Singles – The UA Years is a terrific double-album set that chronicles all of Dr. Feelgood's major singles, from 1976's "Roxette" to 1986's "See You Later Alligator." Although the hits-only approach leaves out some major Feelgood songs, Singles remains a first-rate retrospective, and for many years, it was the best Dr. Feelgood collection available. The 1997 double-disc Twenty Five Years of Dr. Feelgood later replaced Singles as the definitive retrospective, yet there are enough songs on this collection to make it worthwhile for serious fans who don't want to spring for either the box set Lookin' Back or the entire catalog.

This compilation was curated by the Spanish edition of Rolling Stone magazine and features 100 iconic songs that shaped the history of popular music—mainly from the 1950s to the 1990s. The tracks are spread across five CDs and focus on English-language rock, blues, folk, and pop classics.

Rising from the ashes of pub rock band Ducks Deluxe, the Motors began life as Status Quo lite, a boogie band with better ideas and hooks than other bands in the same mold. Led by talented singer/songwriters Nick Garvey and Andy McMaster, the Motors' 1977 self-titled debut sounded better on paper than it did on the home stereo. Scoring a semihit with the single "Dancing the Night Away" was a surprise to all, but certainly gave Virgin enough confidence to back a second album. When Approved by the Motors hit the shelves in 1978, the band had become one of the finest pop/rock bands in the U.K., refining their sound (the boogie was nowhere to be found) and writing songs filled with great melodies. Garvey and McMaster's harmonies had become as unique as fellow popsters Difford & Tilbrook's, although the Motors sound was far more gritty than the duo from Squeeze. Even lead guitarist Bram Tchaikovsky and drummer Ricky Slaughter seemed to have an expanded role in the sound of the band. Standout tracks like "Forget About You," "Sensation," "Soul Redeemer," and the beautiful "Today" were the heart and soul of this fabulous sophomore release, and the album even garnered them a bonafide hit with "Airport".

On his second album Heat Treatment, Graham Parker essentially offered more of the same thing that made Howlin' Wind such a bracing listen. However, his songwriting wasn't as consistent, with only a handful of songs – like "Pourin' It All Out" and the title track – making much of an impression. Unfortunately, the record was also tamed by the production of Mutt Lange, who polishes the record just enough to make the Rumour sound restrained. Which means, of course, the sheer musicality of the band can't save the lesser material. Heat Treatment remains an enjoyable listen – at this stage of the game, Parker hadn't soured into a curmudgeon, and his weaker songs were still endearing – but it's a disappointment in light of its predecessor.

The brilliance of this collection is that it combines the standard Brit-punk anthems by the Sex Pistols, the Damned, the Buzzcocks, and Stiff Little Fingers with other great songs that typify the variety and range of punk-era independent music from both sides of the Atlantic. The songs are so well chosen that the punk aesthetic is further revealed by the inclusion of songs that characterize pub rock, new wave, and other related genres. The usual punk suspects ("New Rose," "Anarchy in the UK") are all here, along with many other treasures: Dr. Feelgood's "Milk and Alcohol", Devo's "Mongoloid," Jonathan Richman's "Roadrunner," Talking Heads' "Psycho Killer," and Television's "Marquee Moon." The less commonly anthologized punk selections are inspired, too: the Ruts' "Babylon Is Burning," Generation X's "Ready Steady Go," and X-Ray Spex's "Identity," along with the seminal "Sheena is a Punk Rocker." The conception of the genre is expanded further to include Elvis Costello, Iggy Pop, XTC, Joe Jackson, the Pretenders, the Tubes, and Blondie, and their presence overcomes the tendency for boring repetition on a very long collection.

Original Albums Series collection of the British pub rock band's core first 5 albums: Brinsley Schwarz (1970), Despite It All (1970), Silver Pistol (1972), Nervous on the Road (1972) & Please Don't Ever Change (1973). Band members included Nick Lowe & Ian Gomm.

In celebration of one of the most dynamic and diverse periods ever in the singles charts, NOW are proud to present ‘NOW That’s What I Call An Era: The Sound Of The Suburbs’ – this special edition 4-CD features 80 tracks, spanning multiple genres that contributed to the rich diversity of the era – including punk, new wave, reggae, ska, mod and electronic – between 1977 and the end of 1980, and all of which would inspire the wave of new art and club influenced pop that would come to define the musical landscape of the early 80s….

This Year's Model is Elvis Costello's second album and his first with the Attractions, released in 1978. It was mainly recorded at Eden Studios in West London. It was voted the best album of the year in The Village Voice Pazz & Jop critics poll. In 2000, Q magazine placed This Year's Model at number 82 in its list of the 100 Greatest British Albums Ever. In 1987, Rolling Stone magazine ranked it number 11 on its list of the best albums of the period 1967–1987. In 2003, the album was ranked number 98 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time.

Wilko Johnson, legendary guitarist with Dr Feelgood, and Roger Daltrey, lead singer of rock giants The Who are to release a joint album GOING BACK HOME on the world famous Chess label which has been resurrected specifically for this record. The album features 11 tracks, ten of which are Wilko originals from both his Dr Feelgood days and solo years, whilst the sole cover on the album is a version of Bob Dylan's HIGHWAY 61 REVISITED classic 'Can You Please Crawl Out Your Window'. The album also includes the track 'Turned 21' which has never been properly released or performed live. A deluxe edition of Going Back Home was released at the end of 2014. The bonus disc contains five studio outtakes: three are Wilko-fronted versions of album cuts, there's a radio edit of the title track, then the unreleased "Muskrat." Then, there are six live cuts from the Wilko Johnson Band from February 2014, then another seven live cuts with Daltrey and Johnson, all dating from early 2014, all proving what a dynamic pairing this duo was.

