forums. All that changed – in a manner of speaking – with the release of two companion multi-disc compilations. Eno Box I: Instrumentals (1994) condenses his wordless creations, while Eno Box II: Vocals (1993) does the same for the rest of his major works on a similarly sized volume. Interestingly – and in his typically contrary fashion – this initial installment was actually issued last. Each of Eno Box I: Instrumentals' three CDs respectively concentrates on a specific facet of the artist's copious back catalog.

Roots & Fruits is a 1998 album by Wolfgang Puschnig, an Austrian jazz saxophonist, composer, and musician known for his work in both jazz and world music. Puschnig's musical style is marked by his ability to blend traditional jazz with influences from different cultures, creating a diverse and eclectic sound.

Namorando A Rosa - Em Homenagem A Musica De Rosinha De Valença (2004) is a tribute album to Rosinha de Valença, a Brazilian singer, composer, and one of the prominent figures in the bossa nova and MPB (Música Popular Brasileira) movements. The album, as the title suggests, honors Rosinha de Valença's contributions to Brazilian music, especially her unique blend of bossa nova and samba, which influenced many musicians in Brazil and beyond.

Arrival is a 2007 album by Russ Miller, a well-regarded jazz drummer, composer, and producer known for his ability to seamlessly blend various genres such as jazz, fusion, and contemporary music. The album Arrival highlights his impressive technical skills and musical versatility, showcasing his proficiency in rhythm and intricate musical arrangements. The album features a mix of smooth, melodic jazz and more dynamic, complex rhythms, blending traditional jazz elements with modern influences. The compositions on Arrival likely offer a mix of original tunes that allow Miller to demonstrate his mastery of drumming, as well as his ability to create compelling, atmospheric soundscapes.

When The Curtain Goes Up is the 2010 album by Santa Fe and The Fat City Horns, a dynamic and vibrant band known for their blend of jazz, soul, and funk. Based in Las Vegas, the group is recognized for their energetic performances and brass-heavy sound that incorporates elements of big band jazz, R&B, and contemporary horn-driven funk.

Vagrant is the 2013 album by Ysma, an artist known for creating atmospheric, electronic, and ambient music. The album blends elements of downtempo, chillwave, and experimental electronic sounds. It features atmospheric soundscapes, often characterized by moody and introspective compositions. Ysma's style typically revolves around smooth, evolving beats and layered synths that create a dreamy and immersive listening experience.

Tales of the Lighthouse is the 2002 album by Off Course, a Japanese rock band. The band is known for its unique blend of progressive rock, folk, and acoustic elements. Off Course often incorporated storytelling into their music, with their songs featuring intricate arrangements and a focus on melody and atmosphere.

God Fried Finger is the 2010 album by Blonde Zeros, a band known for its eclectic and experimental sound that blends elements of punk, indie rock, and noise rock. The album features raw, energetic performances and often carries an aggressive tone, with distorted guitars, catchy but chaotic rhythms, and a sense of rebellion. Blonde Zeros' music has been described as gritty and unpredictable, a hallmark of the underground rock scene during the late 2000s and early 2010s. Their sound reflects the kind of experimental edge that was present in various alternative and indie scenes during that time.