Rain Dogs is the ninth studio album by American singer-songwriter Tom Waits, released in September 1985 on Island Records. A loose concept album about "the urban dispossessed" of New York City, Rain Dogs is generally considered the middle album of a trilogy that includes Swordfishtrombones and Franks Wild Years. The album, which features guitarists Keith Richards and Marc Ribot, is noted for its broad spectrum of musical styles and genres, described by Arion Berger as merging "outsider influences – socialist decadence by way of Kurt Weill, pre-rock integrity from old dirty blues, the elegiac melancholy of New Orleans funeral brass – into a singularly idiosyncratic American style." The album peaked at number 29 on the UK charts and number 188 on the US Billboard Top 200. Rod Stewart had success with his cover of "Downtown Train", later included on some editions of his 1991 album Vagabond Heart. In 1989, it was ranked number 21 on the Rolling Stone list of the "100 greatest albums of the 1980s." In 2012, the album was ranked number 399 on the magazine's list of "The 500 Greatest Albums of All Time", and at number 357 in 2020.

Comprehensive seven CD box set that contains all of the original six albums as well as the 'It's All Over Now' album that was recorded in 1975 but not released until 1988. Also included are unreleased tracks from the Warner vaults as well as live recordings and rarities from band member Ian Gomm who is also providing a mass of rare/unseen images from his archive as well as contributing to the sleeve notes. CD1 features the band's eponymous debut album as well as three previously unreleased tracks from the Warner vaults and rare studio recordings from Ian Gomm's archive. CD 2 features the band's sophomore album 'Despite It All' that is accompanied by live tracks recorded at The Roundhouse in London in 1972. CD 3 features the band's third album 'Silver Pistol' and also has three rare tracks that were recorded for the album but didn't make the final cut, there is also more live recordings from The Roundhouse in 1972. CD 4 features the band's fourth album 'Nervous On The Road' and also has live recordings from Amsterdam in 1972, Paris in 1973 and more from The Roundhouse in 1972. CD 5 features the band's fifth album 'Please Don't Ever Change' as well as singles recorded as The Hitters and Limelight, along with live recordings from Newcastle in 1973 and Cardiff in 1974. CD 6 features the band's final official album 'The New Favourites Of Brinsley Schwarz' which includes one of Nick Lowe's most famous songs '(What's So Funny 'Bout) Peace, Love And Understanding', with bonus live tracks from gigs in Sheffield, Tilburg and Cardiff, all in 1974. CD 7 features the album 'It's All Over Now', recorded in 1975 but not released until 1988. Bonus material includes the band's last ever single, billed as The Brinsleys as well as live recordings from Groningen in 1975 as well as Koln in March 1975, recorded just nine days before the band broke up.

Sequestered in Kentish Town to record an album with Hendrix / Slade producer Chas Chandler, in the spring of 1971 exiled American band Eggs Over Easy persuaded the landlord of local pub The Tally Ho to let them perform at the venue. Though the band were back in America by the end of the year, they inadvertently became the catalysts that sparked the pub rock revolution, with the likes of Brinsley Schwarz, Ducks Deluxe and Bees Make Honey playing a burgeoning circuit that included The Kensington in Russell Gardens, The Lord Nelson on Holloway Road and The Nashville in West Kensington.b Surrender To The Rhythm charts the origins and development of the London pub rock scene throughout the Seventies, featuring all of the aforementioned bands as well as such key names as Dr. Feelgood, Ace, Kilburn and The High Roads, Dave Edmunds, Graham Parker and Elvis Costello. We follow the scene into the late Seventies and the Stiff / punk era with the arrival of new, younger blood that included Eddie and The Hot Rods, The 101’ers, The Jam and Squeeze.

Mickey Jupp – known to his fans as ‘Juppy’ – was the singer, pianist and guitar player with the Sixties’ British rock band Legend. Based in Southend On Sea, Juppy had previously performed with the Orioles and was steeped in rock’n’roll tradition. When Legend broke up in 1972 the singer re-launched his career on the London circuit, where he attained semi-mythical status as a pioneer of UK pub rock. He was signed to the eclectic Stiff label, and ‘Juppanese’ was released in 1978 to great acclaim among aficionados. Here are a dozen rockin’ tracks, including the appropriately titled ‘Old Rock’n’Roller’, together with five bonus items, comprising A and B-sides and album tracks, all composed by the ‘Juppanese’ man himself.

Like Dave Edmunds, guitarist/pianist/vocalist Mickey Jupp was a champion of traditional rock & roll during the late '70s, a time when it had been all but discarded. Unlike Edmunds, Jupp wrote the majority of his own material, which updated '50s rock & roll with a tongue-in-cheek irony.

TED MULRY first came to the attention of the music industry when he sent a demo of some of his own compositions to Albert Productions in Sydney. The company persuaded him to become a recording artist and he soon rose to fame as a solo singer/songwriter with his own composition, the pop ballad “Julia”, which made the Australian charts in 1970.
He followed that with “Falling in Love Again”, a song by The Easybeats songwriting team Harry Vanda & George Young, which was a major hit in 1971.Mulry was a prolific songwriter, and a number of bands and artists, including John Farnham and Alison MacCallum, recorded his songs. Most notably, rock band Sherbet had a hit with his song, “You’re All Woman”.